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Thomas M. Disch (1940–2008)

Författare till Camp Concentration

155+ verk 7,164 medlemmar 178 recensioner 26 favoritmärkta

Om författaren

Thomas Disch was a popular & prolific poet, playwright, essayist, & novelist. He is the author of many works of science fiction & the poetry collections "Dark verses & Light" & "Yes, Let's: New & Selected Poems". (Publisher Provided) Thomas M. Disch was born in Des Moines, Iowa on February 2, 1940. visa mer He dropped out of the architecture program at Cooper Union, and then left New York University after he sold a short story entitled The Double Timer. His first novel, The Genocides, was published in 1965. His other novels include The House That Fear Built, 334, The M.D., The Priest, The Word of God: Or, Holy Writ Rewritten, and Clara Reeve written under the pseudonym Leonie Hargreave. He won several awards including the 1969 Ditmar Award for Camp Concentration, the O. Henry Award in 1975 for Getting into Death and in 1977 for Xmas, the 1980 John W. Campbell, Jr. Memorial Award for On Wings of Song, and the 1981 British Science Fiction Award for The Brave Little Toaster: A Bedtime Story for Small Appliances. He was also wrote poetry, opera librettos, plays, and criticism of theater, films and art. His collections of poetry include Here I Am, There You Are, Where Are We; The Dark Old House; Yes, Let's: New and Selected Poetry; and Dark Verses and Light. He won the 1999 biennial Michael Braude Award for Light Poetry for A Child's Garden of Grammar, the Locus and Hugo Awards for 1999 for The Dreams Our Stuff is Made Of: How Science Fiction Conquered the World, and the Puschcart Prize for The First Annual Performance Art Festival at Slaughter Rock Battlefield. His criticism appeared in several publications including The Nation, The New York Daily News, and The New York Sun. In 1987, he wrote a script for the television series Miami Vice. He shot himself on July 4, 2008 at the age of 68. (Bowker Author Biography) visa färre
Foto taget av: photo by Bernard Gotfryd, 1986 or 1988


Verk av Thomas M. Disch

Camp Concentration (1968) 1,103 exemplar
334 (1967) 674 exemplar
The Genocides (1965) 532 exemplar
On Wings of Song (1979) 496 exemplar
The Prisoner (1969) 347 exemplar
The M.D. (1977) 327 exemplar
The Businessman (1983) 255 exemplar
Fun With Your New Head (1968) 232 exemplar
Echo round his bones (1967) 218 exemplar
Black Alice (1968) 191 exemplar
The Priest: A Gothic Romance (1994) 191 exemplar
The Ruins of Earth (1973) 162 exemplar
The Man Who Had No Idea (1983) — Författare — 134 exemplar
The Wall of America (2008) 123 exemplar
The Puppies of Terra (1966) 109 exemplar
Triplicity (1967) 109 exemplar
The Sub: A Study in Witchcraft (1999) 92 exemplar
Fundamental Disch (1980) 82 exemplar
The Brave Little Toaster (1986) 81 exemplar
On SF (2005) 62 exemplar
Strangeness (1977) — Redaktör — 52 exemplar
Neighboring Lives (1981) 45 exemplar
Bad Moon Rising (1973) — Redaktör — 23 exemplar
The Prisoner Omnibus (2002) 23 exemplar
A Child's Garden of Grammar (1997) 22 exemplar
The New improved sun: An anthology of utopian S-F (1975) — Bidragsgivare — 20 exemplar
Ciencia ficcion 1 antologias (1971) 18 exemplar
About the Size of It (2006) 15 exemplar
The Proteus Sails Again (2008) 10 exemplar
Abcdefg hijklm npoqrst uvwxyz (1981) 10 exemplar
MECCA METTLE. CD included. (2005) 9 exemplar
Burn This (1982) 8 exemplar
Orders of the Retina (1982) 8 exemplar
Descending 8 exemplar
The tale of Dan De Lion (1986) 7 exemplar
Angouleme {short story} (1971) 7 exemplar
Ringtime (1983) 6 exemplar
Thomas l'incredulo 5 exemplar
The House that Fear Built (1966) 5 exemplar
The Roaches 5 exemplar
Problems of Creativeness (1967) 5 exemplar
La stanza vuota 4 exemplar
Understanding Human Behavior (1982) 4 exemplar
The Demi-Urge (2014) 4 exemplar
In Xanadu 4 exemplar
Casablanca (1967) 4 exemplar
Things Lost 3 exemplar
Torturing Mr. Amberwell (1985) 3 exemplar
The Squirrel Cage 3 exemplar
Highway Sandwiches 2 exemplar
Leichen [Erzählung] (1971) 2 exemplar
The Shadow 2 exemplar
Haikus of a Pillow (1980) 2 exemplar
5 Eggs {short story} (1966) 2 exemplar
The Pressure Of Time (1970) 2 exemplar
Narcissus 2 exemplar
Alfred the Great (1969) 2 exemplar
198…199 1 exemplar
Emanzipation [Erzählung] (1971) 1 exemplar
Amnesia: Atari 800 (64k) (1985) 1 exemplar
Amnesia: Commodore 64 (64k) (1985) 1 exemplar
334 [novella] (1972) 1 exemplar
Celebrity [short fiction] (1990) 1 exemplar
Terra all'infinito 1 exemplar
Mutability 1 exemplar
1972 1 exemplar
Et in Arcadia ego 1 exemplar
Nada 1 exemplar

Associerade verk

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Medea: Harlan's World (1985) — Bidragsgivare — 284 exemplar
The Year's Best Fantasy and Horror: Seventh Annual Collection (1994) — Bidragsgivare — 253 exemplar
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The Year's Best Fantasy and Horror: Sixteenth Annual Collection (2003) — Bidragsgivare — 235 exemplar
The Year's Best Fantasy and Horror: Second Annual Collection (1987) — Bidragsgivare — 198 exemplar
The Secret History of Science Fiction (2009) — Bidragsgivare — 195 exemplar
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The Urban Fantasy Anthology (2011) — Bidragsgivare — 192 exemplar
10th Annual Edition: The Year's Best S-F (1965) — Bidragsgivare — 176 exemplar
The Best American Poetry 1994 (1994) — Bidragsgivare — 169 exemplar
Year's Best Fantasy 2 (2002) — Bidragsgivare — 167 exemplar
The Best American Poetry 1998 (1998) — Bidragsgivare — 160 exemplar
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SF12 (1968) — Bidragsgivare — 133 exemplar
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11th Annual Edition: The Year's Best S-F (1966) — Bidragsgivare — 113 exemplar
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World's Best Science Fiction: 1965 (1964) — Bidragsgivare — 101 exemplar
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Fantasy Annual IV (1980) — Bidragsgivare — 100 exemplar
The Best of Interzone (1997) — Bidragsgivare — 98 exemplar
Foundations of Fear (1992) — Bidragsgivare — 96 exemplar
Orbit 1 (1966) — Bidragsgivare — 95 exemplar
Christmas Stars (1992) — Bidragsgivare — 94 exemplar
The Heat Death of the Universe and Other Stories (1988) — Inledning, vissa utgåvor92 exemplar
The Best Science Fiction of the Year #12 (1983) — Bidragsgivare — 87 exemplar
Future City (1973) — Bidragsgivare — 86 exemplar
Nebula Award Stories 17 (1983) — Kompositör — 86 exemplar
Best SF: 1971 (1972) — Bidragsgivare — 84 exemplar
SF: Authors' Choice 4 (1974) — Bidragsgivare — 83 exemplar
Orbit 7 (1970) — Bidragsgivare — 80 exemplar
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New Worlds Quarterly 1 (1971) — Bidragsgivare — 69 exemplar
New Dimensions 1 (1971) — Bidragsgivare — 66 exemplar
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New Worlds of Fantasy #2 (1970) — Bidragsgivare — 56 exemplar
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New Worlds Quarterly 4 (1972) — Bidragsgivare — 52 exemplar
New Worlds Quarterly 3 (1972) — Bidragsgivare — 52 exemplar
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Alpha 3 (1972) — Bidragsgivare — 46 exemplar
The Best from Fantasy and Science Fiction: 23rd Series (1980) — Bidragsgivare — 46 exemplar
Afterlives (1986) — Bidragsgivare — 46 exemplar
The Sixth Omni Book of Science Fiction (1989) — Bidragsgivare — 46 exemplar
The Third Omni Book of Science Fiction (1985) — Bidragsgivare — 46 exemplar
Amazing Stories: The Anthology (1995) — Bidragsgivare — 45 exemplar
Snake's Hands: The Fiction of John Crowley (2003) — Bidragsgivare — 45 exemplar
Explorations of the Marvellous (1976) — Bidragsgivare — 44 exemplar
Flights: Extreme Visions Fantasy, Vol II (2006) — Bidragsgivare — 44 exemplar
New Worlds 5 (1973) — Bidragsgivare — 43 exemplar
Best SF: 1973 (1974) — Bidragsgivare — 42 exemplar
New Writings in SF-10 (1966) — Bidragsgivare — 42 exemplar
The Best from Fantasy and Science Fiction: 24th Series (1982) — Bidragsgivare — 41 exemplar
Fantasy Annual V (1982) — Bidragsgivare — 40 exemplar
Beyond Time (1976) — Bidragsgivare — 40 exemplar
The Shape of Sex to Come (1978) — Bidragsgivare — 37 exemplar
Quark/4 (1971) — Bidragsgivare — 36 exemplar
New Worlds 10 (1976) — Bidragsgivare — 36 exemplar
The Seventh Omni Book of Science Fiction (1989) — Bidragsgivare — 35 exemplar
Isaac Asimov's Father's Day (2001) — Bidragsgivare — 33 exemplar
Top Fantasy (1974) — Bidragsgivare — 33 exemplar
Sense of Wonder: A Century of Science Fiction (2011) — Bidragsgivare — 29 exemplar
The Berkley Showcase Vol. 2 (1980) — Författare — 27 exemplar
Omni Best Science Fiction Three (1993) — Bidragsgivare — 26 exemplar
The Shores Beneath (1971) — Bidragsgivare — 26 exemplar
Welcome to Reality: The Nightmares of Philip K. Dick (1991) — Bidragsgivare — 24 exemplar
Night chills : stories of suspense and horror (1975) — Bidragsgivare — 21 exemplar
The Brave Little Toaster Goes to Mars [1998 movie] (1998) — Författare — 19 exemplar
Holding your eight hands; an anthology of science fiction verse (1969) — Bidragsgivare — 19 exemplar
Asimov's Science Fiction: Vol. 17, No. 3 [March 1993] (1993) — Bidragsgivare — 15 exemplar
Asimov's Science Fiction: Vol. 17, No. 10 [September 1993] (1993) — Bidragsgivare — 14 exemplar
Asimov's Science Fiction: Vol. 17, No. 4 & 5 [April 1993] (1993) — Författare — 14 exemplar
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The Paris Review 167 2003 Fall (2003) — Bidragsgivare — 12 exemplar
Histoires de voyages dans l'espace (1996) — Bidragsgivare — 11 exemplar
Østenfor sol : 38 fantastiske fortellinger fra hele verden (1969) — Bidragsgivare — 11 exemplar
Höhenflüge (1982) — Bidragsgivare, vissa utgåvor11 exemplar
The Magazine of Fantasy and Science Fiction 65. Cyrion in Bronze. (1983) — Bidragsgivare, vissa utgåvor10 exemplar
Social Problems Through Science Fiction (1975) — Bidragsgivare — 10 exemplar
American Review 21 (1974) — Bidragsgivare — 9 exemplar
The Umbral Anthology of Science Fiction Poetry (1982) — Bidragsgivare — 8 exemplar
The Paris Review 84 1982 Summer (1982) — Bidragsgivare — 6 exemplar
School and Society Through Science Fiction (1974) — Bidragsgivare — 6 exemplar
Omni Magazine March 1983 (1983) — Bidragsgivare — 4 exemplar
American Review #23 (1975) — Bidragsgivare — 4 exemplar
SF Impulse 10 (1966) — Bidragsgivare — 4 exemplar
Døds-layoutet 1 (1972) — Författare, vissa utgåvor; Författare, vissa utgåvor3 exemplar
SF Impulse 12 (1967) — Bidragsgivare — 3 exemplar
Omni Magazine November 1989 (1989) — Bidragsgivare — 2 exemplar
Rod Serling's The Twilight Zone Magazine | May 1982 (1982) — Bidragsgivare — 2 exemplar
The Little Magazine, v. 11, #1, Spring 1977 — Bidragsgivare — 1 exemplar
Hollywood Unreel: Fantasies about Hollywood and the Movies (1982) — Bidragsgivare — 1 exemplar
Strange Fantasy #13 Fall '70 (1970) — Bidragsgivare — 1 exemplar
S-Fマガジン 2009年 05月号 [雑誌] — Bidragsgivare — 1 exemplar
季刊NW-SF 1972年 01月 第5号 — Bidragsgivare — 1 exemplar


Allmänna fakta



Earth invaded, conquered & terraformed i Name that Book (augusti 2012)
Short sci fi story - endless stairs i Name that Book (december 2009)


This is in many ways a powerfully written novel of dark humour mixed in with horror. A huge story is packed into 541 pages, covering among other things. inherited genetic disease, climate change (very prescient for something published in 1991), mass plague and tyrannical governmental response, corporate corruption, the tobacco industry, eating disorders, religious fanaticism and racism. All these themes are woven into the narrative with sometimes breathtaking virtuosity and the characters are for the most part strong and individual.

The story begins in the 1970s with six-year-old Billy, who lives with his dad and his dad's second wife, Madge, and her older son Ned, and elderly mother. Billy, who attends a Catholic kindergarten, refuses to accept the assertion by the overbearing nun in charge of his class that Santa Claus is an invented figure based on paganism. We learn that Billy actually sees Santa and converses with him - though before long, Santa is revealed to be another guise of a creature that introduces itself as the god Mercury. I wasn't quite sure if this was just one more persona it took on, although as it is fairly consistent throughout the book, maybe it actually is meant to be the god. Except this version of Mercury is rather malevolent. He transforms a 'poison stick' created by Billy's step-brother Ned from twisted twigs and a sparrow's skeleton, into a caduceus, Mercury's staff and traditional symbol of the medical profession, and imbues it with the ability to charge itself with power. This power can be dispensed for good, for example, to give Billy's family members good health. But there is a catch: to charge the caduceus Billy must dispense curses as well, and the power gained is in proportion to the awful nature of the curses. Being a six-year-old boy, Billy not only dishes out curses to people who have upset him in some way, he also bungles majorly on occasion, for example, condemning his step-brother to endure many years as a 'locked in' patient when Ned inadvertently receives one meant for boys who had beaten up Billy.

The book is divided into a number of parts which skip through the stages of Billy's life from the time of President Nixon's impeachment to an imagined 1999 (the book was published in 1991). The first four sections are an enjoyable page-turning read. In the first, Billy uses his newfound powers with tragic results. In the second, he is still living with his father and family and, undeterred by what he has already done, uses his powers for both good and for evil - with an outcome that although not directly due to his curses can be seen to stem from them when his father is killed in a traffic accident while rushing Billy to hospital after another boy injured him in revenge for what Billy has done.

In the third section, Billy is living with his mother and her second husband, Ben, plus Judith, Ben's daughter by his own first marriage. Judith is bright and engaging but suffers from anorexia. At her instigation, he begins calling himself William. This section focuses on Billy's 13th birthday and his birthday dinner to which an obnoxious spokesman for the tobacco industry, who indirectly funds Ben's work, invites himself, sparking a confrontation where Billy once again uses the caduceus with devastating results. William is now focused on becoming a doctor and is working hard at school to that end, with the intent of using the caduceus for finding cures for diseases, and curing Judith of anorexia. In part 4, he's older and is trying for accelerated entry to the program that will get him into university a few years early. He has become more adept at using the caduceus - as shown when he deals ruthlessly with a teacher who stands in his way. When his mother becomes pregnant, he uses the caduceus to grant good health to the unborn child despite a hint from Mercury that it can only work within the genetic limits of the recipient, with disastrous and tragic results.

In part 5, the book takes an odd turn with the introduction of Madge's long lost first husband and the father of Ned, who does some very bizarre things. Many years have passed since the ending of part 4, and William is now married with sons of his own. Although he is doing well and the supposedly non-profit organisation he runs has produced a vaccine against AIDS, society in generally is crumbling under the pressure of a new and highly contagious disease for which his organisation is trying to find a cure.

We gradually learn in retrospect that he has been using the caduceus, initially to come up with the AIDS vaccine but, in the last ten years, to sow the seeds for the new and devastating disease, for no real reason other than it presents a fantastic business opportunity. Despite this, William has a 'clear conscience' and has no problem at all with the nationwide devastation he has caused - he has been buying up property in a particular area since he was a young man, with the intent of turning it into a vast isolation 'camp' for the unfortunate victims of the disease he presumably was planning even then to unleash.

Ironically, it is in performing an unselfish action - and there is no explanation as to why someone so callous does so - he is hoist on his own petard when he tries to help a woman shot at a roadblock for trying to escape (she has the new disease) and is arrested and sent to a detention centre where people with the disease are imprisoned.

One of the issues some readers might have with this story is the huge number of characters including various second husbands and wives and step-children. Mostly I managed to keep them clear, helped by the strong characterisation, though this started to become more difficult in the final section. However, in my opinion there is a much greater flaw. Part 5 - comprising the book's final third - falls apart in a bloodbath unleashed by a newly introduced character, and the epilogue gives a spurious 'explanation' of that character's behaviour. It is almost as if the author wanted to kill off just about everyone in a unwarranted grand guignol finale, rather than work out the implications of everything that had gone before with the wider storylines of the plague etc. There is also the odd behaviour of Madge's first husband, which introduces further complications, and the dark humour surrounding his and Madge's fate. The main problem however is that in this section, after being the focus of the story, William is largely passive and is a victim at the mercy of others, eventually pushed off to the sidelines. This final section in my opinion constitutes a large flaw after the earlier absorbing story, which was heading for at least a 4-star rating, and therefore reduces the book's overall rating to 3-stars.
… (mer)
kitsune_reader | 7 andra recensioner | Nov 23, 2023 |
The ending is such an abrupt about face in terms of mood/theme that it feels like either there was some clue it was a dream/delusion I missed or there was some weird editorial intervention to give it a happier ending.

Most of the book is kind of a mediation on inevitable death and what beforehand could make it worth it. There's some parts that resonated, some that didn't (I should have guessed he'd do it from the title, but comparisons to Dachau are always going to be pretty tasteless) There's some homophobia and racism from the narrator, but although there's no non-narrator voice it seems pretty obvious he's supposed to come across like a dumbass. There's also 1 pretty explicit mention of rape which is handled weirdly.

There's quite a bit of references to other classical literature and art, some of which is untranslated.

There's definitely interesting stuff here and a lot of it is pretty ambitious in trying to talk about a difficult subject but too little resonated for me the other qualms
… (mer)
tombomp | 28 andra recensioner | Oct 31, 2023 |
Colorful writing and characters, old ground.
zot79 | 10 andra recensioner | Aug 20, 2023 |
Un livre étrange, déroutant par son point de vue sur une apocalypse discrète et silencieuse, avec une humanité pathétique vivant ses derniers instants en s'accrochant à des espoirs bien ténus... Le roman pourrait constituer une forme de préambule lointain au Monde vert d'Aldiss, c'en est assez troublant.
Arpenteur | 5 andra recensioner | Jul 26, 2023 |



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Associerade författare

John Sladek Contributor
Charles Naylor Contributor, Editor
Gene Wolfe Contributor
Fritz Leiber Contributor
Brian W. Aldiss Contributor
Harlan Ellison Contributor
Norman Rush Contributor
Harry Harrison Contributor
R. A. Lafferty Contributor
Daphne du Maurier Contributor
Kurt Vonnegut Jr. Contributor
Jerrold J. Mundis Contributor
Norman Kagan Contributor
Gerald Jonas Contributor
James D. Houston Contributor
Kenward Elmslie Contributor
Philip K. Dick Contributor
J.G. Ballard Contributor
Michael Brownstein Contributor
M. John Harrison Contributor
Karen Lee Schmidt Illustrator
Joan Aiken Contributor
Sarah Orne Jewett Contributor
Shirley Jackson Contributor
Italo Calvino Contributor
Graham Greene Contributor
Thomas Mann Contributor
Joyce Carol Oates Contributor
Russell Fitzgerald Contributor
Virginia Woolf Contributor
Philip Jose Farmer Contributor
Brian Aldiss Contributor
William Sansom Contributor
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Kinuko Craft Cover artist
Ron Padgett Contributor
Raylyn Moore Contributor
Kit Reed Contributor
Michael Moorcock Contributor
David McDaniel Contributor
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Hank Stine Contributor
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Walter Brumm Translator
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