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Jenny Nimmo

Författare till Midnight for Charlie Bone

89+ verk 20,136 medlemmar 263 recensioner 23 favoritmärkta

Om författaren

Born in Windsor, England in 1944, Nimmo's father died when she was only five. By the time she was fourteen, she had gone to two boarding schools and had joined a theater company in England. Her unstable childhood led to a series of diverse jobs where she worked in several fields as a nanny, a visa mer photographic researcher, and a floor manager at the BBC. At the BBC she became a director of Jackanory, a children's show. After having her first child, Nimmo left the BBC and began work on her first novel, "The Bronze Trumpeteer." Nimmo is best known for two series of fantasy novels: The Magician Trilogy (1986 to 1989), contemporary stories rooted in Welsh myth, and Children of the Red King (2002 to 2010), featuring Charlie Bone and other magically endowed school children. The Snow Spider, first of the Magician books, won the second annual Nestlé Smarties Book Prize and the 1987 Tir na n-Og Award as the year's best original-English-language book with "authentic Welsh background". The Stone Mouse was highly commended for the 1993 Carnegie Medal. (Bowker Author Biography) visa färre


Verk av Jenny Nimmo

Midnight for Charlie Bone (2002) 3,916 exemplar
Charlie Bone and the Time Twister (2003) 2,935 exemplar
Charlie Bone and the Invisible Boy (2004) 2,670 exemplar
Charlie Bone and the Hidden King (2006) 1,924 exemplar
Charlie Bone and the Beast (2007) 1,321 exemplar
Charlie Bone and the Shadow (2008) 918 exemplar
The Snow Spider (1986) 838 exemplar
Charlie Bone and the Red Knight (2009) 570 exemplar
Emlyn's Moon (1987) 480 exemplar
The Chestnut Soldier (1989) 369 exemplar
The Secret Kingdom (2011) 297 exemplar
Griffin's Castle (1994) 242 exemplar
The Snow Spider Trilogy (1986) 220 exemplar
The Dragon's Child (1743) 150 exemplar
The Stones of Ravenglass (2012) 95 exemplar
Leopards' Gold (2013) 64 exemplar
The Owl Tree (1997) 55 exemplar
The Night of the Unicorn (1681) 44 exemplar
The Stone Mouse (1993) 40 exemplar
Tom and the Pterosaur (2001) 37 exemplar
The Rinaldi Ring (Contents) (1999) 35 exemplar
Ultramarine (1990) 30 exemplar
The Dog Star (1999) 30 exemplar
Delilah and the Dogspell (1992) 30 exemplar
The Witch's Tears (1996) 29 exemplar
Something Wonderful (1838) 28 exemplar
Milo's Wolves (2001) 25 exemplar
Matty Mouse (2003) 21 exemplar
Charlie Bone Set (1-4) (2004) 20 exemplar
The Starlight Cloak (1993) 19 exemplar
Tatty Apple (1986) 18 exemplar
The Bodigulpa (2001) 15 exemplar
The Beasties (2010) 15 exemplar
The Alien on the 99th Floor (2009) 14 exemplar
Delilah Alone (1997) 13 exemplar
Charlie Bone Set (1-7) (2007) 12 exemplar
Rainbow and Mr. Zed (1993) 12 exemplar
Secret Creatures (2007) 12 exemplar
Pig on a Swing (2003) 11 exemplar
Ultramarine: 2 (1992) 11 exemplar
The Bronze Trumpeter (1974) 9 exemplar
Delilah: Three Books in One! (1715) 9 exemplar
Gwion and the Witch (1996) 6 exemplar
Beak and Whisker (2002) 3 exemplar
The Bears Will Get You (1990) 3 exemplar
Branwen (2003) 3 exemplar
Thumbelina [Retold by Jenny Nimmo] (1997) — Adapter — 2 exemplar
Seth and the Strangers (1997) 2 exemplar
Steinmúsin 1 exemplar
Charlie Bone Set (2-3) (2004) 1 exemplar

Associerade verk

Half-Minute Horrors (2009) — Bidragsgivare — 276 exemplar
Centuries of Stories (1999) — Bidragsgivare — 57 exemplar
The Animals' Bedtime Storybook (2000) — Bidragsgivare — 42 exemplar
Sisters (Mammoth Contents) (1998) — Bidragsgivare — 1 exemplar


Allmänna fakta

Windsor, Berkshire, England, UK
Wales, UK
Millward, David Wynn (husband)
Priser och utmärkelser
Smarties Prize
Tir na n-Og Award



BooksInMirror | 87 andra recensioner | Feb 19, 2024 |
This is the second in the trilogy which began with 'The Snow Spider', and is set 2 years after the first book, although there's a continuity error towards the end where Gwyn, the protagonist of the first volume, is described as 10 years old - as the first book began with his 9th birthday I expected him to be 11 years old.

Gwyn, the magician in training, takes more of a subsidiary role this time, as the centre stage is occupied by Nia, only a walk-on part in book 1. She is the middle child of the large Lloyds family, Gwyn's neighbours in 'The Snow Spider'. The story begins as the Lloyds move out of their farmhouse back to town, with Mr Lloyd taking over the butcher's shop. Butchery was his first trade and he only took on the farm to please his ailing father in law, 15 years before. It isn't stated but we have to assume the FIL has now died. The Lloyds have an 8th child on the way and Mr Lloyd wants the steady trade, as he was never much good as a farmer, so he has sold the land to Gwyn's father.

Nia is the only one of the family sad to leave her home, with the flowers she loved to grow. As soon as they reach the new home, she goes out, dressing up in her mother's best clothes, and taking Fly their sheepdog. She encounters the brightly painted ex-chapel, home of Emlyn and his father Idris, and goes inside. Idris is married to Gwyn's mother's sister, Elinor, who went missing shortly after having another baby. The two families are estranged, as Nia eventually discovers, because Idris blames Gwyn's father for his wife's departure. Emlyn wants Nia to sell Fly to them as they have a field attached to the chapel, and Nia agrees, but when she gets home she discovers that her father has already sold the dog to Gwyn and she is forbidden to visit Emlyn and his father again.

Nia is an odd one out in her family, the butt of jokes about being Nia who can do nothing, and this negative attitude also seem to have extended to her school with the teachers expecting her to be useless. So when every child is expected to produce a project of some kind for judging, Nia views this as a disaster, as she has no confidence in her own abilities. Idris gives her a large sheet of canvas and suggests she create a collage because she mentions she can sew, but throughout the book she has losses of confidence and thinks that her work is poor or will never be finished. She also gets into trouble because of the odd methods she sometimes employs to get hold of material scraps.

For a while, she and Emlyn are estranged as he blames her rather unfairly for 'letting' her father sell the dog. She makes friends with his cousin Gwyn and we learn that she always believed he was a magician when the rest of her family ostracised him. Gradually, Nia begins to try to bring the two sides of Gwyn's family back together.

The theme of book 1 - the loss of Gwyn's sister who was abducted to another world where she was changed to fit in with its strange white haired children - is worked into this book as well, and we learn more about the nature of the children. They failed to drag Gwyn off with them in book 1 but are still after others and gradually Elwyn begins to be menaced. Meanwhile, the only adult who believes him and Nia about the danger is Gwyn's grandmother, Nain.

One aspect of this story concerns mental illness among adults. I did think that was dealt with in a rather too facile a manner. I also imagine that parents wouldn't like an aspect of Nia's character - she quite often tells lies to avoid having to admit to unpleasant things, such as when she at first makes excuses for why she doesn't bring Fly to Emlyn.

A foreshadowing I imagine is that Gwyn is finding the use of his powers quite a burden, and is exhausted by the end of the story. I'm sure this will lead to something in book 3.

… (mer)
kitsune_reader | 4 andra recensioner | Nov 23, 2023 |
The first in a trilogy set in Wales. The book opens with nine year old Gwyn who lives on a farm and is celebrating his birthday. Since his big sister disappeared when he was four years old, there hasn't been much to celebrate because his father has been cold and rejecting towards him, blaming him for the loss of his sister, but the day begins differently with Gwyn's grandmother Nain giving him a number of items that he must cast to the wind. She believes he is a magician, inheriting the powers that have come down through the family from legendary Welsh magicians. What the wind takes, it returns, magically transformed. But one item, a broken toy horse, must not be used because it is in their family to be guarded and prevented from doing harm.

The story is quite charming with the tale of how Gwyn gradually comes into his own and slowly wins the acceptance of his father helped by an orphan girl who comes to the area and despite her snowy hair has an odd resemblance to his lost sister. Gwyn must learn for himself that rejection can come even from friends when you appear to be too odd, so this is a story also about fitting in to a community that likes people to conform.

The book is for a younger age group than I originally expected, an impression strengthened by the illustrations which are a bit 'twee'. I especially found the one of his grandmother, drawn as a girl of 16 or so rather unconvincing. And the story probably won't appeal to children with a fear of spiders although maybe the idea is that it might enable them to accept at least small magical ones.
… (mer)
kitsune_reader | 15 andra recensioner | Nov 23, 2023 |



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Associerade författare

Julian Mosedale Illustrator
Jeremy Swan Director
Ruth Rivers Illustrator
Angela Barrett Illustrator
Jac Jones Illustrator
Gwen Millward Illustrator
Phillida Gili Illustrator
Hans Christian Andersen Original Author
Joanna Carey Illustrator
Chris Sheban Cover artist
Brandon Dorman Cover artist
Owen Richardson Cover artist
James Bernardin Cover artist
Alan Marks Illustrator


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