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11 verk 802 medlemmar 25 recensioner 7 favoritmärkta

Om författaren

Suzanne Strempek Shea's writing was first published in her own hand-lettered & illustrated "Nutty News" (circulation: one copy) when she was eight years old. Now, in her early-40s, she covers two small towns for the "Springfield Union-News". Her freelance writing has been published in magazines visa mer including Yankee & New England Monthly. She lives in Bondsville, Massachusetts, with her husband, Tommy, a journalist with the "Union-News". She was the recipient of the NBA Award for "Lily of the Valley". (Bowker Author Biography) visa färre
Foto taget av: Photo by Nancy Palmieri

Verk av Suzanne Strempek Shea

Taggad

Allmänna fakta

Födelsedag
1958-12-07
Kön
female
Nationalitet
USA
Bostadsorter
Bondsville, Massachusetts, USA
Yrken
bookseller
Priser och utmärkelser
New England Book Award (2000)

Medlemmar

Recensioner

Recommended by a radiation technician: I think there aren't many books focused on radiation treatments for breast cancer following a successful lumpectomy. As the author notes everyone's reaction to learning that they have breast cancer is different, so not identifying with her reactions is not a problem. The book is based on her notes as she went through treatment and not everything is connected to what happens in a lead-lined room, but, much as it makes the memoir seem longer than I would have liked, it's good to realize that there is more to a person than her illness and treatment. I was happy to see that as of August 2021, she is still alive and on Wikipedia.… (mer)
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Flaggad
raizel | Aug 24, 2021 |
3.5 trending toward 4. What happens when an author goes to work in a bookstore? She makes a beautiful, noticeable display of her own books, to start with. Suzanne Shea's nonfiction account of a year at Edwards Bookstore, an indie mecca in Springfield, MA is both touching and interesting and speaks to the power of a bookstore to both bolster a community and foster community. She calls a bookstore a place that sells "ideas, stories, encouragement, answers, solace, validation, the basic ammunition for daily life." Suzanne has her own personal reasons to take off a year of writing -- she is recovering from cancer -- and when her friend, Janet, Edwards proprietor, calls with a job offer this seems like another angle on healing. The year's passing is indicated through store displays that highlight the holidays and also measure Suzanne's growth and progress. Reclusive at first, she soon embraces the bookstore "family" of employees and regular shoppers -- some who come in daily for their newspapers and other simple pleasures that emphasize how vital a good bookstore can be in a neighborhood. Suzanne brings some innovative ideas that help boost sales -- she is kind of a guru, having been in hundreds of bookstores for signings and readings(shout out to Women and Children First in Chicago, and Barbara's Bookstore in Oak Park) -- and the place is transformed, and so reciprocally is she. This happens to be 2001, so the 9/11 attacks are particularly poignant with the heavy death toll intersecting with her own recovery arc. "....change is the only guaranteed story element." (220) she acknowledges. Because Shea is a thorough writer, there is some extraneous detail here about how to conduct inventory, order books, unpack them, etc which feels like minutiae better left to the actual worker than just the wanna-be reader -- like learning how sausage gets made-- better to not know. An entertaining read about a mutually beneficial relationship.… (mer)
 
Flaggad
CarrieWuj | 16 andra recensioner | Oct 24, 2020 |
Becoming Finola
by Suzanne Strempek Shea

This was a slow starter for me, taking nearly 100 pages before it grabbed me. But then it really struck a chord with me and I didn't want it to end. I found the the style of writing was beautiful in a way that's hard to describe. I'm not sure if this will capture my meaning, but this is one phrase that caught my attention:

She'd been studying the village so intensely, but just beyond that lay an entire ocean--bigger than the world, it seemed, and certainly more than large enough to bear all she was seeking. Anticipating her arrival, it had dressed for the occasion, dark midnight-sapphiry-purplish and tinsels of disco ball sparkles as it pitched forward a serious succession of surf-movie-sized breakers.

Yes, that's a mouthful, but the imagery created is really spectacular. Another factor that I really enjoyed was that this took place right after 9/11, and the MC was the same age as I would have been then. The world created in this story accurately captures the state of the world--politically and culturally--at that time, especially for someone (like me) who would have the same memories. I'm talking about random tidbits of glimpses into the time, i.e. references to "email machines" at the local B&B, the telephones tucked into seat backs on airplanes, smoking gazebos at hospitals, the fact that the tourism industry really suffered because people were afraid to travel, one-liners about Sinead being a "bald, angry Pope ripper", tourists wearing red, white and blue Tommy Hilfiger sweatshirts and T-shirts bearing the words "Never Forget", a wedding gown compared to "a lacy 80s prom dress with the 'Gunne Sax' label", people watching episodes of "Sex and the City" and "Jackass" on MTV.

The plot itself had enough twists to keep it interesting. Sophie White travels to a small seaside village (pop. 400+) in Ireland, called "Booley" (from the original Celtic "Buaille") with her friend, Gina. Gina is going through a life crisis after losing her husband to a car accident, her rebellious 18yo daughter to abandonment, and her job to a factory closure. Sophie has devoted 18 months to keeping Gina organized and sane, working as her personal assistant, but mainly helping her through her grief. Gina decides to spend the summer in this little Irish hamlet and pays the way for Sophie to travel with her from Massachusetts.

The day after their arrival, Gina decides to turn around and go back home. She wants to be alone, however, and requests that Sophie stay on in Ireland for the summer. Sophie feels betrayed and abandoned by her friend, but agrees and soon becomes a fixture in the little town. The friendships she makes eventually help Sophie get through her own personal tragedy as she finds out a truth about her fiance back home.

Sophie is coerced into helping out at a little bead/jewelry-making shop when she shows a natural talent for organization and marketing. The jewelry making, as well as the gentle company of its owner, Liam Keegan, become a kind of therapy, and she learns to embrace and enjoy the quiet life Booley offers her. Because tourists want to buy jewelry directly from the "Irish" local making it and it hurt sales when she said she was in reality from America, Sophie begins to take on the name and persona of the woman who originally owned the shop, Finola O'Flynn.

Finola is constantly talked about and grieved over, and Sophie begins to feel like she knows her after hearing stories of her exploits and how she helped so many people during the time she lived in town. Finola, someone who three years prior had suddenly abandoned the town, her job, her little cottage, and the residents--including her boyfriend, Liam Keegan, has become legend to the local Booleyans. Sophie finds her feet and her own success while using the mythical Finola as her talisman, i.e. "What Would Finola Do?" to help her decide how to live her life--including falling in love with Liam.

Her newfound peace gets shaken up, however, when the real Finola returns.
… (mer)
½
 
Flaggad
AddictedToMorphemes | 1 annan recension | Apr 21, 2016 |

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Statistik

Verk
11
Medlemmar
802
Popularitet
#31,798
Betyg
½ 3.6
Recensioner
25
ISBN
29
Språk
2
Favoritmärkt
7

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