MedlemCentre_A

Samlingar
Taggar
contemporary art (332), photography (329), China (315), installation (297), painting (249), Japan (232), mixed media (211), sculpture (205), essays (201), journal (195), magazine (190), Canada (149), contemporary (136), Vancouver (121), articles (116), critical discourse (111), publication (108), video (98), performance (96), Chinese contemporary art (92), Hong Kong (92), Chinese art (86), interview (84), literature (81), video art (81), Yishu: Journal of Contemporary Chinese Art (80), oil painting (79), Korea (78), drawing (76), history (76), essay (68), Taiwan (65), journalism (62), installation art (56), asia pacific (53), South Korea (48), architecture (47), film (46), India (44), diaspora (42), Thailand (42), conceptual art (41), Canadian art (40), literary (39), Asian Canadian (39), art history (37), news (36), Asian Art News (36), women artists (33), performance art (33), Asian Canadian literature (33), new media (32), woman artist (32), Canadian publication (32), quarterly (32), Canadian publishing (31), figurative art (31), ink painting (31), British Columbia Arts Council (31), Canadian (30), ceramics (28), calligraphy (28), acrylic (28), poetry (28), Indonesia (28), identity (27), Shanghai (27), theory (27), interdisciplinary (26), Australia (26), Singapore (26), Canadian artist (25), Philippines (25), landscape (25), Chinese (25), Chinese Canadian (24), review (24), Vietnam (24), Canadian Art Foundation (24), editorial (24), ink (23), Art Museum (23), Fukuouka (23), Venice Biennale (21), abstract art (21), 20th century (19), artist residency (19), biennale (19), text-based art (19), Asia (19), interactive art (19), Chinese painting (19), art writing (18), conceptual photography (18), immigration (18), exhibition (17), contemporary Asian art (17), USA (16), digital art (16), Photography (16), site-specific (16), art criticism (16), Japanese art (16), Contemporary Art (16), textiles (15), globalization (15), media art (14), japan (14), design (14), collaboration (14), collage (13), video installation (13), rungh cultural society (13), British Columbia (13), post-colonialism (13), Malaysia (13), Monogram (13), nature (13), ink on paper (13), collection (12), watercolour paintings (12), Japanese Canadian (12), pottery (12), Pakistan (12), Installation (12), media (12), mixed media on canvas (12), illustration (11), Korean artist (11), political art (11), public art (11), monograph (11), contemporary chinese art (11), urbanization (11), international (11), Asia pacific (11), paper (11), culture (11), folk art (11), art (11), France (11), criticism (11), multimedia (11), modernism (10), exhibit catalogue (10), artist book (10), exhibition catalogue (10), symposium (10), Seoul (10), cultural studies (10), drc (10), paintings (10), Buddhism (10), photographs (10), drawings (10), Iran (10), manga (10), group exhibition (10), gender (10), ink and colours (9), triennale (9), Asian art (9), artist run centre (9), body art (9), scroll paintings (9), landscape painting (9), photo conceptualism (9), acrylic painting (9), experimental art (9), flower arrangement (9), writing (9), textile (9), museums (9), modern art (9), memory (9), biography (9), exhibit (9), Chinatown (9), animation (9), visual arts (9), canada (9), family (9), Japanese (9), sound art (9), kanto (8), watercolour (8), Europe (8), Korean art (8), art institutions (8), popular culture (8), aomori (8), sexuality (8), colonialism (8), Germany (8), Asian American (8), prints (8), craft (8), identity politics (8), science (8), feminist art (8), Centre A (8), porcelain (8), canvas (8), curating (8), femininist art (7), reviews (7), Sri Lanka (7), urbanism (7), Chinese culture (7), advertising (7), United States (7), modern (7), community (7), contemporary Japanese art (7), monthly (7), Monograph (7), multimedia art (7), Exhibition Catalogue (7), modernity (7), tradition (7), cultural exchange (7), movie (7), competition (7), Solo Exhibition (7), sociology (7), contemporary Canadian art (7), retrospective (7), Ming Dynasty (7), solo exhibition (7), social change (7), Mongolia (7), Beijing (7), Buddhist art (7), Chinese diaspora (7), Literati painting (6), South Asia (6), cinema (6), mulberry paper (6), Canadian contemporary art (6), contemporary Chinese art (6), Gwangju Biennale (6), residency program (6), Chinese ink painting (6), Asian contemporary art (6), action (6), music (6), Tibet (6), print (6), technology (6), urban life (6), cross-cultural (6), UK (6), gallery (6), documentary (6), Cambodia (6), abstract (6), urban culture (6), Nepal (6), festival (6), winnepeg (6), portraiture (6), residency (6), print media (6), Japanese artist (6), watercolour painting (6), read online (6), fiction (6), First Nations (6), project (6), Chinese Art (6), flowers (6), Canadian history (6), Sculpture (6), exchange (5), landscape paintings (5), 21st century art (5), Japanese Art (5), installaion (5), Gutai (5), triennial (5), Saskatchewan (5), international art (5), religion (5), printmaking (5), woodblock printmaking (5), public space (5), heritage (5), Asian Art (5), multidisciplinary (5), fashion (5), portrait (5), Middle East (5), painters (5), object (5), race (5), Aboriginal (5), national identity (5), activism (5), Indian artists (5), revolution (5)
Moln
Taggmoln, Författarmoln, Taggspegel
Medium
Grupper
Gått med
May 15, 2018
Om mitt bibliotek
he reading room and library at Centre A began in 1999 with contributions from artists, researchers, and curators both locally in Vancouver and internationally. The reading room emerged out of the need to collect a body of literature on Asian art practices, and by extension creating transnational ties with international arts communities. Past curators at Centre A have made significant contributions in collecting publications that reflect and engage in conversations concerning contemporary Asian and Asian diasporic art practices, and the artistic relationships between North America and Asia.

Centre A’s reading room includes the Fraser Finlayson Collection of rare books on Classical Chinese and Japanese Art with publications dating back to the late 19th century. Included in the reading room are also recent publications that have been donated by galleries, artists and artists collectives, and curators. In addition, we house monographs, artist ephemera, exhibition catalogues, art criticism writings, and artist’s books that have contributed to the diverse livelihood and possibilities of the reading room as a site of cultural production. Some publications in the reading room include books by Ai Weiwei, Santiago Bose, Yayoi Kusama, Mona Hatoum, Reena Saimi Kallat, as well as other notable artists.

Researchers, curators, artists and art institutions have generously contributed to the reading room to enrich the democratization of literature, the production of knowledge, and maintaining the reading room as an accessible public resource in Vancouver’s Chinatown. At Centre A, we house an array of publications that have been created for public programming initiatives that have engaged Vancouver’s arts community. These publications have been critical in facilitating dialogues and conversations concerning globalization, cultural identity, and the role of the arts under various political conditions.
Om mig
Centre A: Vancouver International Centre for Contemporary Asian Art is a leading public art gallery currently situated in the heart of Vancouver’s Chinatown, on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. It is a registered charity and the only public art gallery in Canada dedicated to contemporary Asian and Asian-diasporic perspectives since 1999.

Centre A is committed to providing a platform for engaging diverse communities through public access to the arts, creating mentorship opportunities for emerging artists and arts professionals, and stimulating critical dialogue through provocative exhibitions and innovative public programs that complicate understandings of migrant experiences and diasporic communities.

Centre A’s mandate is to be an engaged participant in the ongoing production of a pluralistic and democratic society. We strive to activate contemporary art’s vital role in building and understanding the long and dynamic Asia-Canada relationship while tackling questions of broader concern from Asian and Asian-diasporic perspectives. Amidst the absence of institutional commitment in Canada to contemporary art as a vital site for social engagement and critical cultural production in local, migrant, and global Asian contexts, the gallery has continued to be dedicated to:

Supporting the creation of new works by Asian and Asian-diasporic artists in Canada, particularly emerging artists and artists within the Asian milieu whose voices are underrepresented due to the particular intersectional spaces that they occupy; facilitating collaboration and creative exchange between Asian artists in Canada and abroad, in order to engage critically with local, regional and national concerns from a global perspective; fostering meaningful relationships with local arts organizations, collectives, community organizations and groups within the Asian community and beyond; and engaging meaningfully with the call for Reconciliation and contribute to the understanding and navigation of non-European settler identities from Asian perspectives.

While we play an active role in community enlivenment and conviviality, we are a means for broader cultural productivity; a local and transnational community-building apparatus that acts as a conduit for the contest of ideas and a site for the contemplation of issues of contemporary concern.
Vistelseort
268 Keefer St Unit 205, Vancouver, BC V6A 1X5
Webbplats
https://centrea.org/
Medlemskap