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Laddar... En mörderska bland ossav Hannah Kent
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Gå med i LibraryThing för att få reda på om du skulle tycka om den här boken. Det finns inga diskussioner på LibraryThing om den här boken. You know who did what form the beginning, basically,but the poetic writing, and the unfolding of the story behind the murder still hold interest and the characterization and heartfelt, complex interactions between the characters make it well worthwhile ( ) Book, I'm breaking up with you. This shouldn't hurt you too much, you have lots of other conquests under your belt, but you're not right for me. The way you were described sounded intriguing, but unfortunately things went poorly from the start, when you came in all romance novel like. "Hello, young lady." The man looked down at Steina and her filthy skirts with an air of bemusement. "I see I have interrupted you at your chores."...And I don't mind a slow courtship most of the time, but the way you took 100 pages to establish that people in this narrow minded place don't like loose women and "murderesses", a word I could go the rest of my life without ever hearing again following your frequent use of it, without bringing up anything very interesting, didn't establish a reason to overcome my misgivings. And of course everyone has quirks, but there is one of yours that really bugged me, I must admit. The way you repeatedly began lines of dialogue with a two word sentence consisting of [person's name] [action]. These examples taken from a short conversation covering pages 111-113 will serve to demonstrate what I mean: "Margret hesitated." "Ingibjorg sighed." "Ingibjorg smiled." "Ingibjorg paused." "Ingibjorg nodded." "Margret winced." "Ingibjorg laughed." "Margret tittered." "Margret snorted." I'm sorry, it's like nails down a chalkboard for me. I just can't do it. I'm moving on with my life. I'm giving this a somewhat reluctant three. It was a little difficult for me to get into the book with the Icelandic names so at the suggestion of a friend I downloaded the audio -- great suggestion! I finally got into the swing and rhythm of the book about a third of the way through. I appreciated the writing and the mood but was mostly bored by the plot. Some of the scenes involving dreams confused me more than adding something good. I didn't care much for any of the characters but I wanted to. I felt as if I was teased a bit -- just starting to care about them or understand them and then we didn't hear a thing about them again. (I'm thinking about the daughters here and Toti.) For reasons I can't explain I was surprised by the ending and even MORE surprised by the epilogue. Once I read the epilogue and realized how much of what I read was true, I liked the book quite a bit more. The things that were unsatisfying were easier for me to accept when I understood that they were fact and not decisions made by the author.
One of the best “Scandinavian” crime novels I have read, Burial Rites is the work of an Australian who visited Iceland on a cultural exchange. The novel isn't seamless—Ms. Kent disrupts its rhythms by awkwardly switching between an omniscient narrator and Agnes's first-person point of view. But it convincingly animates Agnes, who feels "knifed to the hilt with fate," showing her headstrong humanity and heart-wrenching thirst for life. At one point she recalls seeing two icebergs grinding together off the northern shore, the friction from their exposed boulders causing gathered driftwood to go up in flames. At her best, Ms. Kent achieves a similar eerie force in this story of passion in a frozen place. There are other stylistic problems. Some dialogue that’s meant to seem elevated and of its time simply sounds unidiomatic: “I was worried of as much”; “The only recourse to her absolution would be through prayer.” There’s prefab phrasing — “my heart throbbed,” “she said breathlessly,” “overcome with relief” — and descriptive clichés, including a sky that’s “bright, bright blue, so bright you could weep.” A remarkable story of the last case of capital punishment recorded in Iceland, Burial Rites is the extraordinary debut novel by Australian author Hannah Kent. Burial Rites is a debut of rare sophistication and beauty – a simple but moving story, meticulously researched and hauntingly told. PriserPrestigefyllda urvalUppmärksammade listor
Först begrep jag inte varför de stod där, män och kvinnor, allihop gloende och orörliga. Sedan förstod jag att det var mig de stirrade på. Jag förstod att de där människorna inte såg mig. Jag var två döda män. Jag var en brinnande gård. Jag var en kniv. Jag var blod. Norra Island 1829. Pigan Agnes Magnúsdóttir, dödsdömd för sin medverkan i ett brutalt dubbelmord, inhyses på den avsides belägna gården Kornsà i väntan på avrättning. Av rädsla och avsky undviker familjen först all kontakt med Agnes. Men snart väcks frågor och tvivel, kanske är hon inte det kallblodiga monster hon utmålats som. Till allas förvåning väljer Agnes den unge, oerfarne prästen Tóti till sin själasörjare. Efterhand får han den bittra, ordknappa Agnes att öppna sig och avslöja sin roll vid dråpet på Natan Ketilsson, hennes husbonde och svekfulle älskare. Men hur kan hon undkomma ett öde som avgörs av andras fördomsfulla föreställningar? En mörderska bland oss är en historisk roman med verklighetsbakgrund, som utspelar sig på ett kargt och kärvt Island, och Hannah Kents kristallklara prosa är ett mörkt kärleksbrev till landet. en fascinerande blandning av fakta och fiktion ... berör in i hjärtat. Agnes kommer att vara med dig långt efter att sista bladet vänts. daily express. [Publit] Inga biblioteksbeskrivningar kunde hittas. |
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Google Books — Laddar... GenrerMelvil Decimal System (DDC)823.92Literature English & Old English literatures English fiction Modern Period 2000-Klassifikation enligt LCBetygMedelbetyg:
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