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Box set : 9 CD + DVD Philips ‎– 00289 4769926, Universal Music ‎– 00289 4769926, NRC Handelsblad ‎– 00289 4769926 https://www.discogs.com/Jessye-Norman-The-Jessye-Norman-Collection/release/12219600

Box set : 9 CD + DVDPhilips ‎– 00289 4769926, Universal Music ‎– 00289 4769926, NRC Handelsblad ‎– 00289 4769926https://www.discogs.com/Jessye-Norman-The-Jessye-Norman-Collection/release/12219600

Box set : 9 CD + DVD Philips ‎– 00289 4769926, Universal Music ‎– 00289 4769926, NRC Handelsblad ‎– 00289 4769926 https://www.discogs.com/Jessye-Norman-The-Jessye-Norman-Collection/release/12219600

Box set : 9 CD + DVD Philips ‎– 00289 4769926, Universal Music ‎– 00289 4769926, NRC Handelsblad ‎– 00289 4769926 https://www.discogs.com/Jessye-Norman-The-Jessye-Norman-Collection/release/12219600

Box set : 9 CD + DVD Philips ‎– 00289 4769926, Universal Music ‎– 00289 4769926, NRC Handelsblad ‎– 00289 4769926

In 2020, the printed programmes were replaced by online versions, due to the covid-19 pandemic.

EDITOR'S NOTE I have a great deal of affection for this VoxBox series and further reviews will follow from John Quinn and Ray Walker. The analogue recordings may sometimes be dimensionally challenged but the missionary zeal of Ponti and others burns no less brightly now than it did back then in the 1960s and 1970s. Ponti, Vox and their second and third league German 'house' orchestras were true pioneers opening up swathes of repertoire. If the orchestras were not top-flight they often played their hearts out for these sessions and a small city orchestra in Germany can be the match for much greater city orchestras outside Germany. It would be wonderful to know more about the adventures of the Vox/Candide team as they trekked across Germany making recording after recording. Perhaps someone from the recording team would be able to write an article for the site.

EDITOR'S NOTE I have a great deal of affection for this VoxBox series and further reviews will follow from John Quinn and Ray Walker. The analogue recordings may sometimes be dimensionally challenged but the missionary zeal of Ponti and others burns no less brightly now than it did back then in the 1960s and 1970s. Ponti, Vox and their second and third league German 'house' orchestras were true pioneers opening up swathes of repertoire. If the orchestras were not top-flight they often played their hearts out for these sessions and a small city orchestra in Germany can be the match for much greater city orchestras outside Germany. It would be wonderful to know more about the adventures of the Vox/Candide team as they trekked across Germany making recording after recording. Perhaps someone from the recording team would be able to write an article for the site. In this focus on Vox it is far too easy to neglect Genesis whose romantic era CDs (all 15 of them) are still available. Of cou

This series is for the combination of magazine and sound recording. There is a related publisher series for the sound recordings alone.

This series is for the combination of magazine and CD. There is a related publisher series for the sound recordings alone.

Classical music series issued as a magazine with a cover-mounted CD or cassette; published in the UK in 1992.

This publisher series is for the sound recordings only. See the related series for the combination of magazine and sound recording.

This series is for the sound recordings only. See the related series for the combination of magazine and sound recording.

Classical music series issued as a magazine with a cover-mounted CD or cassette; published in the UK in 1992.

Collection Trésors Classiques is a French classical series by the Philips label. Older design: yellow series logo on front cover / black spine Middle design: yellow logo / red spine More recent design: red logo / red spine Those 3 designs overlapped c.1973-1976 but for successive issues of a same record, it's in this order.

Universo-Serie is a series of classical music by the Philips label.

i Grande Concerti is a series by Longanesi Periodici. Archival recordings from historical master tapes covering the early 1950's into the 1960's.

Japanese series of classical music LPs, released by Fontana

Series on the East German (German Democratic Republic) classical label ETERNA.

1960's Philips label classical series with releases released in a PVC laminated gatefold jacket

Special is a budget reissue and compilation series of the Deutsche Grammophon label. Unlike the parent label's releases, the vinyl is thin (like RCA's Dynaflex LPs but have the same sound quality as standard DG pressings) and the covers are standard cardboard stock without liner notes and inconsistent track listings (i.e. vary from the actual labels)

Warner’s budget series, based on material from TELDEC, Erato and Finlandia Records, consists mostly of recordings made in the CD era, and so reissued in their original form.

Series features twenty-five remastered titles from the original RCA Victor Red Seal Living Stereo series. LPs in the series are also available as numbered releases via subscription, with gold foil-stamped serial numbers on the sleeve rear. Remastered from the original master tape and cut at 33⅓ RPM by Ryan Smith at Sterling Sound. Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings.

Also appears as "Red Seal Records". Label reserved for releases by concert and operatic performers of the highest caliber. See also Victor Red Seal and RCA Victor Red Seal. Became part of Sony BMG Masterworks after the Sony BMG merger in 2004, now part of Sony Classical. In the USA it is represented by the Sony Masterworks label group and in France by Sony Music Classique & Jazz.

Series published by label Curcio For spanish series look to Los Tesoros De La Musica Clasica

Series of classical music published by Planeta-Agostini. The collection consisted of 80 separate issues that were appearing on a weekly basis that composed a 5 book encyclopedia with a printed guide included in each record. LP and CD collection. For Italian series look to I Maestri Della Musica

This series includes a substantial number of fraudulently described recordings, based exclusively on the catalog sold by the fraudster Alfred Scholz. Although fraudulently described as "digitally recorded" DDD, virtually all of the recordings are old analogue recordings made before the first digital recordings were made. Many of the releases are credited to the semi-fake Süddeutsche Philharmonie, the Philharmonia Slavonica, the fake Camerata Roman, and the fake Caspar da Salo Quartet. The names of real orchestras, like the London Symphony Orchestra, the London Festival Orchestra and the Ljubljana Radio Symphony have been falsely used on recordings not made by these orchestras. Fake/fictitious conductors include: Alberto Lizzio, Henry Adolph, Carlo Pantelli, Sven Bengtson, Vladimir Petroschoff, Loic Bertrand, Eugen Duvier, Peter Stern and others.

Classical music series by Sony Classical. Started in 1990. In January 2002, Sony Classical and Legacy re-launched the series with new artwork.

In the decade following 1953, RCA Victor made a substantial body of recordings which have come to be identified with their early stereo release label, Living Stereo. A majority of the records issued, particularly classical music, offer music, performances and audio quality which have come to be considered definitive. Living Stereo influenced many recordings that followed with their recording and marketing philosophies. On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians. There were additional stereo tests in December, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA Victor conducted pioneering experiments in multi-track recording in Boston's Symphony Hall, with Charles Munch and the Boston Symphony Orchestra. This began a practice of simultaneously taping orchestras with both stereophonic (two-track) and monaural equipment.