Bild på författaren.

March Cost (1897–1973)

Författare till The Hour Awaits

19 verk 130 medlemmar 5 recensioner 2 favoritmärkta

Om författaren

Inkluderar namnet: Cost March

Foto taget av: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Verk av March Cost

The Hour Awaits (1952) 23 exemplar
The Bespoken Mile (1950) 11 exemplar
The Interpreter (1960) 8 exemplar
Rachel: An interpretation (1951) 8 exemplar
A Key to Laurels (1600) 8 exemplar
A Woman of Letters (1959) 7 exemplar
A Man Named Luke (1932) 7 exemplar
Invitation from Minerva (1954) 7 exemplar
The Year of the Yield (1965) 5 exemplar
After the Festival (1966) 5 exemplar
The Dark Star (1939) 5 exemplar
The Dark Glass (1974) 4 exemplar
Jubilee of a Ghost (1968) 4 exemplar
Her Grace Presents 4 exemplar
By the Angel, Islington (1955) 3 exemplar
The Veiled Sultan (1600) 3 exemplar
The Countess 2 exemplar
Two Guests for Swedenborg (1971) 1 exemplar

Taggad

Allmänna fakta

Namn enligt folkbokföringen
Morrison, Margaret Mackie
Andra namn
Morrison, Peggie
Födelsedag
1897
Avled
1973-02-07
Kön
female
Nationalitet
UK
Födelseort
Glasgow, UK
Bostadsorter
Glasgow, UK
Yrken
actor
fantasy writer
novelist
Relationer
Morrison, Nancy Brysson (sister)
Kort biografi
From the cover of one of her books: March Cost was born Margaret Mackie Morrison in Glasgow, Scotland, and is a member of a distinguished family of writers. From an early age she evidenced a keen interest in the arts, and between the ages of nine and seventeen she studied dramatic art and toured with Sir Frank and Lady Benson's company. After she left the theater, Miss Cost traveled widely. Her journeys have taken her throughout Europe and across the United States.

Medlemmar

Recensioner

This old book was found in a second-hand bin and given to me as a book. I had no idea what to expect but thoroughly enjoyed the modernity of the story with its classic writing. Dittie is a beautifully drawn character who evolves charmingly. I also appreciated that the romance stayed true to its essence until the last: unconventional, free and passionate.
 
Flaggad
Cecilturtle | 2 andra recensioner | Mar 22, 2017 |
I am so glad that I found March Cost!

I know that that her real name was Margaret Mackie Morrison; I know that she published more than twenty novels in the middle of the 20th century; and I know that they were very well received, by critics and by readers. What I don’t know is why she and her books vanished into obscurity so very quickly.

It was the title that drew me to this book, and I am so pleased that I picked it up. I liked it so much that I have already ordered several more, and I have my eye on others …. some were easy to find but others are rather elusive ….

The writing, the story and the characters have a timeless elegance and charm; and I was captivated.

The main thread of the story is the life of a little girl named Ditty who grew up to be a novelist named Damaris Ure but known to the world as Madame Ravary.

Ditty was an orphan, but she had the very good fortune to be taken in by an aunt who would raise her alongside her own three daughters – Judy, Hazel and Snow – who were just a little older than ditty.

Aunt Amy was the widow of a minister determined to do her very best for the four girls she loved dearly. The church and the minister who succeeded her husband agreed that the family could stay at the manse, that there was more than enough room for two households to coexist. There was, but it wasn’t easy; until two little girls who wanted to enjoy the warm water from the new minister’s geyser horrified Aunt Amy but made the rather stiff new minister unbend quite satisfactorily.

When Ditty was the only child left at home her godmother, Miss Blount, took a hand in guiding Ditty. When she learned that her goddaughter wanted to be a writer she warned her that it wouldn’t be easy, and that if she wanted to write well she needed to be able to earn a living first, she needed to read as much as she could, and she needed to see as much of life as she could.

Ditty saw the sense of that.

Even when she died Miss Blount was guiding Ditty’s future. She left her a cottage in the highlands, and instructions that she must live there to claim her inheritance. At first Ditty was horrified but when she settled into her new home she found that it was a lovely place in a beautiful setting. It was there that she became a woman of letters; first as a stand-in for the injured village postwoman and then as a published author. She realised that her clever godmother had given her the time and space to write; she had stories published in magazines and then she found a publisher for her very first novel.

She was on her way!

Her progress was complicated by the two men in her life. Galloway, Miss Blount’s nephew, was her first love but his war mission took him away from her and prevented him from explaining things to her; that made her susceptible to the advances of Baron Tallinn, and she would only realise that they were mismatched when she was abroad, when war had broken out, and when she was in enemy territory with an expired passport ….

I loved the life that March Cost gave to Ditty.

The arc of the story was perfect. It moved from a manse in the Lowlands to a cottage in the Highlands, to London, to London society, across to continental Europe, and then back to London for the war years and thee years that followed. All of the times and places were beautifully evoked.

The mixture of romance and intrigue worked beautifully; and is woven into the story so well that it is difficult to say very much without giving much too much away.

A wonderful cast of characters was beautifully drawn. Miss Blount was wonderfully capable; Galloway was lovely, and I was so sorry that he couldn’t explain and Ditty couldn’t understand; Miss Devine, a novelist whose best days were behind her was a glorious creation; Mr Trask, an old-fashioned publisher, was a lovely man ….

That reminds me to say that the ups and downs of Ditty’s writing career, her experiences with the publishing industry were utterly believable.

And that now that I’ve read about her books I so wish that I could read them.

I’m sure that March Cost wrote from experience, and she understood the changes in the book industry that the war brought and how difficult those changes were for many authors.

The telling of the story is not straightforward. It is told over two days when Damaris is staying in a London hotel, preparing to attend the funeral of a general who had been a good friend of her father. She thinks back over her own life and she is visited by friends and family. That draws out particular threads of the story, and it gives more depth to many of the characters.

It could have been confusing but it wasn’t; and I always wanted to read just one more chapter.

The relationship between the four little girls who had grown up at the manse, who were very different women was particularly well illuminated. And a visit from Baron Tallin, who Damaris was surprised to hear from for the first time in years, was very interesting.

This book was underpinned by a wonderful depth of understanding of character.

I have to think that somebody gave March Cost the same advice that Miss Blount gave to Ditty – and that she took it.

I can’t quite compare her to anyone else. But I think I might say that her work could happily sit alongside books by Margaret Kennedy, Ann Bridge, Elizabeth Von Arnim, Mary Stewart …

I am so glad that I found her.

The denouement of Ditty’s story caught me by surprise, it brought tears to my eyes and it was perfect
… (mer)
½
 
Flaggad
BeyondEdenRock | 2 andra recensioner | Jul 4, 2016 |
I think this is one of the first that I ever read of hers, and it one of the simplest and highly enjoyable, romantic stuff for a rainy day- a definite reread if feeling low.
 
Flaggad
Mecastens | 1 annan recension | May 26, 2008 |
I bought this because I love The Interpreter, but I did not start to enjoy it until over a third of the way through. Partly, I was put off by the author's portrait on the dust jacket - a very remarkable 'society' portrait in perfect 1950s style.
½
 
Flaggad
sarahemmm | 2 andra recensioner | Oct 24, 2007 |

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Associerade författare

Anne Anderson Illustrator

Statistik

Verk
19
Medlemmar
130
Popularitet
#155,342
Betyg
½ 3.5
Recensioner
5
ISBN
17
Favoritmärkt
2

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