Haifeng Ni
Författare till Ni Haifeng
Om författaren
Verk av Haifeng Ni
Para-Production/亚生产 1 exemplar
55 Days in Peking 1 exemplar
Taggad
Allmänna fakta
- Namn enligt folkbokföringen
- Haifeng, Ni
- Födelsedag
- 1964
Medlemmar
Recensioner
Xeno-writings av Ni Haifeng
catalogus verschenen ter gelegenheid van de toekenning van de Fritschy-prijs bij de tentoonstelling Museum het Domein Sittard
Catalogue of solo exhibition 55 Days in Peking by Haifeng Ni, at DRC No.12 in Beijing, China. The exhibition occured between 20 Jun - 14 Aug 2017. More information in Simplified Chinese at https://www.drc12.org/
Catalogue for the exhibition held at JoyArt (Beijing, China) from September 28 - November 01, 2008.
'Ni Haifeng's practice stems from an interest in cultural systems of return, exchange, language and production. Through mediums of photography, video and installations, Ni explores the simultaneous creation and obliteration of meaning while drawing attention to the cyclical movements of people, products and goods that are often reflective of patterns of colonialism and globalization. Aims to subvert the status quo and counteract preconceived notions of art are, in Ni's words, an effort towards reaching a 'zero degree of meaning'. The concept of uselessness, seen in the desire to offset 'the production of the useful' that is central to the operative conditions of consumerism and the dominant economic order', plays a key role within Ni's practice, lending his works a distinct political and social dimension.'
(Abstract from the introduction by Pauline J. Yao)… (mer)
'Ni Haifeng's practice stems from an interest in cultural systems of return, exchange, language and production. Through mediums of photography, video and installations, Ni explores the simultaneous creation and obliteration of meaning while drawing attention to the cyclical movements of people, products and goods that are often reflective of patterns of colonialism and globalization. Aims to subvert the status quo and counteract preconceived notions of art are, in Ni's words, an effort towards reaching a 'zero degree of meaning'. The concept of uselessness, seen in the desire to offset 'the production of the useful' that is central to the operative conditions of consumerism and the dominant economic order', plays a key role within Ni's practice, lending his works a distinct political and social dimension.'
(Abstract from the introduction by Pauline J. Yao)… (mer)
This first monograph on the Chinese contemporary conceptual artist Ni Haifeng examines the development of his work since the mid-80s and focuses on his main subject matter of representation, dislocation and cultural identity. Known originally for his large-scale installations, which combine painting and sculpture, Haifeng has included video and photography in his repertoire since settling in Amsterdam in 1994.
Statistik
- Verk
- 7
- Medlemmar
- 10
- Popularitet
- #908,816
- Recensioner
- 4
- ISBN
- 5
- Språk
- 1