Stephen Barber
Författare till Antonin Artaud: Blows and Bombs
Om författaren
Stephen Barber is the author of twenty-five books, including seven novels, most recently White Noise Ballrooms. He has received several awards for his books, which have been translated into many languages, such as Japanese and Chinese.
Verk av Stephen Barber
The Art Of Destruction: The Films Of The Vienna Action Group (Persistence of Vision) (Volume 5) (2004) 15 exemplar
Annihilation Zones: Far East Atrocities of the 20th Century (The Modern Death Series) (2002) 9 exemplar
Guiseley Terriers: A Small Part of a Great War: A History of the 1/6th Battalion, Duke of Wellington's West Riding… (2018) 2 exemplar
Salo: A Film By Pier Paolo Pasolini 1 exemplar
Reclaiming the Revolution: Extraordinary Adventures in Politics and Leadership at the Inflection Point of Industry 4.0 (2023) 1 exemplar
Duo for Flute and Piano 1 exemplar
Inferno De Sade: Pier Paolo Pasolini's "Salo, or the 120 Days of Sodom" (Persistence of Vision X-Series) (2010) 1 exemplar
ESTADOS UNIDOS EN RETIRADA 1 exemplar
Taggad
Allmänna fakta
- Vedertaget namn
- Barber, Stephen
- Födelsedag
- 1961-10-03
- Kön
- male
- Nationalitet
- UK
- Födelseort
- Leeds, Yorkshire, England, UK
- Bostadsorter
- London, England, UK
- Utbildning
- Queen Mary College, University of London (Ph.D|1990)
- Yrken
- professor
urban and cultural studies scholar
art historian - Organisationer
- Kingston University
Medlemmar
Recensioner
Du skulle kanske också gilla
Statistik
- Verk
- 42
- Medlemmar
- 454
- Popularitet
- #54,064
- Betyg
- 3.2
- Recensioner
- 5
- ISBN
- 61
- Språk
- 1
Butoh was started by the dancer Hijikata in the ruins of a bombed out Tokyo in the years immediately after WW2, although it only really came to prominence in the uneasy years of the 60’s when Tokyo was hit by student protests against Japan’s continued domination by American consumerism and militarism. As such, it is borne of death and carries the smell of revolt.
Hijikata speaks of his ideal audience as being composed of the dead, and his gestures arise from the gestures of the dying.
I would like to have a person who has already died, die over and over inside my body…I may not know death, but it knows me.
Butoh is paradox, because….
Read the full review on The Lectern… (mer)