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Margot Fonteyn (1919–1991)

Författare till Swan Lake

11+ verk 686 medlemmar 10 recensioner

Om författaren

Born in Reigate, England, Margot Fonteyn (the stage name of Margaret Hookham) is thought by many critics to have been the best British dancer of the mid-twentieth century. Fonteyn began her career as a snowflake in a production of The Nutcracker with the Vic-Wells Ballet in 1931. She remained with visa mer this company, which later became the Royal Ballet, for her entire career. In 1935 she performed her first important role with the company as the lead in a revival of Frederick Ashton's Rio Grande. She created many roles with Ashton, including Le Baiser de la Fee (1935), The Haunted Ballroom (1939), Symphonic Variations (1946), and The Fairy Queen (1946). Fonteyn eventually became the Royal Ballet's foremost prima ballerina. Especially notable was her partnering with Rudolph Nureyev during a creative partnership that became legendary. An expressive, versatile performer, Fonteyn was the first ballerina of international status developed by a British ballet school and company. (Bowker Author Biography) visa färre
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Verk av Margot Fonteyn

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Taggad

Allmänna fakta

Namn enligt folkbokföringen
Hookham, Margaret Evelyn (birth name)
Andra namn
Fonteyn de Arias, Margot
Födelsedag
1919-05-18
Avled
1991-02-21
Begravningsplats
Panama City, Panama
Kön
female
Nationalitet
UK
Födelseort
Reigate, Surrey, England, UK
Dödsort
Panama City, Panama
Bostadsorter
Shanghai, China
Tientsin, China
London, England, UK
Panama
Utbildning
Vic-Wells Ballet School (Royal Ballet School)
Yrken
ballet dancer
Relationer
Nureyev, Rudolf (ballet partner)
Karsavina, Tamara (teacher)
Organisationer
The Royal Ballet
University of Durham ( [1981])
Sadler's Wells Ballet
Priser och utmärkelser
Order of the British Empire (Dame Commander, 1956)
Prima Ballerina Assoluta of the Royal Ballet
Kort biografi
Margot Fonteyn was born Margaret Evelyn Hookham, known as Peggy, to a British father and a Brazilian-Irish mother. She began taking dance classes as a small child. When she was 8, she accompanied her parents to China for her father's work as an engineer. She studied ballet and showed great talent and promise for becoming a professional. Her mother brought her back to England for advanced ballet study when she was 14. She was accepted into the school of the Vic-Wells Ballet (later the Sadler's Wells Ballet, then the Royal Ballet), under the direction of Ninette de Valois. Her teachers and coaches included famed former dancers such as Olga Preobrajenska, Mathilde Kschessinska, and Tamara Karsavina. It was then that she changed her name to Margot Fonteyn. In 1934, she entered the Vic-Wells Company and rose quickly through the ranks. By 1939, she had performed principal roles in Giselle, Swan Lake and The Sleeping Beauty to great acclaim. Sir Frederick Ashton created several works with her, including Ondine, Daphnis and Chloe, and Sylvia. In 1949, when the Royal Ballet performed in the USA, its prima ballerina Margot Fonteyn became an overnight sensation and international star. In 1955, she married Roberto Arias, a Panamanian diplomat; he was shot in 1964 by a political rival and was a quadriplegic for the rest of his life. In 1962, as Margot was planning to retire, she met Rudolf Nureyev, who had just defected from the USSR to the West. Their collaboration gave new passion to her dancing and extended her career for another 20 years. After her retirement, Margot Fonteyn and her husband went to live on their ranch in Panama. She was awarded the DBE in 1956 and was named Prima Ballerina Assoluta of the Royal Ballet in 1979. She published her autobiography in 1976.

Medlemmar

Recensioner

 
Flaggad
BJMacauley | Mar 23, 2024 |
The story is a good encapsulation of the ballet, and the illustrations are cleverly done.
 
Flaggad
librisissimo | 3 andra recensioner | Apr 1, 2015 |
This book is a retelling of coppelia ballet. It's a lovely book with colorful pictures and a fairytale theme. The story begins with a dollmaker creating his best creation ever and his dream to make her real. The doll that the dollmaker has created is so beautiful and wonderful the dolls has captured a young man's eye. The book is written by a prima ballerina, so she has many knowledge about ballet and tells the story wonderfully.
 
Flaggad
jaelynculliford | 3 andra recensioner | Oct 1, 2014 |
When a lonely man who creates animated dolls becomes obsessed with his latest creation, he goes too far in his pursuit to make her alive and real.

Prominently displaying the lovely doll in his front window, the doll looks so life like that a townsman becomes infatuated. Already betrothed to a pretty young lady, she watches as he walks past the window blowing kisses to the doll.

Upset, she enters the doll makers house when he is not home. Hiding, she observes the dool maker attempt to drain life from her finance to empower the doll.

Rescued by his finance, the trace is broken. The doll maker learns a valuable lesson.

The illustrations are lovely.

Based on a play performed in France, this is a lovely book
… (mer)
 
Flaggad
Whisper1 | 3 andra recensioner | Jan 8, 2014 |

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Statistik

Verk
11
Även av
6
Medlemmar
686
Popularitet
#36,875
Betyg
3.9
Recensioner
10
ISBN
32
Språk
2

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