Beverle Graves Myers

Tito Amato and his friend Felice are returning to his place of birth,the city of Venice after finishing his training as a singer and his feelings on seeing his old home are mixed. He is different from other young men his since he is a castrato singer after an "accident" in his youth

He is welcomed by his sister with joy but his father shows him the cold shoulder and his younger sister suffers from mysterious attacks.All is not well with his family.

In contrast his career is off to a splendid start and going very well until the reigning prima donna is murdered by poison The prime suspect is his friend Felice and now he has 5 Days to prove hes innocent or the penalty will prove very harsh. read:execution.

I Went into this hoping that it would be one of those books that are so awesome it just makes you remember it and also the 18th Century is a favorite era of mine so it was all set to be that.

I did find the idea of a castrato hero intriguing and the author showed delicacy while Writing about the feelings and plight of maincharacter.People either held him in awe or disgust or in some cases showed an unhealthy interest in him because of his affliction.

At times the Writing style reminded me of the Falco series by [a:Lindsey Davis|24844|Lindsey Davis|http://d202m5krfqbpi5.cloudfront.net/authors/1269886022p2/24844.jpg].But while those books also have their dark moments there its relieved by some light moments and dry wit. Interrupted aria was just too bleak and I felt the mystery as it was got sidestepped in favor of going into lenghty detail of the finer points of opera and singing techniques that dragged it down.

The ending was also a downer and had me depressed because of what happened to his sister. :(… (mer)

I adore books that give me a window into how people actually lived in societies and eras other than mine.

This was very satisfactory! It was a fascinating mystery, and also an intriguing look into a world I knew nothing of.

I will be rewarding more of this series!

I got this book via Rambles for review, and here's a link to the more expansive review I did there: http://www.rambles.net/myers_whispers14.html… (mer)

Artistic espionage and murder in 1745?

This has it all really. A complex historical mystery set in magical Venice.
Castrati, feuding opera houses, rumour and slander, intrigue, deception and murder, and of course, action via gondolas.
Teatro San Marco, Venice's premier opera house is failing.
Singers and musicians have been poached by a rival company. Now that competitor is looking to steal away the official Venetian patronage that The Teatro enjoys.
As a counter tactic and a last bold move Maestro Torani, Venice's most revered opera director, is persuaded by Tito Amato, himself a Castrato, to stage a new production by a Venetian, The False Duke. A production that fittingly echoes reminders of Venice's renowned son Vivaldi.
Looking to bring something different to the performance Tito goes to Milan to entice a Castrato, Angeletto, to star in the performance. Rumours and gossip however are already proclaiming that the Castrato is really a woman.
Disaster strikes when, Maestro Torani, Tito's beloved mentor and friend, is murdered during a musical soirée held at the palazzo of The Savio alla Cultura, Signor Arcangelo Passoni, a member of the Doge's inner council. Circumstances have Tito as the main suspect.
As I moved further into Tito's story, my interest was well and truly claimed. I was fascinated by the places, the descriptions of Venice and the people met.
There are some excellent lines. I was struck by Tito and his manservant Benito's discussion about motives for Torani's death, 'Murder is much like the opera--it hinges on life's great passions: love, hate, envy, revenge.' (I'm sure there is a clue here if only I could see it. I nod my head at this accumulated drop of wisdom) Of course, as with anything, all is referred back through 'The Opera!'
As I came to know Tito more, I came to appreciate the superb gift he is to the storyline and the reader.

A NetGalley ARC… (mer)