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Laddar... NW (2012)av Zadie Smith
Top Five Books of 2013 (118) » 15 till Books Read in 2016 (564) Female Author (449) Books Read in 2015 (2,110) The Hive Recommends (19) Best Literary Walks (21) Laddar...
Gå med i LibraryThing för att få reda på om du skulle tycka om den här boken. Det finns inga diskussioner på LibraryThing om den här boken. As a Londoner this book struck a chord in me and after reading a few of the reviews slating it, I feel the desire to explain why. This isn't my type of literature, far from it, but I found myself drawn in. Zadie Smith has captured the language and dialect of several generations, to the point that I was transported back 14 years to high school. I remember people using terms like "long" and "blud", I remember people like the characters of NW. The reason for the low rating is that while the novel was compelling, as mentioned it was not my cup of tea. But mostly it was incredibly depressing. Is that what we all have to look forward to in adult hood? Or is that just the vision of those who do not dream of something else, something better?
Half sentences, fragments, broken syntax and line, dialect, sometimes no punctuation. The linear narrative under reconstruction, jackhammer to the fourth wall of fiction, the suspension bridge of disbelief like the London Bridge of the nursery rhyme, falling down. Busting the glass ceilings....Nobody is going to accuse Smith of being straitlaced or staid, of pandering to her huge audience or of writing a “perfect” novel. Instead, Smith seems to be out to undo the conventional novel. Do the narrative hijinks pay off? Smith derails the reader from the worn ruts of what to expect, provokes surprise. She tests the support beams of plot, knocking them down when she can....Lisa Moore’s stage adaptation of her novel, February, premieres at the Alumnae Theatre in Toronto from Sept. 21 to Oct. 6. At these times and others it’s hard to shake the sense that all the experimentation is more fun for the author than illuminating for the reader. Why exactly, for example, are those vignettes numbered? And what’s the significance of the number 184? The mere asking of such questions is an annoyance, taking up energy that would be better spent savouring the novel’s strengths...Here, then, is a tricky case. This reviewer finds himself in the strange position of calling NW one of his favourite books of the year, yet being unable to recommend it wholeheartedly. Like John Lanchester’s Capital, another recent novel that sought to capture the ever-shifting essence of today’s London between two covers, NW proffers a rich and varied banquet yet leaves the reader’s hunger ultimately unsatisfied. As a writer, Smith finally seems perfectly at ease: less like she’s trying to please and more like she’s delighting in her jaw-dropping mastery of language and dialect. This is, hands down, her best novel to date. The trailing plot threads aren't exactly tied off, more tucked back in. The real mystery of NW is that it falls so far short of being a successful novel, though it contains the makings of three or four. PriserPrestigefyllda urvalUppmärksammade listor
Hur kan nḡra tunnelbanestationer hit eller dit spela roll? Man kliver ner vid en station och kliver upp ur jorden nḡra kilometer bort och det r̃ en annan vr̃ld. Leah och Nathalie vx̃er upp som bs̃ta vñner i t̄tiotalets London, i stadsdelen Caldwell, med postnumret NW. Hr̃ r̃ alla gatorna vg̃val, som leder till t̄ervñdsgrñder eller motorvg̃en mot framgn̄g. Flickornas liv ter sig till en br̲jan lika men ska utvecklas t̄ olika hl̄l, Natalie som egentligen hette Keisha, byter namn, utbildar sig, skaffar sig ett fint jobb och en proper man, medan Leah gifter sig med en hr̄frisr̲ och gillar att utforska sin sexualitet. Med sin rappa stil, sin fr̲mḡa att fn̄ga bd̄e klass och kulturmarkr̲er fn̄gar Zadie Smith ett modernt London dr̃ alla har en mj̲lighet att lyckas, men att bli lycklig r̃ lika svr̄t som var helst p ̄jorden. Fr̲ vem bestm̃mer nr̃ ett liv r̃ framgn̄gsrikt? Smith r̃ helt enkelt underbar. Dickens legitima dotter."Independent [Elib] Inga biblioteksbeskrivningar kunde hittas. |
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What Smith does here with language is wonderful; it's random, fragmentary, stream-of-consciousness. Not "postmodern" -- though the novel is partly about that dizzying, interconnected, overstimulated chaos of our 21st-century lives, tethered to our mobile devices -- it's perhaps, more quaintly, modern. Joycean is the quickest, perhaps cliched, descriptor to mind, Smith popping into the heads of her characters, lonely flaneurs all, as they wind their way, through the council flats and streets of northwest London. The prose may not work for everyone; there's a whiff of brash, first-draft-out-of-M.F.A.-school, experimentation (and to be clear, I'm implying nothing pejorative here), but when was the last time you saw established writers still willing to take these sorts of risks? ( )