Edmund White

We continue the autobiography of an unknown protagonist (okay, okay! It's White). By now he is a full fledged adult and it is the early 1960s. Whereas the other books in the trilogy spanned a short period of time, Farewell Symphony is much longer and covers nearly thirty years, ending in the early 1990s. By the end of The Farewell Symphony Mr. Nameless has outlived most of his friends. AIDS has infiltrated his love life. But I am getting ahead of myself. Let us start at the beginning. Brice, a former lover, died six months before the story opens. From there, the author experiences a string of sexual encounters barely qualifying as relationships: the heartbreak over Sean, a man who was unobtainable. Lou and Kevin. Fox. I could go on. For the most part, Farewell Symphony seems to be a running commentary on sex within the homosexual community. The nameless protagonist prowls for hookups, threesomes, and orgies all fueled by an insatiable desperation to not go lonely. When he isn't trying to get laid, he desires to be published. The most poignant and sorrowful portion of The Farewell Symphony is the bitter end. True to the title of the book, the symphony of gay men die off, one by one, leaving one voice to take a final bow.… (mer)

I was blown away by this collection of essays by Edmund White. The Burning Library. Writings on Art, Politics and Sexuality 1969 - 1993, edited by David Bergman, has been in my possession for a very long time before I came round to reading it this summer. It is no exaggeration to compare this collection of essays with the work of Susan Sontag.

First of all, White's essays cover a very broad field, extending to all the major writers of the Twentieth century. Through his familiarity with European culture, being able to read French, White has truly profound knowledge and understanding of French culture and writers with long essays on Roland Barthes, Michel Foucault, and Jean Genet. Then, too, Edmund White lived through most exciting times, witnessing the heights in the sexual liberation and emancipation of gay people between 1969 - 1993, as well as the lows during that period of the devastating AIDS epidemic. There are essays on Herve Guibert, Juan Goytisolo and Pier Paolo Pasolini.

Edmund White knew or met many of the people he writes about. They were all there in it: Christopher Isherwood, Robert Mapplethorp, Truman Capote, William Burroughs, and Tennessee Williams.

Besides essays dedicated to writers there are several comtemplative essays on movements or the period. All essays are fabulously well-researched, and very well-written, I would never have guessed from mainly knowing Edmund White as a novelist. However, it should be remembered that he started his career as a non-fiction writer.

Highly recommended!… (mer)

Our Young Man is basically gay Zoolander, except in earnest. It's the story of a model who looks much younger than he is and lives a really very dull, aimless existence for fifty or so pages before the reader gives up and finds something else to read. The prose is ugly, the story both preposterous and uninteresting, and the dialogue is awful. In fact, the prose is so bad that in any long section of narration I would find myself longing for some dialogue, even though I knew the dialogue would be just as torturous. It seems that even with torture, humans crave variety.

I know that Edmund White is a giant of gay literature, but I think I only really enjoyed his first two novels. Maybe he needs to return to writing what he knows, because his imagination let him down in this instance.… (mer)