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Loading... Orion i ögatav Alan Garner
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kommer älska Anmäl dig till LibraryThing för att få reda på om du skulle tycka om den här boken. An ingenious weaving of three colocated strands from Roman Britain, the English Civil War, and twentieth century suburban Cheshire. It is possible to infer that the three adolescent men are all the same person spread over time but this is not made explicit. The last two pages contain a neatly enciphered text that is not essential to understanding the book but enhances it. Some people consider the sexual elements of the modern story to be inappropriate to the young adolescent audience that Garner seems to be addressing. ( )Initially confusing, but hypnotic book with a vast sense of place. Deeply depressing though - I loved it circa age 20. I'm still confused! The majority of the book is dialogue, straight, brief sentences of dialogue that snap back and forth in such a way I had to keep backtracking to see who said what. (Occasional dialect didn't help, either.) Really, writing this as a play would have been clearer; at least I'd know who said what when. Stage directions would also have been helpful, as people seemed to come and go with nary a warning. Sometimes the only way I could tell someone had left the group was the character would speak and no one in the group would respond, so I knew they were talking to someone else. For me, this book had too much going on (I could tell! I just couldn't tell exactly what!) and too little in the way of description. Narrative? That would be nice. I really wanted to like this -- and I know Garner can be inscrutable -- but there just wasn't enough to grab on to. I wish he'd made the method of storytelling more traditional in structure (accessible!). It's like he was being obtuse on purpose. And I don't think it was one of those "storyline reflected in the structure of the book" things. Maybe I should be treating it like a long poem. Writ in verse, and all. Hmmm. At least the setting was clear. Sometimes. Not time-travel, exactly, but a marvelous evocation of the Cheshire countryside throughout history. Intertwines three threads (Roman Britain, Civil War England, and contemporary suburbia) and the importance of individual decisions. Powerful and successful. This extraordinary book is among my Top Ten (top teen?) Favourite Works of Fiction. It follows the journeys of three tormented young men (or are they the same person?) - a Roman soldier in Britain in the fifth century C.E., a peasant in the English Civil War, and a student living in the present day. After reading this book, I went to the small Cheshire parish church where some of the Civil War and present-day action takes place. The screen is there, as is the Victorian effigy... and the memorial describing the historic Civil War assault on the church. A very moving experience to see. This book exists in several editions. Whatever you do, make sure that you obtain one with the encoded message printed at the end of the book - and do take the effort to decode it! This message is Garner's final gift to those readers who care, and it completely transforms the book's finale. (Hint: he uses the de Vigenère cypher.) inga recensioner | lägg till en recension
Amazon.com Book Description (ISBN 0007127863, Paperback)When Alan Garner's first book, The Weirdstone of Brisingamen, was published he was hailed by reviewers as a great new writer. The Weirdstone and its sequel The Moon of Gomrath are magic-fiction stories set around Alderley Edge in Cheshire, which is his home. The next book, Elidor is of the same genre, but here the setting is Manchester (where Alan Garner went to school), and the magic is seen only through the children's eyes.It was The Owl Service which undoubtedly brought Alan Garner to everyone's attention. It won two important literary prizes: The Guardian Award and the Carnegie Medal, was made into a serial by Granada Television and has established itself as a classic. Set in Wales, its roots grow so deep into Welsh mythology that the characters are often inseparable from their ancient counterparts. In Red Shift conventional time means even less, and physical place even more. Lives which appear to be lived in different historical periods are bound together by a power that is outside space and time. "At the bottom level, my stories have to work as entertainment, keep a reader turning the page to find out what happens next. At the top level, they have to work for me, say what I want to express. In fact, I must write poetry, making words work on more than one level, subjecting myself to the poetic disciplines - pace, compression, simplicity." (hämtat från Amazon Fri, 24 Apr 2009 07:57:51 -0400) Första testrundan har stängts. Gå till Open Shelves Classification-gruppen om du vill veta mer. |
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