George Scialabba
Författare till What Are Intellectuals Good For? -- (with a Foreword by Scott McLemee)
Om författaren
Thomas Geoghegan: Take the high road through the low dishonest decades of our time in this wonderful book of essays by George Scialabba. Count the gems along the way. With a style equal to Auden's and a conscience equal to Orwell's, this book is a matchless political education. David Bromwich: visa mer George Scialabba is a keeper of the conscience of American radicalism. Patient, exacting, and concise, his reviews of contemporary journalists and historians have a sharp eye for logical jumps and rhetorical dodges, and a generous power of admiration. Corey Robin: Kafka believed that "writing and office cannot be reconciled, since writing has its center of gravity in depth, whereas the office is on the surface of life." Like Kafka, George Scialabba knows something about desk jobs and the writing life. Like Kafka, Scialabba knows that Kafka is wrong. Whether his topic is literature or the office, philosophy or foreign policy, Scialabba leavens our depths with the play of his surfaces and intensifies our surfaces with the weight of his depths. Chris Hayes: George Scialabba is one of my very favorite essayists. I'll stop what I'm doing to read whatever he writes. visa färre
Foto taget av: The Baffler
Verk av George Scialabba
Associerade verk
Taggad
Allmänna fakta
- Kön
- male
- Nationalitet
- USA
- Land (för karta)
- USA
- Bostadsorter
- East Boston, Massachusetts, USA
Medlemmar
Recensioner
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Statistik
- Verk
- 8
- Även av
- 1
- Medlemmar
- 216
- Popularitet
- #103,224
- Betyg
- 3.9
- Recensioner
- 6
- ISBN
- 11
That being said, I can't quite understand what made Scialabba think it was a good idea to devote the majority of this short book to an exhaustive litany of all the treatment he has received for his depression over the last 50 years, and on top of that, to call what is effectively a medical record bookended with brief reflections on depression How to be Depressed. Maybe I'm asking too much of my literature, but I'd hoped I'd finish a book on depression feeling better about my own mental health situation - instead, after slogging through one man's mostly unsuccessful, life-long struggle, I'm not exactly galvanized. This isn't to say that I need every book to be an uplifting and life-affirming, one look at the other books I've logged on this site would tell you that. But it at least needs to be entertaining. The most generous standpoint I could take on this book is that Scialabba meant the title to be taken as ironic - we have here, after all, is a life lived under the aegis of institutionalized mental health care, along with all it's cold clinical language, alien descriptions, and treatment goals that sound like something out of a quarterly corporate report. But no where else in the book are we given a clear idea why Scialabba thought it worthwhile to include this material. Look, I'm not opposed to the use of endless monotonous lists in a book. Sometimes they can be used to hypnotic effect, and to drive home the brutal mundanity of reality (Bolano's 2666 springs to mind). But typically this technique is employed in much longer works, and don't make up the majority of the book as they do here.
Depression is, in part, a narcissistic disease. The black hole inside you can make you think that all time and space is bending inward towards your internal abyss, and it's very easy to forget that your perception isn't even one fraction of a fraction of what is actually happening in the world. People and events take on outsized importance, blissfully unaware of the monstrous shadow they are casting on the screen of your mind. While is far from my prerogative to criticize a man more than twice my age, and who has faced a degree of mental illness that haven't, I wonder what role this depressive narcissism plays in this book. The best treatment I have found for my own depression has been anything that helps me, however briefly, shirk the heavy weight of suffocating identity that it drapes over your entire world. Admittedly, Scialabba does give some tidbits of advice near the end of the book, as a kind of brief nod to the book's title. These range from helpful-if-obvious (exercise, friendship) to rather bizarre; let the record show that our author suggests various nut butters and Game of Thrones as part of an effective treatment. But over two-thirds of this book is painfully restricted to the most specific experience of depression, delivered with no comment. To read it is a painful reminder of that weight of identity, and the undignified pursuit of help from the powers that be.
Writing this now, it's hard for me not to feel a little bad for criticizing this work which was clearly borne from a lifetime of suffering. But if, like me, you are interested in insight about mental health problems and practical ideas about how to survive them, world literature is littered with great books full of ideas. How to Be Depressed would perhaps stand better as a blog post or a Twitter feed.… (mer)