Vedertaget namn: Boulton, Marjorie
Andra namn: BOULTON, Marjorie
Födelsedag: 1924-05-07
Avled: 2017-08-30
Kön: female
Nationalitet: Groot-Brittannië
Utbildning: University of Oxford
Yrken: poet
college administrator
Esperanto writer
biographer
literary scholar
short story writer
Organisationer: Esperanto Academy
Kort biografi: Marjorie Boulton received a doctorate in literary studies from Oxford University. She was the principal of a teacher' college for 24 years before becoming a full-time professional writer. Her series of introductory texts on literary studies -- including The Anatomy of Poetry (1953), The Anatomy of Prose (1954), The Anatomy of Drama (1960) -- has been widely used. In 1949, she learned Esperanto and started writing poetry and short stories in this language. Her first collection of Esperanto poems, Kontralte (In Contralto), was published in 1955. Her English-language biography Zamenhof, Creator of Esperanto, appeared in 1960; the Esperanto editon was published in 1962. Her short story collections include Dek du piedetoj (Twelve Little Feet, 1964). In 1983, she published a study of the work of Hungarian author Julio Baghy called Poeto Fajrakora. She is a member of the Esperanto Academy.

Medlemmar

Diskussioner

esperantistoj - "libroj" de Books LLC i Zwischen �t�p� und Wirklichkeit: Konstruierte Sprachen für die gl�b�l�s�rt� Welt (juli 2012)

Bibliographie i Zwischen �t�p� und Wirklichkeit: Konstruierte Sprachen für die gl�b�l�s�rt� Welt (juni 2012)

Recensioner

Ne nur leteroj de plum-amikoj: esperanta literaturo… av Marjorie Boulton

http://donh.best.vwh.net/Esperanto/Literaturo/Recenzoj/plumamikoj.html

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LevGalicia | Dec 7, 2015 |

Eroj kaj aliaj poemoj av Marjorie Boulton

Carmel Mallia, "'Eroj' de Marjorie Boulton," recenzo en Monda Literaturo (14) (Vintro 1966), p. 138-139.

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LevGalicia | Aug 25, 2013 |

La ||arto labori kune av Detlev Blanke

mi nepre devas legi cxi tiun libron

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gangleri | Jul 17, 2012 |

Anatomy of Prose av Marjorie Boulton

This is a rigorous 1950s analysis of prose, seeking to classify different elements of prose as you would classify insects or flowers. From the broad divisions of types of prose (narrative, argumentative, dramatic, informative, contemplative), Boulton proceeds to smaller divisions and sub-divisions, for example listing and defining 36 different rhetorical devices. Despite the intense detail, it was an easy read - the writing, as you'd expect from an anatomist of prose, was quite stylish and always very clear.

The part I found most interesting and useful was the chapter on prose rhythm. Boulton explains how to scan prose as you would poetry, breaking it down into 'feet' and then analysing where the stress falls within each foot. For example "become" is an iambic foot, because the stress falls on the second syllable, whereas "outcome" is a spondee, because both syllables are stressed. There's a great listing of all possible combinations up to the five-syllable dochmiac, and then examples of passages scanned for rhythm. For example in a Bible passage (Psalm 90, v1-9), she shows how the rhythm builds up to climaxes such as the molossus (three syllables, all stressed) - "Thou art God". Important parts like this are surrounded by weaker stresses to highlight them. When the passage speaks of man's weakness, the rhythm is faltering, using weaker paeons (four syllables with only one syllable stressed). The rhythm, in other words, reflects and amplifies the content.

I don't think I'll spend much time analysing the rhythm of my prose, or anyone else's, in that much detail, but it's wonderful to have that knowledge in the back of my head, as a way of understanding why a particular passage may or may not work.

Another useful chapter was the one on the Science of Rhetoric, listing all the main rhetorical devices used in English and their meanings. This is a great reference to have. The ones she lists are: metaphor, simile, analogy, personification, metonymy, synecdoche, euphemism, prolepsis, transferred epithet, syllepsis, zeugma, inversion, hyperbole, litotes, pun, alliteration, assonance, onomatopeia, irony, antithesis, epigram, paradox, oxymoron, repetition, aposiopesis, rhetorical question, apostrophe, climax, anti-climax, innuendo, periphrasis, surprise ending, playful use of colloquialism, conscious use of cliché, quotation, literalism.

The explanations throughout are clear and well illustrated with examples, mostly from older literature like the Bible and 18th century writers, but also some more contemporary (for 1954) writers like Hemingway, Steinbeck and Virginia Woolf. I've never seen writing analysed so scientifically before. I've noticed that a sentence can sound immeasurably better when the order is altered a little or a word is taken out, but never knew why. This book helped me to understand it much better, and I think it will make me a better writer and reader.… (mer)

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AndrewBlackman | Jan 11, 2009 |

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