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Loading... From Bauhaus to Our Houseav Tom Wolfe
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kommer älska Anmäl dig till LibraryThing för att få reda på om du skulle tycka om den här boken. Loved it--an essay about navel gazing and what happens when groups of people navel-gaze and gather together to prove which one of them is more perfect at navel-gazing. Wolfe critiques modern architecture, but it isn't just about the negative effects of the Bauhaus style as much as the dangerousness of a group of people who attempt to rid themselves of pesky intellectual and moreover, ideological, competition. You don't have to hate modern or post modern architecture to like the book, but it probably doesn't hurt if you are a bit of an iconoclast. Tom Wolfe's short work, From Bauhaus to Our House, is little more than a screed against the excesses of modern architecture. While agreeing with many of his conclusions, I found the style and tone of the book to be inappropriate for the purpose of serious art/architecture criticism. Written in 1981, it seems dated with a quarter century of architectural progress having occurred since it was published. There are references to other art forms, music in particular, that demonstrate an unfamiliarity with the material. The result of these references led me to question Wolfe's knowledge of architecture. While Wolfe has been one of my favorite authors with works like The Right Stuff and A Man in Full, this book will not be placed together with those favorites. An alternative for those who are interested in the spirit of twentieth century architecture may be found in the work of Louis Kahn. This is an amusing, long essay about the rise of Bauhaus architecture. Wolfe adopts a sarcastic tone and challenges the "glass box" style of architecture. I found this to be very informative and interesting. I should explain the five stars, as this is far from Wolfe's best book (the Right Stuff and Mau-Mauing the Flak Catchers are both perfect shots of their time). I read this book 25 years ago, and it's forever changed the way I look at buildings. The Philadelphia commercial areas are cursed with Gropius-like box buildings, with the suburbs marred by them every time a developer get a license to build. A book that changes the way one sees reality is worth five stars, in my book. Much worth reading. inga recensioner | lägg till en recension
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His doctrine found fertile soil in America, where it was time to adopt a clearly defined and suitable representative architecture.
Tom Wolfe, author of THE PAINTED WORD and THE RIGHT STUFF, treats us to a chronicle of the trends that ultimately brought us the ubiquitous and baffling "glass box" of modern commerce.
"Delightfully witty, biting history of modern architecture...scintillating high comedy of big money, manners and massive manipulation of public taste." (Publishers Weekly)
(hämtat från Amazon Fri, 24 Apr 2009 07:58:18 -0400)
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| — | — | 4/11 |
Now, I'm not a big fan of glass & steel & concrete office buildings, but Wolfe is absolutely virulent on the subject. And therein lies the rub. He detests Bauhaus-inspired work so much that he has no perspective. He is guilty of the same pretentiousness and arrogance of which he accuses the architects whom he dislikes.
There is a great deal to be said against architects who prefer form over function, theory over practice. But any legitimate criticism is lost in this diatribe. Saying over and over again "it's ugly and I don't like the architects' politics" is not particularly persuasive.