Elizabeth von Arnim (1866–1941)
Författare till The Enchanted April
Om författaren
Särskiljningsinformation:
(eng) Also wrote under the name of Alice Cholmondeley, and in first publications only under her pen-name "Elizabeth"
Serier
Verk av Elizabeth von Arnim
Elizabeth von Arnim's Collected Works: The Enchanted April, The Solitary Summer, The Benefactress, Vera, and More!… (2012) 18 exemplar
Delphi Complete Works of Elizabeth von Arnim (Illustrated) (Delphi Series Eight Book 16) (2017) 6 exemplar
Elizabeth's children 1 exemplar
Un'estate da sola 1 exemplar
The Enchanted April / Love / Vera 1 exemplar
A Devotee 1 exemplar
Virago Modern Classics box set (various) 1 exemplar
The Lowest Rung 1 exemplar
Prisoners 1 exemplar
The Danvers Jewels 1 exemplar
The Elizabeth von Arnim Collection 1 exemplar
Dianna Tempest 1 exemplar
1993 1 exemplar
The Complete Works of Elizabeth von Arnim (12 Complete Works of Elizabeth von Arnim Including The Enchanted April, The… (2015) 1 exemplar
Sigurd Eckdal’s Bride 1 exemplar
Associerade verk
Taggad
Allmänna fakta
- Namn enligt folkbokföringen
- Beauchamp, Mary Annette (birth)
- Andra namn
- "Elizabeth" (pen name)
Cholmondeley, Alice (pseudonym)
Countess von Arnim-Schlagenthin
Elizabeth Russell, Countess Russell - Födelsedag
- 1866-08-31
- Avled
- 1941-02-09
- Begravningsplats
- St Margaret's Church, Tylers Green, Penn, Buckinghamshire, England, UK
- Kön
- female
- Nationalitet
- UK
- Födelseort
- Kirribilli Point, New South Wales, Australia
- Dödsort
- Charleston, South Carolina, USA
- Dödsorsak
- influenza
- Bostadsorter
- Sydney, New South Wales, Australia
Valais, Switzerland
London, England, UK
Berlin, Germany
Nassenheide, Pomerania, Germany
Charleston, South Carolina, USA - Utbildning
- Royal College of Music
- Yrken
- novelist
- Relationer
- Mansfield, Katherine (cousin)
Russell, Bertrand (brother-in-law)
Wells, H. G. (lover)
de Charms, Leslie (daughter)
Walpole, Hugh (friend)
Forster, E. M. (friend) (visa alla 8)
Earl Russell (2nd husband)
von Arnim-Schlagenthin, Henning August (1st husband) - Kort biografi
- Born Mary Annette Beauchamp in Sydney, Australia. Married first to Count Henning August von Arnim-Schlagenthin, then to Francis, 2nd Earl Russell. Australia was the setting of the family's vacation home, and when she was three years old, they returned to England. After her first husband's death in 1910, she lived in Switzerland, England, and the USA, and entertained a large circle of literary and society friends. She produced some 20 novels, semi-autobiographical works, and memoirs, beginning with Elizabeth and her German Garden (1898), and including The Enchanted April (1922), which was adapted as a Broadway play in 1925; a successful film in 1992; a Tony Award-nominated stage play in 2003; a musical play in 2010; and a serial on BBC Radio 4 in 2015.
- Särskiljningsnotis
- Also wrote under the name of Alice Cholmondeley, and in first publications only under her pen-name "Elizabeth"
Medlemmar
Diskussioner
April Read: Elizabeth von Arnim i Virago Modern Classics (maj 2017)
Elizabeth von Arnim i Tattered but still lovely (oktober 2014)
GROUP READ: The Enchanted April by Elizabeth von Arnim i 2013 Category Challenge (april 2013)
Recensioner
Set post WW1, this is one book in that category of books of women travelling, quite often to Italy, to discover themselves and those around them. I am thinking of A Room with a View by EM Forster, Still Life by Sarah Winman or even the film Tea with Mussolini although they are expats.
Mrs Wilkins sees an advert to rent a castle in Italy for the month of April and longs to go. She has a small nest egg she could use but it is really too expensive until she sees Mrs Arbuthnott dreaming over the same advert. Both have reasons to escape, their marriages not working too well, and so agree to rent it. To reduce costs they then advertise for two more women who would like to go, it sleeps eight, and find them. Lady Caroline Dester who wants to escape from her beauty and being stared at and Mrs Fisher who is deemed to be ancient at 65 with a walking stick and stuck in the past.
Italy works its magic, the weather, the flowers and the castle itself and changes happen. First Mrs Wilkins is opened to love and invites her husband out, having gone to escape him, and their relationship is transformed although he does still pinch her earlobe as a form of endearment. And, by the third week Mrs Fisher feels as if she is 'sprouting' again, Mrs Arbuthnott has her husband with her and the romance is re-ignited, even if he had gone out chasing after Lady Dester, and Lady Dester thinks that there might be something in Mr Briggs who owns the castle.
It was the perfect book to read whilst recovering from a bout of COVID, not taxing but warm and transforming. A book of manners and worry all undone by the weather and vistas in San Salvatore.
All the radiance of April in Italy lay gathered together at her feet. The sun poured in on her. The sea lay asleep in it, hardly stirring. Across the bay the lovely mountains, exquisitely different in color, were asleep too in the light; and underneath her window, at the bottom of the flower-starred grass slope from which the wall of castle rose up, was a great cypress, cutting through the delicate blues and violets and rose-colors of the mountains and the sea like a great black sword.
p103
The writing is wonderful. I love the way von Arnim compares the now deceased Mr Fisher to macaroni (would we say spaghetti nowadays?).
Mrs. Fisher had never cared for macaroni, especially not this long, worm-shaped variety. She found it difficult to eat - slippery, wriggling off her fork, making her look, she felt, undignified when, having got it as she supposed into her mouth, ends of it yet hung out. Always, too, when she ate it she was reminded of Mr. Fisher. He had during their married life behaved very much like macaroni. He had slipped, he had wriggled, he had made her feel undignified, and when at last she had got him safe, as she thought, there had invariably been little bits of him that still, as it were, hung out.
p123
Von Arnim is a great observer of people and the small things that make them up, how communications can be misread, selfishness or being too selfless (is that selfish?). She describes very well the fact that the house does not have one leader - she who decides what will be eaten and when - but allows the women to find their way in the group. Her description of the effect of female beauty on men is very detailed and her character of Caroline Dester is particularly well-drawn for nowadays. A beautiful young woman who is fed up with being 'ogled' at and 'grabbed' who has come out to Italy to get away from that and to try and 'think'.
A wonderfully enchanting and recuperative read.… (mer)
Mrs Wilkins sees an advert to rent a castle in Italy for the month of April and longs to go. She has a small nest egg she could use but it is really too expensive until she sees Mrs Arbuthnott dreaming over the same advert. Both have reasons to escape, their marriages not working too well, and so agree to rent it. To reduce costs they then advertise for two more women who would like to go, it sleeps eight, and find them. Lady Caroline Dester who wants to escape from her beauty and being stared at and Mrs Fisher who is deemed to be ancient at 65 with a walking stick and stuck in the past.
Italy works its magic, the weather, the flowers and the castle itself and changes happen. First Mrs Wilkins is opened to love and invites her husband out, having gone to escape him, and their relationship is transformed although he does still pinch her earlobe as a form of endearment. And, by the third week Mrs Fisher feels as if she is 'sprouting' again, Mrs Arbuthnott has her husband with her and the romance is re-ignited, even if he had gone out chasing after Lady Dester, and Lady Dester thinks that there might be something in Mr Briggs who owns the castle.
It was the perfect book to read whilst recovering from a bout of COVID, not taxing but warm and transforming. A book of manners and worry all undone by the weather and vistas in San Salvatore.
All the radiance of April in Italy lay gathered together at her feet. The sun poured in on her. The sea lay asleep in it, hardly stirring. Across the bay the lovely mountains, exquisitely different in color, were asleep too in the light; and underneath her window, at the bottom of the flower-starred grass slope from which the wall of castle rose up, was a great cypress, cutting through the delicate blues and violets and rose-colors of the mountains and the sea like a great black sword.
p103
The writing is wonderful. I love the way von Arnim compares the now deceased Mr Fisher to macaroni (would we say spaghetti nowadays?).
Mrs. Fisher had never cared for macaroni, especially not this long, worm-shaped variety. She found it difficult to eat - slippery, wriggling off her fork, making her look, she felt, undignified when, having got it as she supposed into her mouth, ends of it yet hung out. Always, too, when she ate it she was reminded of Mr. Fisher. He had during their married life behaved very much like macaroni. He had slipped, he had wriggled, he had made her feel undignified, and when at last she had got him safe, as she thought, there had invariably been little bits of him that still, as it were, hung out.
p123
Von Arnim is a great observer of people and the small things that make them up, how communications can be misread, selfishness or being too selfless (is that selfish?). She describes very well the fact that the house does not have one leader - she who decides what will be eaten and when - but allows the women to find their way in the group. Her description of the effect of female beauty on men is very detailed and her character of Caroline Dester is particularly well-drawn for nowadays. A beautiful young woman who is fed up with being 'ogled' at and 'grabbed' who has come out to Italy to get away from that and to try and 'think'.
A wonderfully enchanting and recuperative read.… (mer)
A discrete advertisement in The Times, addressed to "those who appreciate wisteria and sunshine," is the prelude to a revelatory month for four very different women. High above a bay on the Italian Riviera stands the medieval castle San Salvatore. Beckoned to this haven are Mrs. Wilkins, Mrs. Arbuthnot, Mrs. Fisher, and Lady Caroline Dester, each quietly craving a respite. Lulled by the gentle spirit of the Mediterranean, they gradually shed their public skins, discovering a harmony each of them has longed for but none has ever known. First published in 1922, this captivating novel is imbued with the descriptive power and lighthearted irreverence for which Elizabeth von Arnim is renowned
Published in 1922, this book starts with Mrs Wilkins seeing an advert for a castle to rent in Italy posted on the front of the times. Married to a solicitor, with a small nestegg of £90 and looking at the rain outside she wonders if she could ever spend money in this way
After reading the advert in her local club, she spots Mrs Arbuthnot, who goes to the same church as Wilkins but the two women have never talked. Both women are married and both have different reasons to disappear from their husbands – Wilkins because she fears she has become a non-entity and that her husband doesnt even notice she exists. Mrs Arbuthnot because she realises that she and her husband have grown apart – him to concentrate on writing his books, her to work on the things that fill her time as he keeps himself away from the marital home
They agree to take the castle, and search for two other women to share the expenses with.
Lady Caroline, young, beautiful, wanting to be left alone but realises that ultimately whilst very busy her life is essentially empty
Mrs Fisher, the oldest, stuck in the past where the people of the day can never match the famous people who she knew when a child as they were always more intelligent, interesting, better mannered or more dominant. In turn she has turned into a bitter old woman who thinks everyone goes against her on purpose
The four women arrive at the castle at the beginning of April and the place, surrounded by all the lovely flowers and flora, soon begin to shed their previous selves, some quicker than others. Very quickly Mrs Wilkins (Lottie) decides to invite her husband along. He does turn up, and is stunned at the change he has found in his wife. Because of his job as a solicitor, who needs more women clients, he is solicitous towards all the other women in the house too.
Mrs Arbuthnot (Rose) is more reticent to invite her husband, but finally she does. However, he arrives at the castle, not looking for his wife, but looking for Lady Caroline, with whom he has become infatuated with whilst in London. However, in seeing his wife changed so much for the better, he realises his mistake and returns to the marital house.
Mrs Arbuthnot realises:
He little realises the competition he had from Mr Briggs, the owner of the castle, who has been briefly infatuated with Rose and come to pay a visit. Unfortunately, Rose is almost immediately eclipsed with the arrival of Caroline into the room, which distracts Briggs. Briggs in the mean time has melted the icy heart of Mrs Fisher, who realises she was stuck in the past with the dead and needed live young people around her to bring her out of herself
So ultimately, everyone gets to be where they should be, helped by good weather, good food, a little absence from each other and the benefit of a little solitude. Everyone is so middle classed British, stuck in that weird bit between the wars where people are still feeling the impact of the Great War, but haven’t really lost the Victorian Class system yet
… (mer)
Published in 1922, this book starts with Mrs Wilkins seeing an advert for a castle to rent in Italy posted on the front of the times. Married to a solicitor, with a small nestegg of £90 and looking at the rain outside she wonders if she could ever spend money in this way
After reading the advert in her local club, she spots Mrs Arbuthnot, who goes to the same church as Wilkins but the two women have never talked. Both women are married and both have different reasons to disappear from their husbands – Wilkins because she fears she has become a non-entity and that her husband doesnt even notice she exists. Mrs Arbuthnot because she realises that she and her husband have grown apart – him to concentrate on writing his books, her to work on the things that fill her time as he keeps himself away from the marital home
They agree to take the castle, and search for two other women to share the expenses with.
Lady Caroline, young, beautiful, wanting to be left alone but realises that ultimately whilst very busy her life is essentially empty
If no one an San salvia tore had ever heard of her, if for a whole month she could shed herself, get right away from everything connected with herself, be allowed to forget the clinging and the clogging and al the noise, why, perhaps, she might make something of herself after all. She might think; really clear up her mind; really come to some conclusion
Mrs Fisher, the oldest, stuck in the past where the people of the day can never match the famous people who she knew when a child as they were always more intelligent, interesting, better mannered or more dominant. In turn she has turned into a bitter old woman who thinks everyone goes against her on purpose
The four women arrive at the castle at the beginning of April and the place, surrounded by all the lovely flowers and flora, soon begin to shed their previous selves, some quicker than others. Very quickly Mrs Wilkins (Lottie) decides to invite her husband along. He does turn up, and is stunned at the change he has found in his wife. Because of his job as a solicitor, who needs more women clients, he is solicitous towards all the other women in the house too.
Mrs Arbuthnot (Rose) is more reticent to invite her husband, but finally she does. However, he arrives at the castle, not looking for his wife, but looking for Lady Caroline, with whom he has become infatuated with whilst in London. However, in seeing his wife changed so much for the better, he realises his mistake and returns to the marital house.
Mrs Arbuthnot realises:
Why had she not been attractive sooner? Why the sudden flowering?
He little realises the competition he had from Mr Briggs, the owner of the castle, who has been briefly infatuated with Rose and come to pay a visit. Unfortunately, Rose is almost immediately eclipsed with the arrival of Caroline into the room, which distracts Briggs. Briggs in the mean time has melted the icy heart of Mrs Fisher, who realises she was stuck in the past with the dead and needed live young people around her to bring her out of herself
So ultimately, everyone gets to be where they should be, helped by good weather, good food, a little absence from each other and the benefit of a little solitude. Everyone is so middle classed British, stuck in that weird bit between the wars where people are still feeling the impact of the Great War, but haven’t really lost the Victorian Class system yet
… (mer)
A discrete advertisement in The Times, addressed to "those who appreciate wisteria and sunshine," is the prelude to a revelatory month for four very different women. High above a bay on the Italian Riviera stands the medieval castle San Salvatore. Beckoned to this haven are Mrs. Wilkins, Mrs. Arbuthnot, Mrs. Fisher, and Lady Caroline Dester, each quietly craving a respite. Lulled by the gentle spirit of the Mediterranean, they gradually shed their public skins, discovering a harmony each of them has longed for but none has ever known. First published in 1922, this captivating novel is imbued with the descriptive power and lighthearted irreverence for which Elizabeth von Arnim is renowned
Published in 1922, this book starts with Mrs Wilkins seeing an advert for a castle to rent in Italy posted on the front of the times. Married to a solicitor, with a small nestegg of £90 and looking at the rain outside she wonders if she could ever spend money in this way
After reading the advert in her local club, she spots Mrs Arbuthnot, who goes to the same church as Wilkins but the two women have never talked. Both women are married and both have different reasons to disappear from their husbands – Wilkins because she fears she has become a non-entity and that her husband doesnt even notice she exists. Mrs Arbuthnot because she realises that she and her husband have grown apart – him to concentrate on writing his books, her to work on the things that fill her time as he keeps himself away from the marital home
They agree to take the castle, and search for two other women to share the expenses with.
Lady Caroline, young, beautiful, wanting to be left alone but realises that ultimately whilst very busy her life is essentially empty
Mrs Fisher, the oldest, stuck in the past where the people of the day can never match the famous people who she knew when a child as they were always more intelligent, interesting, better mannered or more dominant. In turn she has turned into a bitter old woman who thinks everyone goes against her on purpose
The four women arrive at the castle at the beginning of April and the place, surrounded by all the lovely flowers and flora, soon begin to shed their previous selves, some quicker than others. Very quickly Mrs Wilkins (Lottie) decides to invite her husband along. He does turn up, and is stunned at the change he has found in his wife. Because of his job as a solicitor, who needs more women clients, he is solicitous towards all the other women in the house too.
Mrs Arbuthnot (Rose) is more reticent to invite her husband, but finally she does. However, he arrives at the castle, not looking for his wife, but looking for Lady Caroline, with whom he has become infatuated with whilst in London. However, in seeing his wife changed so much for the better, he realises his mistake and returns to the marital house.
Mrs Arbuthnot realises:
He little realises the competition he had from Mr Briggs, the owner of the castle, who has been briefly infatuated with Rose and come to pay a visit. Unfortunately, Rose is almost immediately eclipsed with the arrival of Caroline into the room, which distracts Briggs. Briggs in the mean time has melted the icy heart of Mrs Fisher, who realises she was stuck in the past with the dead and needed live young people around her to bring her out of herself
So ultimately, everyone gets to be where they should be, helped by good weather, good food, a little absence from each other and the benefit of a little solitude. Everyone is so middle classed British, stuck in that weird bit between the wars where people are still feeling the impact of the Great War, but haven’t really lost the Victorian Class system yet
… (mer)
Published in 1922, this book starts with Mrs Wilkins seeing an advert for a castle to rent in Italy posted on the front of the times. Married to a solicitor, with a small nestegg of £90 and looking at the rain outside she wonders if she could ever spend money in this way
After reading the advert in her local club, she spots Mrs Arbuthnot, who goes to the same church as Wilkins but the two women have never talked. Both women are married and both have different reasons to disappear from their husbands – Wilkins because she fears she has become a non-entity and that her husband doesnt even notice she exists. Mrs Arbuthnot because she realises that she and her husband have grown apart – him to concentrate on writing his books, her to work on the things that fill her time as he keeps himself away from the marital home
They agree to take the castle, and search for two other women to share the expenses with.
Lady Caroline, young, beautiful, wanting to be left alone but realises that ultimately whilst very busy her life is essentially empty
If no one an San salvia tore had ever heard of her, if for a whole month she could shed herself, get right away from everything connected with herself, be allowed to forget the clinging and the clogging and al the noise, why, perhaps, she might make something of herself after all. She might think; really clear up her mind; really come to some conclusion
Mrs Fisher, the oldest, stuck in the past where the people of the day can never match the famous people who she knew when a child as they were always more intelligent, interesting, better mannered or more dominant. In turn she has turned into a bitter old woman who thinks everyone goes against her on purpose
The four women arrive at the castle at the beginning of April and the place, surrounded by all the lovely flowers and flora, soon begin to shed their previous selves, some quicker than others. Very quickly Mrs Wilkins (Lottie) decides to invite her husband along. He does turn up, and is stunned at the change he has found in his wife. Because of his job as a solicitor, who needs more women clients, he is solicitous towards all the other women in the house too.
Mrs Arbuthnot (Rose) is more reticent to invite her husband, but finally she does. However, he arrives at the castle, not looking for his wife, but looking for Lady Caroline, with whom he has become infatuated with whilst in London. However, in seeing his wife changed so much for the better, he realises his mistake and returns to the marital house.
Mrs Arbuthnot realises:
Why had she not been attractive sooner? Why the sudden flowering?
He little realises the competition he had from Mr Briggs, the owner of the castle, who has been briefly infatuated with Rose and come to pay a visit. Unfortunately, Rose is almost immediately eclipsed with the arrival of Caroline into the room, which distracts Briggs. Briggs in the mean time has melted the icy heart of Mrs Fisher, who realises she was stuck in the past with the dead and needed live young people around her to bring her out of herself
So ultimately, everyone gets to be where they should be, helped by good weather, good food, a little absence from each other and the benefit of a little solitude. Everyone is so middle classed British, stuck in that weird bit between the wars where people are still feeling the impact of the Great War, but haven’t really lost the Victorian Class system yet
… (mer)
Listor
Garden-fiction (3)
Schwob Nederland (1)
Spring Books (1)
1920s (1)
Folio Society (1)
Comfort Reads (2)
Best Beach Reads (2)
discontinued (1)
Five star books (1)
Out of Copyright (1)
A Novel Cure (1)
Female Author (1)
Priser
Du skulle kanske också gilla
Associerade författare
Statistik
- Verk
- 44
- Även av
- 8
- Medlemmar
- 6,754
- Popularitet
- #3,627
- Betyg
- 3.9
- Recensioner
- 256
- ISBN
- 733
- Språk
- 12
- Favoritmärkt
- 48
- Om
- 3
- Proberstenar
- 866
Also, the characters are nominal Christians, so reading about them going to church and being "Christian" alongside all their unbiblical beliefs and practices was frustrating.
Since this is a piece of "semi-autobiographical" fiction (my guess is it's closer to completely autobiographical), I don't think I'll be reading more from this author.… (mer)