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Gravitationens regnbåge av Thomas Pynchon
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Gravity's Rainbow (Penguin Classics Deluxe Edition) (urspr publ 1973; utgÄvan 2006)

av Thomas Pynchon, Frank Miller (Illustratör)

MedlemmarRecensionerPopularitetGenomsnittligt betygDiskussioner / OmnÀmnanden
6,82068491 (4.14)1 / 304
Medlem:apc251
Titel:Gravity's Rainbow (Penguin Classics Deluxe Edition)
Författare:Thomas Pynchon
Andra författare:Frank Miller (Illustratör)
Info:Penguin Classics (2006), Edition: Deluxe, Paperback, 784 pages
Samlingar:Ditt bibliotek
Betyg:*****
Taggar:V-2, blitz, Pavlovian response, Pirate Prentiss

Verkdetaljer

Gravitationens regnbåge av Thomas Pynchon (1973)

  1. 70
    Ulysses av James Joyce (Jen7r)
  2. 40
    Infinite Jest av David Foster Wallace (AndySandwich)
    AndySandwich: Books that cause neuroses.
  3. 10
    SkÀndlighetsutstÀllningen av J. G. Ballard (StevenTX)
  4. 32
    House of Leaves av Mark Z. Danielewski (AndySandwich)
    AndySandwich: Gravity's Rainbow = paranoia House of Leaves = claustrophobia
  5. 00
    Crash Gordon and the Mysteries of Kingsburg av Derek Swannson (jasbro)
  6. 00
    Ratners stjÀrna av Don DeLillo (rickybutler)
    rickybutler: Like Pynchon? Like DeLillo? Here we gots DeLillo's enthusiastic and goofy response to his own, favorable experience with Pynchon's most famous monsterwork. Wit, mathematical math and DeLillo dialogue.
  7. 14
    Moby Dick av Herman Melville (ateolf)
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Gave up after 150 pages. Couldn't get interested in the rambling, diconnected scenes, and the lack of characterisation or storyline ( )
  SChant | Apr 26, 2013 |


I read this many years ago. Definitely starts slow, but it's incredible. I always thought the best tip to start is to know that Tyrone Slothrop is the main character. By the time I had finished, I was wondering what else there was to say, it was like everything was covered under gravity's rainbow. ( )
  WHA | Apr 6, 2013 |
It has been more than a month since I bunged Slothrop’s world of paranoia. Yet, the very mention of Gravity’s Rainbow sends an agonizing quiver through my spine. With a half-burnt Marlboro dangling in between my lips to preserve my sanity, I am geared up to shred Slothrop and the psychoanalytical puzzle of a disgruntled civilization.

Pynchon is a badass! He knows the poise of unbalancing the sanctuary of one’s mind. Just when you get composed with the narration, a bombshell laced with mystifying lexis splatters your brain cells into a neurotic mirage of bewilderment. Akin to an Archimedean Spiral this manuscript propels you into a hypnotic daze making you yearn for rehabilitation sessions with Freud. Pynchon in this fierce literary opus skillfully crafts a jagged brainteaser, dexterously moving through every character modulating strains of fright, convoluted psyches by means of sardonic humor; overwhelmed by the cosmic premeditated aggression of the World War II and tentative military technology. Analogous to an amoeboid action, the labyrinthine plot propels into a sinister reverie engulfing the most impenetrable enigma –Tyrone Slothrop into a mammoth annihilation of sanity and perseverance.

Is Slothrop a military covert operative? Is he an experimental specimen or a mythopoetic hero? To me, Slothrop is a frightening model of entropy. A quintessence of degradation trying to decipher the flippant conducts of war-conspiracies and inevitability of death, finally fading into a collective zilch. An American agent who is allegedly being monitored by the Allies in London during WWII ,Slothrop comes across as the "anti-hero" with his shady misdemeanors, sexual orgies and his ever so volatile penis which equates Slothrop’s copulations with frequent bombing targets (Pavlovian sexual conditioning). However, as the script unfolds amid the admission of numerous secondary characters, Slothrop metamorphoses into a justifiable representation of humanist dogma heaving with extreme paranoia and hallucinatory raptures. His European sojourn involving fatal information on the V-2 Rocket mechanism and sinister elucidations of the Government conspiracies delineates the fine line that sustains the parameters of life and mortality eventually decomposing in the calamity of rockets and bombs.

"All very well to talk about having a monster by the tail, but do you think we would have h the Rocket if someone, some specific somebody with a name and a penis hadn’t wanted to chuck a ton of Amatol 300 miles and blow up a block full of civilian? Go ahead, capitalize the T on technology ,deify it if it will make you feel less responsible-but it puts you in with the neutered, brother, in with the eunuchs keeping the harem of our stolen Earth for the numb and joyless hardons of human sultans, human elite with no right at all to be where they are."

Underneath the astrological parameters and laws of thermodynamics, Pynchon employs each building block of the universe to impart us the knowledge of irrevocability of death and its unethical exploitation through inhumane power-mongers.

Festooned with an astounding color palette, the rainbow is a nature’s charming bequest after a treacherous storm. Conversely, Pynchon in the course of Slothrop cautions us about the prevalence of a man-made scientific marvel – a mock arc (rocket) that looms on our tomblike unawareness and may unpredictably descend on to the earth patterning a “rainbow” of blood and gore of humanity. A baffling sarcasm, isn’t it?

( )
  Praj05 | Apr 5, 2013 |
Stalled too long near the beginning of this and need to start over - after Infinite Jest and JR.
  cait815 | Apr 1, 2013 |
Ha! I finally got you, Gravity's Rainbow! I have finally conquered you!

Man, I need to read this again later.

After several tries and a year long streak of binge-reading, I must claim a vain show of pride at finishing this for the first time.

This is a very intimidating book, and I know only too well how tiresome and baffling it can be. Side plots, digressions on native blacks in the Wehrmacht, the submission of science to war, long languorous stretches of prose on the horrors and banalities of survival not out of place in Remarque or Vollmann, raunchy sex, noir film, multilingual puns, and show tunes.

Few can possibly claim to 'get' this beast, even after multiple readings. I will make no such claims. Instead, I tell my fellow suffering readers to endure.

Take us out. Follow the bouncing ball.
( )
  HadriantheBlind | Mar 30, 2013 |
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Författarens namnRollTyp av författareVerk?Status
Thomas PynchonprimÀr författarealla utgÄvorbekrÀftat
Bergsma, PeterÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Britto, Paulo HenriquesÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Doury, MichelÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Fučík, ZdeněkÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Gryzunovoĭ, AnastasiiÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Jelinek, ElfriedeÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Koshikawa, YoshiakiÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Miller, FrankOmslagmedförfattarevissa utgÄvorbekrÀftat
Natale, GiuseppeÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Nemtïž sïžĄova, MaksimaÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Nilsson, Hans-JacobÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Ondráčková, HanaÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Pigrau i RodrĂ­guez, AntoniÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Piltz, ThomasÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
SudoÌĆ‚, RobertÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
Zabel, IgorÖversĂ€ttaremedförfattarevissa utgĂ„vorbekrĂ€ftat
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"Nature does not know extinction; all it knows is transformation. Everything science has taught me, and continues to teach me, strengthens my belief in the continuity of our spiritual existence after death." - Wernher von Braun (Beyond the Zero)
"You will have the tallest, darkest leading man in Hollywood." - Merian C. Cooper to Fay Wray (Un Perm' au Casino Hermann Goering)
"Toto, I have a feeling we're not in Kansas any more...." - Dorothy, arriving in Oz (In the Zone)
"What?" - Richard M. Nixon (The Counterforce)
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A screaming comes across the sky.
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This classic hustle is still famous, even today, for the cold purity of its execution: bring opium from India, introduce it into China - howdy Fong, this here's opium, opium, this is Fong - ah, so, me eatee! - no-ho-ho, Fong, you smokee, [smokee], see? pretty soon Fong's coming back for more and more, so you create an inelastic demand for the shit, get China to make it illegal, then sucker China into a couple-three disastrous wars over the right of your merchants to sell opium, which by now you are describing as sacred. You win, China loses. Fantastic.

A former self is a fool, an insufferable ass, but he's still human, you'd no more turn him out than you'd turn out any other kind of cripple, would you?
They'll always tell you fathers are 'taken,' but fathers only leave - that's what it really is. The fathers are all covering for each other, that's all.
If they can get you asking the wrong questions, they don’t have to worry about the answer.
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Amazon.com Amazon.com Review (ISBN 0143039946, Paperback)

Tyrone Slothrop, a GI in London in 1944, has a big problem. Whenever he gets an erection, a Blitz bomb hits. Slothrop gets excited, and then (as Thomas Pynchon puts it in his sinister, insinuatingly sibilant opening sentence), "a screaming comes across the sky," heralding an angel of death, a V-2 rocket. The novel's title, Gravity's Rainbow, refers to the rocket's vapor arc, a cruel dark parody of what God sent Noah to symbolize his promise never to destroy humanity again. History has been a big trick: the plan is to switch from floods to obliterating fire from the sky.

Slothrop's father was an unwitting part of the cosmic doublecross. To provide for the boy's future Harvard education, he took cash from the mad German scientist Laszlo Jamf, who performed Pavlovian experiments on the infant Tyrone. Laszlo invented Imipolex G, a new plastic useful in rocket insulation, and conditioned Tyrone's privates to respond to its presence. Now the grown-up Tyrone helplessly senses the Imipolex G in incoming V-2s, and his military superiors are investigating him. Soon he is on the run from legions of bizarre enemies through the phantasmagoric horrors of Germany.

That's just the Imipolex G tip of the shrieking vehicle that is Pynchon's book. It's pretty much impossible to follow a standard plot; one must have faith that each manic episode is connected with the great plot to blow up the world with the ultimate rocket. There is not one story, but a proliferation of characters (Pirate Prentice, Teddy Bloat, Tantivy Mucker-Maffick, Saure Bummer, and more) and events that tantalize the reader with suggestions of vast patterns only just past our comprehension. You will enjoy Pynchon's cartoon inferno far more if you consult Steven Weisenburger's brief companion to the novel, which sorts out Pynchon's blizzard of references to science, history, high culture, and the lowest of jokes. Rest easy: there really is a simple reason why Kekulé von Stradonitz's dream about a serpent biting its tail (which solved the structure of the benzene molecule) belongs in the same novel as the comic-book-hero Plastic Man.

Pynchon doesn't want you to rest easy with solved mysteries, though. Gravity's Rainbow uses beautiful prose to induce an altered state of consciousness, a buzz. It's a trip, and it will last. --Tim Appelo

(hÀmtat frÄn Amazon Wed, 02 Jan 2013 20:31:47 -0500)

(se alla 5 beskrivningar)

Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the twentieth century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.… (mer)

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