Victor Sebestyen
Författare till Lenin the Dictator: An Intimate Portrait
Om författaren
Verk av Victor Sebestyen
Budapeste Do Este ao Oeste 1 exemplar
Η πτώση της Σοβιετικής Αυτοκρατορίας 1 exemplar
Taggad
Allmänna fakta
- Födelsedag
- 1956
- Kön
- male
- Nationalitet
- UK
- Födelseort
- Budapest, Hungary
- Bostadsorter
- London, England, UK
- Yrken
- journalist
- Organisationer
- Evening Standard
The Times (London)
Daily Mail
New York Times
Newsweek - Agent
- Georgina Capel
- Kort biografi
- His parents left Hungary after the 1956 uprising and he was raised in England.
Medlemmar
Recensioner
Listor
Priser
Du skulle kanske också gilla
Statistik
- Verk
- 11
- Medlemmar
- 999
- Popularitet
- #25,804
- Betyg
- 4.0
- Recensioner
- 18
- ISBN
- 66
- Språk
- 10
The author admits his stance early so the reader can take that into account. There is no such thing as a truly objective history, to think so is nuts. Some historians might try for objectivity but at the very least, by deciding which facts to include, which to leave out, and how they are tied together, they are offering an opinion. It happens to be disguised and, more often than not, falls into line with the status quo for that topic. A book of just facts is not a history book since it doesn't present a narrative, so yes, it is weird to prefer lists rather than a narrative history. An author who lets their readers know their approach to the topic is both more honest and has a higher opinion of their readers, since they assume readers can read ideas and then form their own. Not all readers can form their own opinions apparently, but that speaks to our education system more than likely, they want to be spoon-fed "facts" that fit the status quo, then pretend they are deciding for themselves.
Sebestyen, even in a less detailed volume like this, makes a good case for why he supports some views over others. He mentions the others and, again thinking his readers capable, counters with why he disagrees. In historical scholarship that isn't called "dismissing," it is acknowledging the presence of multiple viewpoints and arguing for one in particular. There are a couple of points I want to go back to old notes and readings and see if, with these new perspectives, I agree with him. That said, I didn't find any opinions to be unsupported with most relying on how you understand the culture of the place and time.
This is well-written and can be read either as a straight through overview in a couple sittings or as a slower read where you might want to pause and look some things up. I was somewhere in between on this read since I wanted to finish to write this, but as is my norm I found using it as a springboard into some additional research made it more enjoyable.
Reviewed from a copy made available by the publisher via NetGalley.… (mer)