Bild på författaren.

Gwyneth Jones (1) (1952–)

Författare till White Queen

För andra författare vid namn Gwyneth Jones, se särskiljningssidan.

Gwyneth Jones (1) har definierats som författaren Gwyneth A. Jones.

67+ verk 2,190 medlemmar 76 recensioner

Om författaren

Foto taget av: Lynne Fox


Verk av Gwyneth Jones

Verk har överförts till Gwyneth A. Jones.

White Queen (1991) 279 exemplar
Bold as Love (2001) 272 exemplar
Divine Endurance (1984) 247 exemplar
North Wind (1994) 147 exemplar
Castles Made of Sand (2002) 121 exemplar
Phoenix Cafe (1997) 102 exemplar
Midnight Lamp (2003) 99 exemplar
Spirit (2008) 84 exemplar
Proof of Concept (2017) 84 exemplar
Band of Gypsys (2005) 79 exemplar
Rainbow Bridge (Gollancz S.F.) (2006) 76 exemplar
Kairos (1988) 75 exemplar
Flowerdust (1993) 75 exemplar
Escape Plans (1986) 55 exemplar
Seven Tales and a Fable (1995) 38 exemplar
Grazing the Long Acre (2009) 36 exemplar
The Universe of Things (2011) 31 exemplar
The Hidden Ones (1988) 30 exemplar
Big Cat and Other Stories (2019) 19 exemplar
The Grasshopper's Child (2014) 13 exemplar
Saving Tiamaat (2007) 8 exemplar
The Tomb Wife 8 exemplar
The Fulcrum (2005) 6 exemplar
La Cenerentola 5 exemplar
The Ki-anna (2011) 5 exemplar
The Voyage Out 5 exemplar
Cheats 3 exemplar
Bricks, Sticks, Straw (2012) 3 exemplar
Grasshopper's Child (2021) 3 exemplar
Blue Clay Blues 2 exemplar
Gravegoods 2 exemplar
The Seventh Gamer 1 exemplar
The Mechanic [short story] (1993) 1 exemplar
End of Oil 1 exemplar
The Lovers 1 exemplar
A North Light 1 exemplar
Plans de fuite (1986) 1 exemplar

Associerade verk

Verk har överförts till Gwyneth A. Jones.

Tidmaskinen (1895) — Inledning, vissa utgåvor17,638 exemplar
Dhalgren (1975)vissa utgåvor3,725 exemplar
Websters värld (1952) — Inledning, vissa utgåvor2,551 exemplar
Honmänniskan (1975) — Inledning, vissa utgåvor2,183 exemplar
The New Space Opera (2007) — Bidragsgivare — 551 exemplar
The Year's Best Science Fiction: Twenty-Third Annual Collection (2006) — Bidragsgivare — 528 exemplar
The Year's Best Science Fiction: Sixteenth Annual Collection (1999) — Bidragsgivare — 481 exemplar
The Year's Best Science Fiction: Twenty-Fifth Annual Collection (2008) — Bidragsgivare — 475 exemplar
The Year's Best Science Fiction: Fifteenth Annual Collection (1998) — Bidragsgivare — 435 exemplar
The Year's Best Science Fiction: Fourteenth Annual Collection (1997) — Bidragsgivare — 417 exemplar
The Big Book of Science Fiction (2016) — Bidragsgivare — 414 exemplar
The Year's Best Science Fiction: Twenty-Sixth Annual Collection (2009) — Bidragsgivare — 391 exemplar
Rewired: The Post-Cyberpunk Anthology (2007) — Bidragsgivare — 385 exemplar
Engineering Infinity (2011) — Bidragsgivare — 353 exemplar
The Year's Best Fantasy and Horror: First Annual Collection (1986) — Bidragsgivare — 315 exemplar
Sabella (1980) — Omslag, vissa utgåvor302 exemplar
The Mammoth Book of Vampire Stories by Women (2001) — Bidragsgivare — 286 exemplar
The Cambridge Companion to Science Fiction (2003) — Bidragsgivare — 284 exemplar
Year's Best SF 2 (1997) — Bidragsgivare — 262 exemplar
The Year's Best Science Fiction: Twenty-Ninth Annual Collection (2012) — Bidragsgivare — 239 exemplar
Edge of Infinity (2012) — Bidragsgivare — 225 exemplar
Off Limits: Tales of Alien Sex (1996) — Bidragsgivare — 204 exemplar
The Year's Best Fantasy and Horror: Second Annual Collection (1987) — Bidragsgivare — 200 exemplar
Year's Best SF 15 (2010) — Bidragsgivare — 200 exemplar
Year's Best SF 13 (2008) — Bidragsgivare — 191 exemplar
The Year's Best Fantasy and Horror: Third Annual Collection (1988) — Bidragsgivare — 184 exemplar
Old Venus (2015) — Bidragsgivare — 169 exemplar
The Year's Best Science Fiction: Thirty-Third Annual Collection (2016) — Bidragsgivare — 156 exemplar
Eclipse 1: New Science Fiction and Fantasy (2007) — Bidragsgivare — 149 exemplar
The Best Science Fiction and Fantasy of the Year Volume Seven (2013) — Författare — 139 exemplar
Year's Best SF 17 (2012) — Bidragsgivare — 127 exemplar
Eclipse 4: New Science Fiction and Fantasy (2011) — Bidragsgivare — 116 exemplar
Futures from Nature (2007) — Bidragsgivare — 113 exemplar
The Best of Crank! (1998) — Författare — 100 exemplar
Year's Best SF 18 (2013) — Bidragsgivare — 92 exemplar
Visions of Wonder (1996) — Bidragsgivare — 91 exemplar
Meeting Infinity (2015) — Bidragsgivare — 80 exemplar
Glorifying Terrorism, Manufacturing Contempt: An Anthology (2006) — Bidragsgivare — 69 exemplar
Tarot Tales (1989) — Bidragsgivare — 61 exemplar
When It Changed: Science into Fiction (2009) — Bidragsgivare — 57 exemplar
Letters to Tiptree (2015) — Bidragsgivare — 54 exemplar
The Routledge Companion to Science Fiction (2009) — Bidragsgivare — 54 exemplar
The Mammoth Book of Best New Horror 09 (1998) — Bidragsgivare — 54 exemplar
The Best Science Fiction of the Year: Volume 5 (2020) — Bidragsgivare — 53 exemplar
Space Opera (2007) — Bidragsgivare — 53 exemplar
In Dreams (1992) — Bidragsgivare — 52 exemplar
The Year's Best Fantasy Stories: 14 (1988) — Bidragsgivare — 50 exemplar
The Best Science Fiction and Fantasy of the Year Volume Ten (2016) — Bidragsgivare — 50 exemplar
Dark Terrors 5: The Gollancz Book of Horror (2000) — Bidragsgivare — 43 exemplar
Tales From the Forbidden Planet (1987) — Bidragsgivare — 40 exemplar
Other Edens 2 (1988) — Bidragsgivare — 39 exemplar
Dangerous Games (2007) — Bidragsgivare — 38 exemplar
New Worlds 3 (1993) — Bidragsgivare — 38 exemplar
80! Memories & Reflections on Ursula K. Le Guin (2010) — Bidragsgivare — 37 exemplar
Walls of Fear (1990) — Bidragsgivare — 34 exemplar
Constellations (2005) — Bidragsgivare — 31 exemplar
Myth-understandings (1996) — Bidragsgivare — 30 exemplar
Periphery: Erotic Lesbian Futures (2008) — Bidragsgivare — 30 exemplar
Best of British Science Fiction 2016 (2017) — Bidragsgivare — 29 exemplar
The Big Book of Cyberpunk (2023) — Bidragsgivare — 26 exemplar
TRSF (2011) — Bidragsgivare — 21 exemplar
Tales for Canterbury: Survival, Hope, Future (2011) — Bidragsgivare — 19 exemplar
To Shape the Dark (2016) — Bidragsgivare — 18 exemplar
Drabble Project (1988) — Bidragsgivare — 17 exemplar
Clarkesworld: Issue 085 (October 2013) (2013) — Bidragsgivare — 13 exemplar
The Year's Top Hard Science Fiction Stories (2017) — Bidragsgivare — 13 exemplar
Fairy & Folk Tales from around the World (1986) — Illustratör, vissa utgåvor11 exemplar
A World of Folk Tales (1981) — Illustratör, vissa utgåvor10 exemplar
Lightspeed Magazine, Issue 51 • August 2014 (2014) — Bidragsgivare — 9 exemplar
The Year's Top Hard Science Fiction Stories 4 (2020) — Bidragsgivare — 7 exemplar
Gothic Lovecraft (2016) — Bidragsgivare — 6 exemplar
Current Futures: A Sci-Fi Ocean Anthology — Bidragsgivare — 6 exemplar
Interzone 042 (1990) — Bidragsgivare — 5 exemplar


Allmänna fakta



I've always struggled a bit with Gwyneth Jones' writing, but I've had Bold as Love on the shelf for years because people whose opinions I respect have called her work Significant. Part of my problem is probably that I've been guilty in the past of rushing her books; now, as a retired person, I don't have that excuse.

But to start with, I found the premise and characters in this novel not to my liking. I've always had something of a semi-detached relationship with the counterculture; and I suppose I identified as a Young Fogey back in the days when I was still young, although my knowledge of and contact with the counterculture was always sufficient for me to know about it, identify those places where I was in tune with it, and smile indulgently at everything else. That also meant that sometimes, I picked up on issues that others didn't immediately see, and my grasp of stuff sometimes confounded people who'd think things like "How does tweedy Robert know so much about lesbian symbiology?", which amused me. But hey, I've been to festivals and slept under canvas. My political alignment helps, too.

And yet, to begin with I was reading the novel and thinking "I don't identify with these characters." There's one character who looks and behaves like a walk-on nihilist grunge villain from Gotham. The novel, published around 2000, throws us into a near-future scenario that is now on a wholly divergent timeline. And Jones' idea of what Whitehall civil servants and politicians were like was perhaps ten years out of date in 2000; Tony Blair's "Cool Britannia" seems to have either passed her by or been treated as mere window-dressing, whereas that generation of politicians and officials were more in touch with the counterculture than people realise - even some of those supposedly in the loop, such as certain SpAds (special advisors), who put out an appeal for "weirdos and misfits" to join government whilst overlooking those already working away under their noses. Well, I've written about that before (, so enough said.

I was certainly contemplating not finishing the book if I didn't get any better vibes off it by the 50-60% point. But then some friends assured me that coming to terms with the characters was something of a slow burn; and sure enough, I found myself warming to the central triumvirate: Fiorinda, Ax Preston and Sage. Someone else pointed out that the book was subtitled A near future fantasy and had certain Arthurian themes; and that I could see, also. Perhaps i should have taken more notice of that, as fantasy isn't really my thing, especially if the writer is trying to combine it with a more ostensibly "realistic" setting at the outset.

There are also some other things I found problematical. There's a major thread in the book of rock musicians and child abuse. The attitude in Bold as Love seems to be "Everyone knew but no-one said." I'm sure that's true; it's what people said about Jimmy Saville (after the event). Sadly, that rather holes the argument about it being "fantasy" under the waterline, and some coming to this book now may want to reject it on those grounds. There is also some overt Islamophobia that goes directly unchallenged despite the question of Islam in Britain being addressed positively later on. The same goes for trans issues; Gwyneth Jones' treatment of themes which might resonate unfavourably with some readers twenty years later perhaps just goes to show how far we have come.

So: an important book from a major writer, to be sure; but some readers will have to work hard at it before they begin to get returns. There is an irreverent humour at play throughout the novel, and Jones knows her fantastic literature well enough to pepper the text with in-jokes. And the Gollancz hardcover is a lovely thing with an Anne Sudworth cover.
… (mer)
RobertDay | 5 andra recensioner | Jun 20, 2023 |

I read the first part of this when it first came out in Interzone, way back in the day, and thought I had read the rest since, but this was mostly new to me. I generally enjoyed it, which is a relief because I bounced off a couple of other books by Gwyneth Jones that I tried in the meantime. I also suspect that I would not have enjoyed it as much when it first came out; the disintegration of the United Kingdom's structure of government doesn't seem either as improbable or as unwelcome as it did in 2001. The setting is a near-future England where Scotland and Wales have become independent and Ireland has reunited, and the counterculture takes over the government so that senior political figures are also playing in their own bands, and if anything a bit better known for the latter than the former. Our heroine, Fiorinda, undergoes a gruesome sexual initiation in the first section of the book and one of the plot strands is her personal quest to come to terms with it; other strands involve the machinations of various factions, some more believable than others. It's a really impressive vision of what a future England could look like, even if it's now twenty years old; slightly dystopian but also with a tinge of optimism.… (mer)
nwhyte | 5 andra recensioner | May 17, 2021 |

Russ is a fascinating writer, whose work I don't know as well as I would like, and this book goes in great detail (perhaps too much detail) in its recounting of the stories in each of her published (and some unpublished) work. But I don't get a sense of how she fitted into the broader sfnal picture - there is a discussion of the Khatru Symposium, but without really explaining where it came from and what happened after. Russ herself, as a personality, flits in and out of the narrative. I found it a bit frustrating.… (mer)
nwhyte | 4 andra recensioner | Oct 3, 2020 |
I originally chose this because I thought it might work for teens, but I don't think it's quite engaging enough to be a crossover choice. It's definitely got an interesting premise, and the mystery elements were compelling, but I don't think the resolution delivered. Quick read, but if you want a sci-fi novella I think there are better ones out there.
bookbrig | 6 andra recensioner | Aug 5, 2020 |



Du skulle kanske också gilla

Associerade författare


Även av
½ 3.7

Tabeller & diagram