Elisabeth Thomas
Författare till Catherine House
Om författaren
Foto taget av: Author photo, jacket
Verk av Elisabeth Thomas
Taggad
Allmänna fakta
- Kön
- female
- Nationalitet
- USA
- Födelseort
- New Haven, Connecticut, USA
- Bostadsorter
- Brooklyn, New York, USA
- Utbildning
- Yale University
- Yrken
- Archivist for a modern art museum
Medlemmar
Recensioner
Listor
Priser
Du skulle kanske också gilla
Associerade författare
Statistik
- Verk
- 2
- Medlemmar
- 804
- Popularitet
- #31,726
- Betyg
- 3.2
- Recensioner
- 57
- ISBN
- 18
- Språk
- 1
- Proberstenar
- 14
Ok, I'll start off with what I don't like, which unfortunately can be summed up as "the writing". I don't mean that Thomas is a bad writer necessarily, but this felt like an early draft—there's a lot of unrealized potential. The characters are flat, hard to differentiate from one another, and frankly almost none of them need to exist, including our narrator who, after 320 pages, I still know almost nothing about. The idea here was an interesting one—very high achieving students who nonetheless have no other options, for one reason or another—is potentially very compelling, but I never really felt that either of those things were true for anyone other than Baby, who dies about a third of the way in. The setting was likewise disappointing; the cult-like tendencies and claustrophobia were mentioned frequently, but there wasn't any follow through. It absolutely baffles me that so many people call this "atmospheric" (unless what they really mean is "mostly empty"?). Consequently I found the whole thing rather hard to get through, even though the language itself is straightforward enough and it's not particularly long.
With that being said, there's also a lot here that's surprisingly well done, especially considering the aforementioned weakness with the writing in general. Normally I dislike when a book fails to mention its central plot (let alone its whole genre), but here I think it worked really well. The revelation of information about the "new materials" is impressive and works well with the otherwise unimportant period setting, and the potential of this idea (with respect to both the world of the story and the plot) is fully realized. The whole thing is genuinely really impressive and even more so because it was so unexpected.… (mer)