Bild på författaren.

Gail Carson Levine

Författare till Ella Enchanted

47+ verk 33,894 medlemmar 938 recensioner 98 favoritmärkta

Om författaren


(eng) The author name Gail Levine could refer to Gail Carson Levine, OR could refer to Gail Levine-Provost, (whose books are listed on the Gary Provost author page), so please do not combine this name with either.

Foto taget av: Credit: David Shankbone, Sept. 2007


Verk av Gail Carson Levine

Ella Enchanted (1997) 12,966 exemplar
Fairest (2006) — Författare — 4,183 exemplar
The Two Princesses of Bamarre (2004) 3,823 exemplar
The Wish (1999) 1,405 exemplar
Ever (2008) 1,319 exemplar
Det magiska ägget (2005) 890 exemplar
Dave at Night (1999) — Författare — 878 exemplar
Cinderellis and the Glass Hill (2000) 797 exemplar
The Princess Test (1999) 772 exemplar
The Fairy's Mistake (1999) 739 exemplar
A Tale of Two Castles (2011) 597 exemplar
The Princess Tales, Volume One (2003) 468 exemplar
Betsy Who Cried Wolf (2002) 391 exemplar
For Biddle's Sake (2002) 320 exemplar
The Fairy's Return (2002) 287 exemplar
The Princess Tales, Volume Two (2004) 276 exemplar
Ogre Enchanted (2018) 267 exemplar
The Lost Kingdom of Bamarre (2017) — Författare — 206 exemplar
Stolen Magic (2015) 164 exemplar
A Ceiling Made of Eggshells (2020) 87 exemplar
Betsy Red Hoodie (2010) 76 exemplar
Sparrows in the Wind (2022) 22 exemplar
The Spinning Tales 1 (2001) 8 exemplar
Transient (2016) 4 exemplar
Ella enfeitiçada (2004) 2 exemplar
Ogre Enchanted 1 exemplar
Writing is Magic 1 exemplar

Associerade verk

Ella Enchanted [2004 film] (2004) — Original book — 372 exemplar
Half-Minute Horrors (2009) — Bidragsgivare — 272 exemplar
Anna Sewell's Black Beauty: The Graphic Novel (2005) — Inledning, vissa utgåvor122 exemplar
Be Careful What You Wish for Ten Stories (2000) — Bidragsgivare — 65 exemplar
On The Edge: Stories At The Brink (2000) — Bidragsgivare — 60 exemplar


Allmänna fakta

New York, New York, USA
Brewster, New York, USA
City College of New York
children's book author
young adult writer
welfare administrator
Ginger Knowlton (Curtis Brown)
The author name Gail Levine could refer to Gail Carson Levine, OR could refer to Gail Levine-Provost, (whose books are listed on the Gary Provost author page), so please do not combine this name with either.



A Tale of Two Castles is a refreshing break from the overblown faerie romances and poorly worldbuilt dystopias I’ve encountered lately. I found it intelligent and engaging, with a slowly growing mystery that builds to a satisfying climax. Though aimed at MG readers, it was written with depth and skill, one of those rare books that felt, in a good way, to have been longer and more intricate than it really was. The author, Gail Carson Levine, specializes in MG/YA cozy fantasies; indeed she’s the author of the popular Ella Enchanted, a revisionist take on the Cinderella fairy tale.

The story is about Elodie, a 14-year-old peasant girl departing from her island home to become an apprentice on another island. Her parents hope her to become a weaver, but she has her heart set on becoming an actor, due to the influence of her family’s tenant. Being of humble origins Elodie carries only a few coins, and her arrival at her new home is complicated by the theft of those coins, and the fact that fashionable citizens wear caps, a problem because she now can’t afford one. Other notable residents include a king prone to making cruel practical jokes, his dippy daughter, a friendly ogre and his dog, and a dragon, all of whom Elodie becomes acquainted with as she tries to realize her thespian dreams.

Unlike a lot of the current potboiler YA books, the Medievalism felt accurate (save for the dragon, ogre, and magic, of course.) Clothes and luxuries are in short supply, and expensive; the majority of the market stalls are resellers. Yet, it’s cozy and familiar. Peasants eat small bundles of grains boiled with bits of meat and herbs – the author tells us how delicious they taste. There are rushes on the floor of castle halls and servants sleep there when the feasting is done, bundled in blankets. This is not a threatening world, but it’s not one of endless gowns and balls either.

The dragon was not a threat but a normal, law-abiding citizen known for making hot toasted bread sticks covered with cheese. Mysteriously, the reptile will not indicate its gender and is referred throughout the story as IT. Just like that, in caps. The book was published in 2011 so it’s possibly the first instance of a nonbinary character in children’s fantasy, occurring way before the current gender revisionism. Strangely, I got used to the IT after a while, even with the caps. The word indicated the creature’s uniqueness and the fact it was nonbinary more than either they or it would have. They would have been confusing, and it too nonspecific and disrespectful of the creature’s personhood. I know there are plenty of people out there who would rip me for not comfortable with using they as a nonbinary singular pronoun, but frankly, what works for a legal document or a puff-piece in a news article doesn’t work for fiction, where it’s just too damn confusing.

Elodie, who has second thoughts being apprenticed to the acting troupe, falls into the dragon’s employ where she acts as both housecleaner and spy, for a mystery is afoot at the ogre’s castle. The ogre, despite merely being a well-mannered, giant-size human, is not beloved by the people of the city, and it turns out… surprise! He’s to marry the dippy daughter of the king. But his beloved dog has been kidnapped and without the dog, he has no means to keep the cats of the city at bay, who have the power to force him to transform into a mouse. This rather clunky plot point was the only tweeness in the book, but I could forgive it for what happens after. A cat invades the ogre’s banquet, he becomes a mouse, and the castle is turned upside down as his servants try to find him. Elodie comes under suspicion and is locked in a tower under threat of being poisoned, with her dragon patron nowhere in sight.

I did wind up liking this book much more than I thought I would; for what it was, it was damn well perfect.
… (mer)
Cobalt-Jade | 39 andra recensioner | Nov 21, 2023 |

I wish my mom read this to me when I was a kid!!!! Ella is so badass.
telamy | 396 andra recensioner | Nov 6, 2023 |
No plot whatsoever
libraryofemma | 12 andra recensioner | Oct 20, 2023 |
That fool of a fairy Lucinda did not intend to lay a curse on me. She meant to bestow a gift. When I cried inconsolably through my first hour of life, my tears were her inspiration. Shaking her head sympathetically at Mother, the fairy touched my nose. "My gift is obedience. Ella will always be obedient. Now stop crying child."So begins this richly entertaining story of Ella of Frell who wants nothing more than to be free of Lucinda's gift and feel that she belongs to herself. For how can she truly belong to herself if she knows that at any time, anyone can order her to hop on one foot, cut off her hand, or betray her kingdom - and she'll have to obey?

Against a bold tapestry of princes, ogres, giants, wicked stepsisters, and fairy godmothers, Ella's spirited account of her quest to break the curse is a funny, poignant, and enchanting tale about an unforgettable heroine who is determined to be herself.
… (mer)
PlumfieldCH | 396 andra recensioner | Sep 22, 2023 |



Du skulle kanske också gilla

Associerade författare

Lawrence Yep Contributor
Mark Elliott Illustrator, Cover artist
Larry Rostant Cover artist
Al Cetta Typographer, Designer
David Christiana Illustrator
Agnès Desarthe Translator
Todd Hobin Narrator
Eric Bowman Cover artist
Hilary Zarycky Cover designer
David Levine Author photo, Author photographer
Greg Call Illustrator, Cover artist
Patrick Faricy Cover artist
Judy York Cover artist
Larissa Lawrynenko Typographer
Johnny Heller Narrator
January LaVoy Narrator


Även av

Tabeller & diagram