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The Art in Painting (1925)

av Albert C. Barnes

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39Ingen/inga508,988 (3.5)Ingen/inga
Excerpt from The Art in Painting In this book an effort is made to trace in the history Of painting the essential continuity Of the great traditions and to Show that the best Of the modern painters use the same means, to the same general ends, as did the great Florentines, Venetians, Dutchmen and Spaniards. TO Show that continuity, it has been necessary to analyze the plastic forms of the principal painters from the dawn Of the Italian Renaissance down to the present day. His torical data are treated as merely incidental: no attempt has been made to present a complete summary Of the history of painting, although no important movement and no really first-class artist has been entirely left out of account in the general evaluations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.… (mer)
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To John Dewey whose conceptions of experience, of method, of education, inspired the work of which this book is a part.
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The object of this book is to endeavor to correlate in the simplest possible form the main principles that underlie the intelligent appreciation of the paintings of all periods of time.
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Excerpt from The Art in Painting In this book an effort is made to trace in the history Of painting the essential continuity Of the great traditions and to Show that the best Of the modern painters use the same means, to the same general ends, as did the great Florentines, Venetians, Dutchmen and Spaniards. TO Show that continuity, it has been necessary to analyze the plastic forms of the principal painters from the dawn Of the Italian Renaissance down to the present day. His torical data are treated as merely incidental: no attempt has been made to present a complete summary Of the history of painting, although no important movement and no really first-class artist has been entirely left out of account in the general evaluations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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