Molière (1622–1673)

Beautiful rhymed poetic translations of four Molière plays. These transcriptions provide a great introduction to the dramatic world of Molière. First, Tartuffe: One of the most divisive comedies ever written, Tartuffe was the focus of the biggest censorship dispute of the 17th century. Molière's remarkably beautiful drama concerning religious belief fundamentally altered the purposes and goals of comedy. It was extremely brave, if not foolish, of Molière to humorously tackle such a subject in a religiously sensitive era that still dealt with heresy at the stake. Tartuffe may have struck a nerve when his detractors interpreted the play's portrayal of religious hypocrisy and fake piety as an assault on religion in general. Still raw from Tartuffe's sting, it is easy to criticize the prejudice and blindness of his contemporaries. At the time of his passing, Molière's fellow clergymen were still resentful of Tartuffe. But the drama still manages to jolt and move spectators in tender places, and the urgency of being able to discern genuine devotion from fakery is as great now as it was in 17th-century France.

Moliere demonstrated that the caricatures of Farce facilitated rather than hindered the investigation of human nature and social experience and that both comedy and tragedy could delve into profound psychological depths and fundamental human concerns. It was a unique character comedy that drew laughs heartily at the mistakes and pretenses of human nature while portraying modern manners in a lifelike manner. Not everyone found it funny.… (mer)