Jennifer Westwood (1940–2008)
Författare till Historiens gåtfulla platser : heliga tempel, symboliska landskap, forntida städer och förlorade länder runtom i världen
Om författaren
Foto taget av: Photo: Marianne Taylor
Serier
Verk av Jennifer Westwood
Historiens gåtfulla platser : heliga tempel, symboliska landskap, forntida städer och förlorade länder runtom i… (1987) — Redaktör — 461 exemplar
The Lore of the Land: A Guide to England's Legends, from Spring-heeled Jack to the Witches of Warboys (2005) 364 exemplar
The Fabled Coast: Legends & traditions from around the shores of Britain & Ireland (1616) — Författare — 63 exemplar
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Associerade verk
Taggad
Allmänna fakta
- Andra namn
- Chandler, Jennifer (second marriage)
Fulcher, Jennifer Beatrice (birth name) - Födelsedag
- 1940-01-05
- Avled
- 2008-05-12
- Kön
- female
- Nationalitet
- UK
- Land (för karta)
- England, UK
- Födelseort
- Norton Subcourse, Norfolk, England, UK
- Utbildning
- Oxford University [St. Anne's College]
Cambridge University - Yrken
- folklorist
author
broadcaster
children's book author
language scholar - Organisationer
- Folklore Society
Viking Society for Northern Research - Kort biografi
- Jennifer Westwood, née Fulcher, was born in Norton Subcourse, a small village on the edge of the Norfolk marshes. Her father was a bricklayer and her mother a schoolteacher. She was educated at a primary school and Sir John Leman Grammar School, both in Beccles, Suffolk, eight miles from home. She won a scholarship to Oxford University, where she studied Old and Middle English and Anglo-Saxon.
She married Trevor Westwood, a fellow student, and went to Cambridge University to study Old Norse. She travelled to Iceland and Scandinavia to conduct research for her doctoral degree. In 1968, she and her first husband divorced, and she remarried to Brian Chandler, a management consultant, with whom she had a son.
In 1968, she published her first book, Mediaeval Tales, aimed at children, based on the stories she had researched while at Cambridge. Jennifer went on to write many more books for children and adults. She was a meticulous researcher and also produced a large number of scholarly publications. Other books included
Albion: A Guide to Legendary Britain and three in the Gothic Guide series of county guidebooks, Gothick Hertfordshire, Gothick Norfolk, and Gothick Cornwall. In May 1996, Jennifer attended the pilgrimage at Saintes-Maries-de-la-Mer, an ancient town in France; six months later she returned for the October pilgrimage, having written in the interim the book Sacred Journeys: An Illustrated Guide to Pilgrimages Around the World. An active and long-time member of The Folklore Society, Jennifer served as its publications officer, co-editor of the journal Folklore; and editor of FLS Books. In 2008, she was awarded the Coote Lake Medal from the FLS in recognition of her outstanding research and scholarship. She worked on radio programs such as " Landlines" for BBC Radio 4 and Radio Norfolk.
Medlemmar
Recensioner
Broad viewing of worldwide pilgrimages
The Lore of Scotland is an encyclopedia of tales from around Scotland organised by place. Lore of Scotland is a 555 page tome filled with small print type, it is incredibly difficult to read from cover to cover. It is broken down into broad regions across Scotland and then alphabetically by location of a tale within each region. There are a dozen or so interludes going into more detail on particular phenomena like Kelpies, Nessie, or Macbeth. A vast range of references are given towards the end of the work but it does seem as though a very small number of sources comprise the vast majority of the information contained in this work.
As a compendium of various myths and legends it is a worthy endeavour. Cataloguing the stories into one work could have made this a useful source for future analysis. For the casual reader it is pretty much a chore. There are so many entries, so many different points listed. It is not exactly a page-turner. The format is also off-putting. The decision to catalogue by location rather than by myth type means there is a lot of repetition. A glaring example is repetition of the explanation of the word 'glamour' - not a word those with an interest in myth will need any introduction to. Despite offering explanation of something unnecessary, there is really very little context or commentary in the catalogue element of the work, it is a seemingly endless list of micro stories.
There are though some really interesting things that come out of the catalguing. One of these is the extraordinarily damaging impact of Christianity on a host culture once it has embedded itself. The imposition of the devil as the source of malicious supernatural intent is fascinting because it has often seemingly been imposed over the top of existing tales and beliefs, notably belief in faeries. Another interesting element is the drastically different types of tales from the Highlands and the Islands (both west and north) when compared to the rest of Scotland. The distinct types of myth presented here reinforce Scotland being a land of two broad groups of very different people.
The analysis of specific phenomena is interesting and is largely more engaging than the main bulk of the work. Some points like Macbeth are not exactly groundbreaking but brief discussion of the role of Picts in legend or a de-constructino of the MacCrimmon piper school myth are real examples of Scottish lore. Categorising by type with a list of places where different variations emerge would have been a much more useful way of constructing the information.
The limited sources used for so many of the tales is compounded by an apparent lack of discrimination in inclusion. Several tedious ghost stories told by minor aristocrats who wrote about their own family keep the narrative bogged down. Ghost stories do not equal lore. Lengthy retellings of fireside stories about a haunted castle cannot credibly be described as the Lore of Scotland. On the other hand tales such as the Macleod faerie flag are given a disappointingly cursory glance.
Indeed it is the absence of so much of what could really be described as lore which makes Lore of Scotland a disappointment. A lengthy and turgid read could be excused if it was really comprehensive. Where though are the stories hidden in place names or mountain legends? Where are the numerous mythological histories of the clans? Not even a mention of Somerled and the legends that sprung up around him? Pretty much nothing at all about the Earls of Orkney? Nothing about the clearances. Where is the story of Berwick and the Hanseatic League? Does Ogham script really not have any tale of its own to tell? A brief mention of Iberian origin myth is discarded without a second thought as not being worthy of discussion. It is part of Scotland's lore and the genetic data as well as ice age refuge locations make it worth noting.
On the positive side there are still plenty of fascinating points to find throughout the text like the locations of different references to Fingal, a very brief interlude into the world of the Reivers, a grizzly story or two including bodysnatching in Edinburgh. There are quite a few points of interest for the persistent to locate.
Ultimately the Lore of Scotland does not set out what it aims to achieve. It is not a guide to Scottish legends. It offers no guidance to make it worthy of the description 'guide'. There are enormous gaps in the legends compiled because of the choice of sources and the exclusion of so many others. This is not a book for the faint hearted, it is more of a source for future academic study but unfortunately the listing of too many ghost stories and nowhere near enough of what makes Scotland leads to disappointment at the end of a very long journey through this book.… (mer)
As a compendium of various myths and legends it is a worthy endeavour. Cataloguing the stories into one work could have made this a useful source for future analysis. For the casual reader it is pretty much a chore. There are so many entries, so many different points listed. It is not exactly a page-turner. The format is also off-putting. The decision to catalogue by location rather than by myth type means there is a lot of repetition. A glaring example is repetition of the explanation of the word 'glamour' - not a word those with an interest in myth will need any introduction to. Despite offering explanation of something unnecessary, there is really very little context or commentary in the catalogue element of the work, it is a seemingly endless list of micro stories.
There are though some really interesting things that come out of the catalguing. One of these is the extraordinarily damaging impact of Christianity on a host culture once it has embedded itself. The imposition of the devil as the source of malicious supernatural intent is fascinting because it has often seemingly been imposed over the top of existing tales and beliefs, notably belief in faeries. Another interesting element is the drastically different types of tales from the Highlands and the Islands (both west and north) when compared to the rest of Scotland. The distinct types of myth presented here reinforce Scotland being a land of two broad groups of very different people.
The analysis of specific phenomena is interesting and is largely more engaging than the main bulk of the work. Some points like Macbeth are not exactly groundbreaking but brief discussion of the role of Picts in legend or a de-constructino of the MacCrimmon piper school myth are real examples of Scottish lore. Categorising by type with a list of places where different variations emerge would have been a much more useful way of constructing the information.
The limited sources used for so many of the tales is compounded by an apparent lack of discrimination in inclusion. Several tedious ghost stories told by minor aristocrats who wrote about their own family keep the narrative bogged down. Ghost stories do not equal lore. Lengthy retellings of fireside stories about a haunted castle cannot credibly be described as the Lore of Scotland. On the other hand tales such as the Macleod faerie flag are given a disappointingly cursory glance.
Indeed it is the absence of so much of what could really be described as lore which makes Lore of Scotland a disappointment. A lengthy and turgid read could be excused if it was really comprehensive. Where though are the stories hidden in place names or mountain legends? Where are the numerous mythological histories of the clans? Not even a mention of Somerled and the legends that sprung up around him? Pretty much nothing at all about the Earls of Orkney? Nothing about the clearances. Where is the story of Berwick and the Hanseatic League? Does Ogham script really not have any tale of its own to tell? A brief mention of Iberian origin myth is discarded without a second thought as not being worthy of discussion. It is part of Scotland's lore and the genetic data as well as ice age refuge locations make it worth noting.
On the positive side there are still plenty of fascinating points to find throughout the text like the locations of different references to Fingal, a very brief interlude into the world of the Reivers, a grizzly story or two including bodysnatching in Edinburgh. There are quite a few points of interest for the persistent to locate.
Ultimately the Lore of Scotland does not set out what it aims to achieve. It is not a guide to Scottish legends. It offers no guidance to make it worthy of the description 'guide'. There are enormous gaps in the legends compiled because of the choice of sources and the exclusion of so many others. This is not a book for the faint hearted, it is more of a source for future academic study but unfortunately the listing of too many ghost stories and nowhere near enough of what makes Scotland leads to disappointment at the end of a very long journey through this book.… (mer)
1 
Malarchy | May 14, 2013 |
Malarchy | May 14, 2013 | 
This is a very good guide to the myths of places in England, more of a dictionary really.
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- Verk
- 22
- Även av
- 5
- Medlemmar
- 1,743
- Popularitet
- #14,756
- Betyg
- 3.8
- Recensioner
- 11
- ISBN
- 82
- Språk
- 14
El Atlas de lugares legendarios consiste en una serie de artículos cortos, cada uno presentando una descripción de un lugar particular (algunos de los cuales son más "legendarios" que otros). La mayoría de los artículos tienen cuatro o seis páginas, con al menos la mitad de ese espacio dedicado a fotos y otras ilustraciones. Mientras que algunas de las fotos son impresionantes, otros son poco inspirador, y algunos son incluso un poco borrosa (como la foto más grande de Stonehenge, que al parecer fue elegido más por el gran arco iris arco sobre la estructura que por su calidad fotográfica). Solo la mitad de las páginas están impresas en color; el resto son en blanco y negro, intercalados con algún color de punto sepia.
Los artículos en sí son lo suficientemente interesantes, y hay una buena variedad de lugares, que van desde míticos a históricos, naturales a arquitectónicos, y famosos a oscurecer. Un libro agradable, considerado para lo que debe ser, es decir, el tipo de libro que recoge y navega, leyendo durante unos minutos a la vez en lugar de cubrirlo todo.
El contenido incluye:
Eternal Realms: The Garden of Eden, Atlantis, Camelot, Avalon;
Paisajes atemporales: Monte Ararat, El Nilo, Ayers Rock (Uluru), Monte Fuji, Capadocia, El Ganges, Cráter Haleakala, Valle de Shenandoah, Los Himalayas;
Maravillas Sagradas: Altamira, Stonehenge, La Tumba de Tutankamón, Delfos, Gotland, Montículo Serpiente, Petra, Tikal, Machu Picchu, Abadía de Tintern;
La Visión Creativa: Pagoda Shwedagon, Santa Sofía, La Potala, Asís, Mont-St-Michel, La Alhambra, La Ciudad Prohibida, Elsinore, El Taj Mahal, Neuschwanstein;
Triunfo del Espíritu: Oberammergau, Monasterio de Arkadi, La Capilla Italiana, Catedral de Coventry
También contiene un Breve Diccionario geográfico (información para viajeros, probablemente muy obsoleta), Bibliografía e Índice. ( )
1 vota | Marcar EdwardShuman | 23 de marzo de 2013 |… (mer)