Bild på författaren.

Charlotte Perkins Gilman (1860–1935)

Författare till The Yellow Wallpaper [short fiction]

128+ verk 12,024 medlemmar 343 recensioner 21 favoritmärkta

Om författaren

Charlotte Perkins Gilman was born in 1860 in Hartford, Conn. Her traumatic childhood led to depression and to her eventual suicide. Gilman's father abandoned the family when she was a child and her mother, who was not an affectionate woman, recruited relatives to help raise her children. Among visa mer these relatives was Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Due to her family situation, Gilman learned independence, but also became alienated from her many female relatives. Gilman married in 1884 and was soon diagnosed with depression. She was prescribed bed rest, which only seemed to aggravate her condition and she eventually divorced her husband, fearing that marriage was partly responsible for her depressed state. After this, Gilman became involved in feminist activities and the writing that made her a major figure in the women's movement. Books such as Women and Economics, written in 1898, are proof of her importance as a feminist. Here she states that only when women learn to be economically independent can true equality be achieved. Her fiction works, particularly The Yellow Wallpaper, are also written with feminist ideals. A frequent lecturer, she also founded the feminist magazine Forerunner in 1909. Gilman, suffering from cancer, chose to end her own life and committed suicide on August 17, 1935. More information about this fascinating figure can be found in her book The Living of Charlotte Perkins Gilman: An Autobiography, published in 1935. (Bowker Author Biography) Charlotte Perkins Gilman was born in 1860 in Hartford, Conn. Her traumatic childhood led to depression and to her eventual suicide. Gilman's father abandoned the family when she was a child and her mother, who was not an affectionate woman, recruited relatives to help raise her children. Among these relatives was Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Due to her family situation, Gilman learned independence, but also became alienated from her many female relatives. Gilman married in 1884 and was soon diagnosed with depression. She was prescribed bed rest, which only seemed to aggravate her condition and she eventually divorced her husband, fearing that marriage was partly responsible for her depressed state. After this, Gilman became involved in feminist activities and the writing that made her a major figure in the women's movement. Books such as Women and Economics, written in 1898, are proof of her importance as a feminist. Here she states that only when women learn to be economically independent can true equality be achieved. Her fiction works, particularly The Yellow Wallpaper, are also written with feminist ideals. A frequent lecturer, she also founded the feminist magazine Forerunner in 1909. Gilman, suffering from cancer, chose to end her own life and committed suicide on August 17, 1935. More information about this fascinating figure can be found in her book The Living of Charlotte Perkins Gilman: An Autobiography, published in 1935. (Bowker Author Biography) visa färre
Foto taget av: From Wikipedia

Serier

Verk av Charlotte Perkins Gilman

Jungfrulandet (1915) 2,533 exemplar
Herland and Selected Stories (1892) 306 exemplar
Den gula tapeten (1995) 268 exemplar
Women and Economics (1898) 209 exemplar
Unpunished: A Mystery (1998) 118 exemplar
Herland/The Yellow Wallpaper (1600) 82 exemplar
With Her in Ourland (1916) 66 exemplar
What Diantha Did (1912) 45 exemplar
The Crux (1911) 43 exemplar
Moving the Mountain (2009) 36 exemplar
21 Essential American Short Stories (2011) — Bidragsgivare — 21 exemplar
Benigna Machiavelli (1993) 12 exemplar
If I Were A Man (1914) 8 exemplar
When I Was a Witch (2017) 5 exemplar
Concerning Children (2002) 4 exemplar
The Giant Wistaria 2 exemplar
The Classic Gothic Horror Collection (2021) — Bidragsgivare — 2 exemplar
Making a Living 2 exemplar
Dr. Clair's Place 2 exemplar
La ‰carta gialla 1 exemplar
Herland Annotated (2021) 1 exemplar
Dagi Yerinden Oynatmak (2021) 1 exemplar
Joan's Defender 1 exemplar
The Unexpected 1 exemplar
My Poor Aunt 1 exemplar
Her Houskeeper 1 exemplar
Martha's Mother 1 exemplar
Old Mrs. Crosley 1 exemplar
Turned 1 exemplar
Mrs. Elder's Idea 1 exemplar
Her Beauty 1 exemplar
Spoken To 1 exemplar
Human work (2005) 1 exemplar
Cross-Examining Santa Claus (2013) 1 exemplar
Collected Stories 1 exemplar
Žuti tapet i druge priče (2013) 1 exemplar
The Forerunner 1 exemplar
[No title] 1 exemplar

Associerade verk

The Oxford Book of American Short Stories (1992) — Bidragsgivare — 730 exemplar
The Dark Descent (1987) — Bidragsgivare — 707 exemplar
Great American Short Stories: From Hawthorne to Hemingway (2004) — Bidragsgivare — 578 exemplar
The Oxford Book of Gothic Tales (1992) — Bidragsgivare — 528 exemplar
American Gothic Tales (1996) — Bidragsgivare — 443 exemplar
Points of View: Revised Edition (1966) — Bidragsgivare — 404 exemplar
Great Short Stories by American Women (1996) — Bidragsgivare — 401 exemplar
The Essential Feminist Reader (2007) — Bidragsgivare — 308 exemplar
The World's Greatest Short Stories (2006) — Bidragsgivare — 260 exemplar
Gothic Short Stories (2002) — Bidragsgivare — 238 exemplar
Daughters of Decadence: Women Writers of the Fin-de-Siècle (1993) — Bidragsgivare — 181 exemplar
Black Water 2: More Tales of the Fantastic (1990) — Bidragsgivare — 152 exemplar
The Penguin Book of Women's Humour (1996) — Bidragsgivare — 114 exemplar
The Lifted Veil: Women's 19th Century Stories (2005) — Bidragsgivare — 112 exemplar
The Standard Book of British and American Verse (1932) — Bidragsgivare — 110 exemplar
The Utopia Reader (1999) — Bidragsgivare — 109 exemplar
American Fantastic Tales: Boxed Set (2009) — Bidragsgivare — 91 exemplar
The American Fantasy Tradition (2002) — Bidragsgivare — 90 exemplar
Evil Roots: Killer Tales of the Botanical Gothic (2019) — Bidragsgivare — 80 exemplar
The 13 Best Horror Stories of All Time (2002) — Bidragsgivare — 76 exemplar
65 Great Spine Chillers (1988) — Bidragsgivare — 75 exemplar
Wolf's Complete Book of Terror (1979) — Bidragsgivare — 73 exemplar
Selected Stories from the 19th Century (2000) — Bidragsgivare — 71 exemplar
The Heath Anthology of American Literature, Concise Edition (2003) — Bidragsgivare — 66 exemplar
The Medusa In The Shield (Dark Descent) (1990) — Bidragsgivare — 63 exemplar
Haunted House Short Stories (Gothic Fantasy) (2019) — Bidragsgivare — 63 exemplar
American Christmas Stories (2021) — Bidragsgivare — 57 exemplar
Dark: Stories of Madness, Murder and the Supernatural (2000) — Bidragsgivare — 56 exemplar
The Vintage Book of American Women Writers (2011) — Bidragsgivare — 55 exemplar
Lost Worlds Short Stories (Gothic Fantasy) (2017) — Bidragsgivare — 50 exemplar
Scribbling Women: Short Stories by 19th-Century American Women (1997) — Bidragsgivare — 49 exemplar
The Experience of the American Woman (1978) — Bidragsgivare — 47 exemplar
An Omnibus of 20th Century Ghost Stories (1989) — Bidragsgivare — 45 exemplar
Horror Stories: Classic Tales from Hoffmann to Hodgson (2014) — Bidragsgivare — 43 exemplar
The Signet Classic Book of Contemporary American Short Stories (1985) — Bidragsgivare — 41 exemplar
Best Loved Short Stories of Nineteenth Century America (2003) — Bidragsgivare — 39 exemplar
Haunting Women (1988) — Bidragsgivare — 35 exemplar
Eight Strange Tales (1972) — Bidragsgivare — 33 exemplar
Medusa's Daughters (2020) — Bidragsgivare — 32 exemplar
More Macabre (1961) — Författare — 31 exemplar
Rediscoveries: American Short Stories by Women, 1832-1916 (1994) — Bidragsgivare — 31 exemplar
American Gothic Short Stories (Gothic Fantasy) (2019) — Bidragsgivare — 26 exemplar
American gothic : An anthology 1787–1916 (1999) — Bidragsgivare — 22 exemplar
Deadlier: 100 of the Best Crime Stories Written by Women (2017) — Bidragsgivare — 19 exemplar
The Other Woman: Stories of Two Women and a Man (1993) — Bidragsgivare — 18 exemplar
The Cold Embrace: Weird Stories by Women (2016) — Bidragsgivare — 14 exemplar
Restless Spirits: Ghost Stories by American Women, 1872-1926 (1996) — Bidragsgivare — 14 exemplar
A Quaint and Curious Volume: Tales and Poems of the Gothic (2019) — Bidragsgivare — 13 exemplar
The Wrong Turning: Encounters with Ghosts (2021) — Bidragsgivare — 11 exemplar
Witches' Brew: Horror and Supernatural Stories by Women (1984) — Bidragsgivare — 10 exemplar
The Great Modern American Stories: An Anthology (1920) — Bidragsgivare — 10 exemplar
Great Tales Of The Supernatural (1978) — Bidragsgivare — 6 exemplar
Evergreen Stories (1998) — Bidragsgivare — 5 exemplar
Best of Women's Short Stories, Volume I (2005) — Bidragsgivare — 4 exemplar
Great Classic Womens Fiction (2011) 3 exemplar
Enjoying Stories (1987) — Bidragsgivare — 2 exemplar
Virginia's Sisters: An anthology of women's writing (2023) — Bidragsgivare — 1 exemplar

Taggad

Allmänna fakta

Namn enligt folkbokföringen
Gilman, Charlotte Anna Perkins
Andra namn
Stetson, Charlotte Perkins
Födelsedag
1860-07-03
Avled
1935-08-17
Begravningsplats
cremated
Kön
female
Nationalitet
USA
Födelseort
Hartford, Connecticut, USA
Dödsort
Pasedena, California, USA
Dödsorsak
suicide
Bostadsorter
Providence, Rhode Island, USA
Pasadena, California, USA
New York, New York, USA
Norwich, Connecticut, USA
Utbildning
Rhode Island School of Design
Yrken
novelist
short story writer
social reformer
magazine editor
public speaker
economist (visa alla 8)
women's rights activist
suffragist
Relationer
Stowe, Harriet Beecher (great-aunt)
Beecher, Catharine (great-aunt)
Hooker, Isabella Beecher (great-aunt)
Kort biografi
Charlotte Perkins Gilman was born in Hartford, Connecticut, to Frederick Beecher Perkins and his wife Mary Fitch Westcott.
Harriet Beecher Stowe, Catharine Beecher, and Isabella Beecher Hooker, three of the most distinguished 19th-century American writers and women's advocates were her great-aunts of whom she was very proud. Charlotte herself became a noted writer, public speaker, economist, and women's rights and suffrage activist. In 1884, at the age of 24, she married Charles Walter Stetson, an aspiring artist, and the following year gave birth to their daughter. Shortly after the birth, Charlotte suffered a serious bout of what today would be diagnosed as post-partum depression. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper," published in 1892. She also wrote a famous treatise, Women and Economics (1898), in which she said women could never be truly independent until they first had economic freedom. This theme was explored through her lectures, her more than 1,000 nonfiction publications, and her fiction. In 1900, Gilman remarried to her first cousin, George Houghton Gilman. Over the next 25 years, Charlotte also ran her own magazine, The Forerunner, in which many of her stories appeared. An advocate of euthanasia, Gilman ended her life at the age of 75 with an overdose of chloroform. Her work fell into obscurity until it was revived by the women’s movement in the 1960s. In 1994, Charlotte Perkins Gilman was inducted into the National Women’s Hall of Fame in Seneca Falls, New York.

Medlemmar

Diskussioner

Recensioner

The Yellow Wall Paper is a long short story - at about 60 pages (depending on edition) it's not quite a novella. However, it uses what it has extremely well. It's a riveting piece of feminist literature. Yet in the edition I had, I felt the afterword from Elaine Hedges might have missed the mark. With her description of the room, I thought she totally missed a possible hint of the true horror. The room is described as barred windows, no furniture except for a heavy bolted down bed and hideous yellow wallpaper worn at a certain height around the room. The room is mentioned as a former nursery, but there's other hints of a darkness to the house. I think it's possible that room was a prison for the former lady of the house and it lends itself to the conclusion quite well.… (mer)
 
Flaggad
Sean191 | 139 andra recensioner | Nov 22, 2023 |
Décidément, j’ai l’impression d’avoir une prédilection ces derniers temps pour les féministes américaines de la première heure. J’ai découvert [[Mary Eleanor Wilkins Freeman]] en fin d’année dernière, [[Susan Glaspell]] en mai dernier, et c’est maintenant au tour de Charlotte Perkins Gilman avec ce texte paru en 1892 qui m’a fait souvent penser au [Horla] qui lui est à peine antérieur et parfois à [La Métamorphose] qui elle est largement postérieure. On rapproche aussi souvent Gilman d’[[Edgar Poe]] et on voit dans son travail, et dans cette nouvelle en particulier, les prémisses du courant de conscience dont [[Virginia Woolf]] est une des grandes représentantes. Cela fait beaucoup de références littéraires, beaucoup d’influences réciproques, mais Gilman se montre à la hauteur de tous ces grands noms plus connus qu’elle.
Dans cette nouvelle, une femme jamais nommée tient son journal pendant les trois mois qu’elle passe avec son mari et son nouveau-né dans une demeure qu’ils ont louée. La femme est atteinte d’un mal qui lui non plus n’est jamais nommé, mais qui ressemble à une dépression, peut-être une dépression post-partum. Son mari médecin, dans son rôle d’homme protecteur et de scientifique lui préconise un repos absolu et une réclusion quasi carcérale. Logée dans l’ancienne nursery (quoi de mieux pour infantiliser quelqu’un ?), elle prend vite le papier peint jaune de la pièce en horreur. Passant tout son temps à observer ce papier peint honni, elle commence à s’y perdre, et sa dépression semble commencer à se transformer en hystérie comme on aimait le dire à l’époque. C’est donc une nouvelle qui montre le statut de la femme bourgeoise devant qui s’ouvrent deux voies : soit être une maîtresse de maison accomplie, soit être infantilisée et réduite au silence et à l’inaction.

Mais comme la version que j’en ai lue a été commise par les éditions Tendance Négative (le troisième en deux mois, les trois derniers publiés d’un catalogue qui compte à ce jour 7 titres), le texte bénéficie d’une mise en page particulière, avec un papier peint jaune dans lequel j’ai vu, caché sous les dessins de fleurs, des sortes de têtes de mort aux yeux plissés et au sourire sardonique, un papier peint qui envahit peu à peu la page comme il envahit la tête et les pensées de la narratrice. Et puis toutes les pages ne sont pas séparées, et toutes les 4 pages, il faut faire une pause dans la lecture pour couper les pages et découvrir ce qui se cache derrière, parfois un simple blanc, parfois la suite du texte. Il est facile de faire le parallèle avec la forme, puis la femme, que la narratrice voit derrière le papier peint : le lecteur passe d’un côté à l’autre et s’y perd comme s’y perd la narratrice. Et puis, fait notable, cela casse la lecture, ce qui renforce le côté « courant de conscience » du texte, avec des pauses parfois un peu aléatoires (un aléatoire très bien organisé par les éditeurs s’entend) comme quand on réfléchit à bâtons rompus.
Il n’est pas impossible de voir dans les lés de papier peint les barreaux d’une prison que le lecteur découpe et que la narratrice veut arracher. Dans les notes qui accompagnent le texte, il est aussi suggéré que le choix de la couleur du papier peint n’est pas anodin : jaune se dit yellow en anglais, yell low peut-être, quelque chose comme hurler tout bas peut-être ? Mais est-ce du lacanisme à la petite semaine ?
Toujours est-il que ce texte est encore l’objet d’interprétations contradictoires, tant c’est un texte qui reste ouvert et riche. A découvrir avec délectation, et un petit frisson, de préférence dans l’édition de Tendance Négative.
… (mer)
 
Flaggad
raton-liseur | 139 andra recensioner | Oct 31, 2023 |
It is amazing how much story can be told in so few words. Love it.
 
Flaggad
everettroberts | 53 andra recensioner | Oct 20, 2023 |

Listor

1890s (1)
Utopia (1)
1910s (1)

Priser

Du skulle kanske också gilla

Associerade författare

Edgar Allan Poe Contributor
Ambrose Bierce Contributor
Washington Irving Contributor
O. Henry Contributor
Shirley Jackson Contributor
Ernest Hemingway Contributor
Herman Melville Contributor
Carl Stephenson Contributor
H. P. Lovecraft Contributor
William Faulkner Contributor
Frank Stockton Contributor
Stephen Crane Contributor
James Thurber Contributor
Mark Twain Contributor
Edith Wharton Contributor
Jack London Contributor
Mary Shelley Contributor
William Mudford Contributor
Henry James Contributor
Elizabeth Gaskell Contributor
Dick Donovan Contributor
Ralph Adams Cram Contributor
E. F. Benson Contributor
Sheridan Le Fanu Contributor
Maggie O'Farrell Introduction
Kate Bolick Introduction
Ann J. Lane Introduction, Editor
Sara Barkat Illustrator
Sabine Wilhelm Translator
Amy Aronson Introduction
Michael Kimmel Introduction
Sheryl L. Meyering Introduction
Steve Renwick Cover designer
Tithi Luadthong Cover artist
Xe Sands Narrator

Statistik

Verk
128
Även av
75
Medlemmar
12,024
Popularitet
#1,952
Betyg
3.9
Recensioner
343
ISBN
750
Språk
18
Favoritmärkt
21
Proberstenar
570

Tabeller & diagram