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kommer älska Anmäl dig till LibraryThing för att få reda på om du skulle tycka om den här boken. A good book, but not one of the best in the series. Overall, it was entertaining, but a weak link in the chain of Bridgertons. Even if it was weak, it's still Julia Quinn, and you can't go wrong with anything by her! http://ktleyed.blogspot.com/2009/07/i... Hyacinth's story was as charming as I had hoped for. JQ didn't disappoint me here -- the plot was fresh and captivating, the humour light and fanciful, and the romance a swooningly good time. sparkling dialogue, better than average stock characters. funny. grandmother is spunky. 4th bridgerton book. mystery is who is hero's father? Hyacinth Bridgerton is the last unwed Bridgerton daughter. A good friend of Lady Danbury, Hyacinth is clever, snarky, and isn’t afraid to put men and women in their places. As a result, her family frets over her ever finding someone who can put up with her independent, knowing nature. Enter Gareth St. Clair, a man with serious family problems who doesn’t realize there is a gap in his life. When he is given his dead grandmother’s diary, he realizes that it may reveal the secrets of his past, but the diary is in Italian. Lucky for him, Hyacinth can read Italian. Working together with the diary, these two realize that they may work well together in other ways, too. I’m going to go out on a limb here and suggest that this is the weakest of the Bridgerton novels. Hyacinth and Gareth didn’t sparkle together quite as much as the other couples, which is peculiar considering Hyacinth always has the best comebacks and snappy put-downs. Part of the premise is that she’s tongue-tied around Gareth, more so than usual, because she has a crush on him. It’s cute and endearing, but it’s not really like her, so it was a little hard to adjust to the new Hyacinth. That said, this book is better than any of the other romance novels I’ve read lately. Gareth and Hyacinth deal with real and sweet emotional issues. I also like that they fall in love what I’d consider typically. Gradual close contact -> slow realization of feelings -> engagement. In this sense, it’s probably the most conventional of all her works so far, but still very enjoyable. Also, it cracked me up when Hyacinth and Lady Danbury were reading aloud the horrible trashy novels of the day. Felt a little bit like Quinn was making fun of herself, knowing full well that she’s writing what are considered the trashy novels of our day (even if I like them and don’t think so, you can get far worse than this). I like that. I was also really amused by the Bridgerton family as always. Their interactions are among the funniest that I have ever read. This is the last Bridgerton book for me (I already read the last one, On the Way to the Wedding) and I’m sad to end the series, but I still have a lot more of Quinn’s backlog to find and read. And she’s still writing, so I can’t complain! http://chikune.com/blog/?p=640 inga recensioner | lägg till en recension
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Meet Our Hero . . .
Gareth St. Clair is in a bind. His father, who detests him, is determined to beggar the St. Clair estates and ruin his inheritance. Gareth's sole bequest is an old family diary, which may or may not contain the secrets of his past . . . and the key to his future. The problem is—it's written in Italian, of which Gareth speaks not a word.
Meet Our Heroine . . .
All the ton agreed: there was no one quite like Hyacinth Bridgerton. She's fiendishly smart, devilishly outspoken, and according to Gareth, probably best in small doses. But there's something about her—something charming and vexing—that grabs him and won't quite let go . . .
Meet Poor Mr. Mozart . . .
Or don't. But rest assured, he's spinning in his grave when Gareth and Hyacinth cross paths at the annual—and annually discordant—Smythe-Smith musicale. To Hyacinth, Gareth's every word seems a dare, and she offers to translate his diary, even though her Italian is slightly less than perfect. But as they delve into the mysterious text, they discover that the answers they seek lie not in the diary, but in each other . . . and that there is nothing as simple—or as complicated—as a single, perfect kiss.
(hämtat från Amazon Fri, 24 Apr 2009 07:58:02 -0400)
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