Författarbild

Chandler Brossard (1922–1993)

Författare till Who Walk in Darkness

25+ verk 232 medlemmar 3 recensioner 1 favoritmärkta

Om författaren

Inkluderar namnet: Brossard Chandler

Verk av Chandler Brossard

Who Walk in Darkness (1952) 60 exemplar
The Bold Saboteurs (1953) 47 exemplar
The Double View (1965) 21 exemplar
Wake up. We're almost there (1971) 21 exemplar
As the Wolf Howls at My Door (1992) 13 exemplar
All Passion Spent (1954) 7 exemplar
The Spanish scene (1968) 6 exemplar
A Man For All Women (1971) 5 exemplar
The First Time (1957) 4 exemplar
The Girls In Rome 4 exemplar
Did Christ Make Love? (1973) 4 exemplar
Desire in the Suburbs (1962) 3 exemplar
Love Me, Love Me! (1966) 3 exemplar
Closing the Gap (1986) 2 exemplar
Wives and Lovers (1965) 2 exemplar
A Chimney Sweep Comes Clean (1985) 1 exemplar
The Double Dealers 1 exemplar

Associerade verk

18 Best Stories by Edgar Allan Poe (1965) — Redaktör, vissa utgåvor470 exemplar
The Cool School: Writing from America's Hip Underground (2013) — Bidragsgivare — 78 exemplar

Taggad

Allmänna fakta

Födelsedag
1922-07-18
Avled
1993-08-29
Kön
male
Nationalitet
USA
Födelseort
Idaho Falls, Idaho, USA
Dödsort
Bronx, New York, USA
Bostadsorter
Washington, D.C., USA
Manhattan, New York, USA
Utbildning
self-educated
Yrken
editor
educator
novelist
short-story writer
Kort biografi
Chandler Brossard was born in Idaho Falls, Idaho, in 1922 and grew up in Washington, DC. He left school at an early age and was largely self-educated. During the 1940s he worked for a variety of newspapers and magazines, including the Washington Post, Time, and American Mercury. He published numerous books of fiction and nonfiction over a forty-year period, many of which were translated into other languages. For most of his life he lived in New York City. Chandler Brossard died in 1993.

Medlemmar

Recensioner

In the introduction by Steven Moore, this work is referred to as "America's first existential novel", due to its stripped down, Camus-esque narrative (which according to Susan Sontag, [via Sartre:] in her essay "On Style", can be described as "impersonal, expository, lucid, flat"). This novel is a film noir of James Dean and Natalie Wood and their small circle of friends, now in their late 20's, minus any Cinemascope sensationalism. Written by a contemporary of the Beatniks, it depicts the lives of this Greenwich Village group (vaguely-sketched characters who are writers of one type or another) during 1 month in the spring/summer of 1948. They attend a wild party with jazz musicians whose guests are smoking "charge" (the party ends with a rumble); a boxing event at Madison Square Garden; and are treated to dinner at an uptown restaurant by a gangster friend of one of the dames. Grace undergoes a covert abortion--her boyfriend Henry Porter is an arrogant, ambitious writer who "passes for white" (supposedly his character is based upon that of Anatole Broyard, a critic who years after this era relished trashing William S. Burroughs' books in the New York Times). Harry Lees has a pad on Cape Cod, where the group spend a weekend, but he's having an identity crisis. Harry thinks he might be gay--he was too "sissy" to make it into the Army and is subsequently guilt-ridden. The entire novel is conveyed to us by the groups's "voice of reason", Blake Williams. This paperback version is referred to on the cover as "the classic underground novel in its suppressed original version". Not to diminish its merits--but there would be nothing polemical about it now. The book ends abruptly in a way that contrasts with all the preceding flatness--the author left me wanting more. And of course I was attracted to the romantic notion of living in New York City in a time when the streets were full of hoods and television was still in its infancy. The Big Apple was so much simpler then-or probably not. I will close by saying: this assortment of artists/bohemians--they were so lucky. If only they had known.… (mer)
 
Flaggad
stephencbird | 2 andra recensioner | Sep 19, 2023 |
An exquisite, hip novel that captures, through flat, reportorial style, Greenwich Village bohemia prior to codification by the Beats. Through fictionalized names, the late-1940s San Remo is featured, along with Anatole Broyard, who is outed as being conflicted over his mixed-race ethnicity, and WIlliam Gaddis. Initially published in France by Gallimard. That the French understood the book is salient -- in his own way, Brossard anticipated the tone captured by the New Wave directors, if you think of Godard's "Breathless" as being removed and almost documentarian. The absence of this novel on lists of best American fiction is a massive, inexplicable void.… (mer)
 
Flaggad
Fnarkle | 2 andra recensioner | Nov 12, 2015 |
What really struck me about this book is how well developed its characters are, which in Beat literature is not always the case. And although the plot is very loose, the story's very tightly written. If you're into Beat literature, I would recommend it.
½
 
Flaggad
fanoula | 2 andra recensioner | Nov 9, 2008 |

Listor

Beat (1)

Du skulle kanske också gilla

Associerade författare

Norman Podhoretz Contributor
Lionel Trilling Contributor

Statistik

Verk
25
Även av
2
Medlemmar
232
Popularitet
#97,292
Betyg
3.8
Recensioner
3
ISBN
28
Språk
1
Favoritmärkt
1

Tabeller & diagram