Not one of Simak's best...which is kind of an understatement. Very derivative with heavy borrowings from Tolkien. But the Christian content is not reduced as it is in Tolkien to battles between forces of good and evil, but right in your face.

There is a lot thrown out that goes completely unexplained in ways that are unsatisfying. First, characters say multiple times that The Horde came at some distant point in the past from space, but to what purpose is not clear. They seemingly fly through space to combat the truth of Christ?

Second, there is some sense that progress has been arrested in the world, the kind of material and intellectual progress that can ease human physical suffering as opposed to spiritual hurts. But why this is the case either I missed or it too is never made clear. Another result of The Horde, I suppose. But the problem is deeper because it is never made clear the relationship between physical need and spiritual need. Isn't material progress over time that eases the "Wailing for the World," simply ephemeral relief? Maybe, Simak attempts to tackle this via the giving of food and helping hands between strangers, like Andrew the Hermit's offering of a bit of cheese to Meg the Witch when they first meet even though he despises her magic and paganism.

Finally, the ending is just too abrupt and unfulfilling/unearned. The manuscript, the words of Christ are the talisman that the Horde fears--I guess in the long run?--and so they create their defensive swarm and are blown to smithereens by the force of the manuscript, thus, confirming its authenticity?

The novel as a whole seems like Lady Diane's Griffin, a bit of lion here, a touch of dragon there, a hint of serpent, and so on and so on. ( )

This is another of my older books that I don't remember too much about. It is fantasy not science fiction despite the fact that Simak is more known for writing science fiction. This is a hardcover book.

From the inside flap:
Through a wilderness blighted by horror rode Duncan, son of the noble House of Standish. Astride his mighty war horse, he was pursuing a quest vital to the future of civilization. With him went a strange fellowship: a brawny man-at-arms, a banshee, a hermit, a ghost, a turncoat demon, a goblin and a witch. Opposing them came forsces of supernatural malignancy. Aiding them was a girl with the blood of enchanters in her veins who was mounted on an ancient griffin. And all this takes place in England in the 1970s... But in the world of The Fellowship of the Talisman, the Dark Ages never ended. There had been no Renaissance, no exploration of the lands across the sea; and men lived much as they did a thousand or more years ago. Some historians believed this situation was the result of the terror and devastation called the Evil, which broke out every five centuries, laying waste first to Macedonia, then to Iberia, and finally to a large part of England. ( )

Romanzo non propriamente di fantascienza, piuttosto una sorta di fantasy storia/alternativa ambientato in un europa "attuale" ma rimasta allo sviluppo medioevale causa una misteriosa e deleteria *orda* malefica che periodicamente devasta zone del continente.
Con un ormai consueto schema narrativo Simak crea una bislacca combriccola di eroi ed antieroi che devono cimentarsi in un viaggio/prova irto di pericoli e rivelazioni, in parte drammatico in parte quasi comico o cmq ridicolo, nella speranza di fermare l'orda malefica.
Francamente niente di che, storia confusa e un po' troppo bislacca, Simak è capace di ben altro: al limite della sufficienza. ( )

There's always more going on in a Simak fable than is obvious.  Don't be fooled by the silly cover illustration.  Certainly this can be read as simple quest, with the motley crew joining the original scion.  A little deeper, there's an earnest parable about religion and technology.  But fans of the Grand Master will find more.  I wonder... this was written quite late in Simak's life... did he write the role of Andrew the anxious hermit for himself? ( )