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Yevgeny Zamyatin (1884–1937)

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Zamyatin studied at the Polytechnic Institute in St. Petersburg and became a professional naval engineer. His first story appeared in 1908, and he became serious about writing in 1913, when his short novel A Provincial Tale (1913) was favorably received. He became part of the neorealist group, visa mer which included Remizov and Prishvin. During World War I, he supervised the construction of icebreakers in England for the Russian government. After his return home, he published two satiric works about English life, "The Islanders" (1918) and "The Fisher of Men" (1922). During the civil war and the early 1920s, Zamyatin published theoretical essays as well as fiction. He played a central role in many cultural activities---as an editor, organizer, and teacher of literary technique---and had an important influence on younger writers, such as Olesha and Ivanov. Zamyatin's prose after the Revolution involved extensive use of ellipses, color symbolism, and elaborate chains of imagery. It is exemplified in such well-known stories as "Mamai" (1921) and "The Cage" (1922). His best-known work is the novel We (1924), a satiric, futuristic tale of a dystopia that was a plausible extrapolation from early twentieth-century social and political trends. The book, which directly influenced George Orwell's (see Vol. 1) 1984, 1984, was published abroad in several translations during the 1920s. In 1927 a shortened Russian version appeared in Prague, and the violent press campaign that followed led to Zamyatin's resignation from a writers' organization and, eventually, to his direct appeal to Stalin for permission to leave the Soviet Union. This being granted in 1931, Zamyatin settled in Paris, where he continued to work until his death. Until glasnost he was unpublished and virtually unknown in Russia. (Bowker Author Biography) visa färre

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Serier

Verk av Yevgeny Zamyatin

Vi (1921) 8,392 exemplar
Draken och andra berättelser (1966) 160 exemplar
L'inondation (1929) 45 exemplar
Islanders & The Fisher of Men (1984) 33 exemplar
Teken van leven (1980) 22 exemplar
The Fisher of Men (1978) 16 exemplar
La Caverne et autres nouvelles (1991) 12 exemplar
Cartas a Stalin (1990) 12 exemplar
Seul (1990) 9 exemplar
Attila the Hun (1979) 6 exemplar
A godforsaken hole (1988) 6 exemplar
Russie (1996) 5 exemplar
ICS 4 exemplar
Les insulaires / province (1983) 4 exemplar
Le Fléau de Dieu (2006) 4 exemplar
Racconti (2021) 3 exemplar
The Cave 3 exemplar
Navala Apelor 2 exemplar
Sever (1993) 2 exemplar
Elektrik (2015) 1 exemplar
Province (2013) 1 exemplar
The Sign: And Other Stories (2015) 1 exemplar
A casa del diavolo (2012) 1 exemplar
Le Métier littéraire (1984) 1 exemplar
Relatos satìricos 1 exemplar
Povesti i rasskazy 1 exemplar
Nós 1 exemplar
Spotkanie 1 exemplar
Rasskaz o samom glavnom (2020) 1 exemplar
Racconti inglesi 1 exemplar
Сказки 1 exemplar
God 1 exemplar
Избранное 1 exemplar
Сочинения (1988) 1 exemplar
In provincia (1990) 1 exemplar
The Cave 1 exemplar
La Caverne (2017) 1 exemplar

Associerade verk

75 Short Masterpieces: Stories from the World's Literature (1961) — Bidragsgivare — 296 exemplar
Russian Short Stories from Pushkin to Buida (2005) — Bidragsgivare — 223 exemplar
Black Water 2: More Tales of the Fantastic (1990) — Bidragsgivare — 152 exemplar
The Fatal Eggs and Other Soviet Satire (1965) — Bidragsgivare — 124 exemplar
The Utopia Reader (1999) — Bidragsgivare — 111 exemplar
Great Soviet Short Stories (1962) — Bidragsgivare — 76 exemplar
1917: Stories and Poems from the Russian Revolution (2016) — Bidragsgivare — 35 exemplar
Sense of Wonder: A Century of Science Fiction (2011) — Bidragsgivare — 30 exemplar
Lapham's Quarterly - The Future: Volume IV, Number 4, Fall 2011 (2011) — Bidragsgivare — 23 exemplar
14 Great Short Stories By Soviet Authors (1959) — Bidragsgivare — 15 exemplar
Skaz: Masters of Russian Storytelling (2014) — Bidragsgivare — 5 exemplar
Russische Käuze (1968) — Bidragsgivare — 2 exemplar
7 Novel Dystopian Collection — Bidragsgivare — 1 exemplar
Yevgeny Zamyatin - We [radio play] (2004) — Original author — 1 exemplar
ロシア短篇24 (現代の世界文学) (1987) — Bidragsgivare — 1 exemplar

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We by Zamiatin i Fans of Russian authors (augusti 2011)

Recensioner

This is my second read of this early modern dystopian classic, written in the early years of the new Soviet Union, but almost immediately banned, then smuggled out and published in the West in 1924 - so we are now marking the centenary of its free publication. The writing style is quite brutalist - ironically, like Stalinist architecture - with the characters having serial numbers not names, and being described as looking like the letters of the alphabet in their serial numbers. The writing is also minimalist, with characters described in terms of angles and lines and simple colours - a lot of white and yellow, with true beauty being found only in the action of machines and the pure logic and simplicity of mathematical operations ("only the four rules of arithmetic are steadfast and eternal. And it is only the code of morals that resides within these four rules that is great, steadfast, and eternal").

The philosophy of the One State and its Benefactor is that happiness can only be achieved by absolute unanimity as though each individual is a cell of one body. The main character D 503 is chief builder of a rocket called the Integral, through which the Benefactor aims to spread his version of happiness to other planets, as the newspaper says: "YOU ARE CONFRONTING UNKNOWN CREATURES ON ALIEN PLANETS, WHO MAY STILL BE LIVING IN THE SAVAGE STATE OF FREEDOM, AND SUBJUGATING THEM TO THE BENEFICIAL YOKE OF REASON. IF THEY WON’T UNDERSTAND THAT WE BRING THEM MATHEMATICALLY INFALLIBLE HAPPINESS, IT WILL BE OUR DUTY TO FORCE THEM TO BE HAPPY. BUT BEFORE RESORTING TO ARMS, WE WILL EMPLOY THE WORD".

Eventually, the One State decides the only way to true uniform "happiness" is through a medical operation to excise the imagination from human brains, which seems to actually lead to the creation of machine conglomerations of people - though these chapters are very unclear and I found myself rather confused at what was going on for a sizable chunk of the book, which is why, despite its powerful overall message about the dangers of mindless collectivism, I don't think it is anywhere near as effective as a dystopian novel as is Orwell's 1984.
… (mer)
 
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john257hopper | 212 andra recensioner | Feb 29, 2024 |
I don't read a lot of science fiction, but this one is a classic. Like Doctor Zhivago it was banned in Russia, smuggled out, and published in Europe.

Zamyatin's book is a dystopian satire of life in Russia after the revolution. It is set 600 years in the future, in the land of One State, where the citizens are happy because they have no freedom. Where there is no freedom there is no crime. People live and work in glass buildings. There is no envy because everyone is equal, a cell in the collective organism of the One State.

The narrator is D-503, a mathematician and the builder of the Integral. His life is mathematically predictable, and therefore happy, until he meets I-303, falls in love and discovers the remnants of a soul. Can they escape the repression of the One state?

Zamyatin's book was the precursor of Brave New World and Nineteen Eighty-Four. It was first published in 1921, in the early years of the revolution. It is well worth reading, and not just because it is the first satire on totalitarianism. Zamyatin has a sense of humour and a lightness of touch. Apparently he had synaesthesia, so the book is swamped in colour, odour and texture. He eliminates unnecessary words by recruiting old words for new functions. When you read that a functionary's eyes "javelined", you know just what Zamyatin means.

Highly recommended 4.5*
… (mer)
½
 
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pamelad | 212 andra recensioner | Feb 21, 2024 |
A painful abstract and obtuse read. I really could not at all say what happened. Zamyatin stopped a lot of sentences short. Maybe it is some sort of love betrayal story for the One-State. Let me know if you figure it out.
 
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MXMLLN | 212 andra recensioner | Jan 12, 2024 |
Cool book along dystopian nightmare lines. Strong echoes of 1984, and also The Machine Stops. As sci-fi it ain't that convincing, but that's okay. Genuinely creepy atmosphere, and a pleasingly unlikeable protagonist. Surprised it's not been made into a film.
 
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thisisstephenbetts | 212 andra recensioner | Nov 25, 2023 |

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Statistik

Verk
77
Även av
20
Medlemmar
8,918
Popularitet
#2,696
Betyg
3.9
Recensioner
220
ISBN
298
Språk
24
Favoritmärkt
32

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