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M. C. Escher : grafik och teckningar (1959)

av M. C. Escher

MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
2,169115,614 (4.1)11
Presenting the structurally unthinkable as though it were a law of nature M.C. Escher was born in 1898 in Leeuwarden (Netherlands). He received his first drawing lessons during secondary school from F.W. van der Haagen, who also taught him the block printing, thus fostering Escher's innate graphic talents. From 1912 to 1922 he studied at the School of Architecture and Ornamental Design in Haarlem, where he was instructed in graphic techniques by S. Jessurun de Mesquita, who greatly influenced Escher's further artistic development… (mer)
Senast inlagd avprivat bibliotek, Adam876, MadaDursma, ibiblus, WaterfallArts, HSMDorly, massartlibrary, caitlinpereira, lipi
Efterlämnade bibliotekDanilo Kiš
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» Se även 11 omnämnanden

engelska (8)  nederländska (1)  spanska (1)  danska (1)  Alla språk (11)
Visa 1-5 av 11 (nästa | visa alla)
Very simply, an excellent primer on one of the premier artists of our generation. ( )
  TobinElliott | Sep 3, 2021 |
Estampas y dibujos.
  varbes | Apr 3, 2021 |
Indeholder "Introduction", "Classification and description", "I. Early prints", " 1. Tower of Babel", " 2. Castrovalva", " 3. Palm", " 4. Portrait of the engineer G. A. Escher", " 5. Fluorescent sea", " 6. St. Peter, Rome", " 7. Dream", "II. The regular division of a plane", "II.a. Glide Reflection", " 8. Swans", " 9. Horsemen", " 10. Two intersecting planes", "II.b. The function of figures as a background", " 11. Day and night", " 12. Sun and moon", " 13. Sky and water I", " 14. Sky and water II", "II.c. Development of form and contrast", " 15. Liberation", " 16. Development I", " 17. Verbum", "II.d. Infinity of number", " 18. Sphere surface with fish", " 19. Path of life II", " 20. Smaller and smaller", " 21. Whirlpools", " 22. Circle limit I", " 23. Square limit", " 24. Circle limit III", " 25. Circle limit IV (Heaven and Hell)", " 26. Fish and scales", " 27. Butterflies", "II.e. Story pictures", " 28. Reptiles", " 29. Cycle", " 30. Encounter", " 31. Magic mirror", " 32. Metamorphose", " 33. Predestination", "II.f. Irregular filling of plane surfaces", " 34. Mosaic I", " 35. Mosaic II", "III. Unlimited spaces", " 36. Depth", " 37. Cubic space division", " 38. Three intersecting planes", "IV. Spatial rings and spirals", " 39. Knots", " 40. Moebius band II", " 41. Concentric rinds", " 42. Spirals", " 43. Sphere spirals", " 44. Moebius band I", " 45. Rind", " 46. Bond of union", "V. Mirror images", "V.a. Reflections in water", " 47. Rippled surface", " 48. Puddle", " 49. Three worlds", "V.b. Sphere reflections", " 50. Still life with reflecting globe", " 51. Hand with reflecting globe", " 52. Three spheres II", " 53. Dewdrop", " 54. Eye", "VI. Inversion", " 55. Cube with magic ribbons", " 56. Concave and convex", "VII. Polyhedrons", " 57. Double planetoid", " 58. Tetrahedral planetoid", " 59. Order and chaos", " 60. Gravitation", " 61. Stars", " 62. Flat worms", "VIII. Relativities", " 63. Another world II", " 64. High and low", " 65. Curl-up", " 66. House of stairs", " 67. Relativity", "IX. Conflict between the flat and the spatial", " 68. Three spheres I", " 69. Drawing hands", " 70. Balcony", " 71. Doric columns", " 72. Print gallery", " 73. Dragon", "X. Impossible buildings", " 74. Belvedere", " 75. Ascending and descending", " 76. Waterfall", "Maurits Cornelis Escher".

76 af Eschers mest kendte værker. Man kan som sædvanligt tænke længe over flere af dem. ( )
  bnielsen | Jul 15, 2019 |
I've been fascinated with and delighted by M.C. Escher's art since I first encountered his famous "Relativity" print as a small child. I love the way he way he plays with perspective, with dimensions, with background and foreground, with visual paradoxes, and recursion, and all kinds of almost mathematical ideas, all while retaining a sense of whimsy.

This particular volume reproduces 76 Escher prints (at least of couple of which, much to my surprise, I don't think I'd seen before), with the author himself providing a short introduction and a paragraph or so of commentary on each piece. These commentaries are often not much more than a simple description of what it is we're looking at, and yet even so I found many of them gave me interesting new insights. After all these years, it's rather wonderful to know I can still see new things in Escher's work. ( )
1 rösta bragan | Sep 11, 2018 |
art, graphic, print, realism, craft, architechture, design, woodcut
  aidenella | Sep 7, 2015 |
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» Lägg till fler författare (12 möjliga)

Författarens namnRollTyp av författareVerk?Status
Escher, M. C.Författareprimär författarealla utgåvorbekräftat
Brigham, John E.Översättaremedförfattarevissa utgåvorbekräftat
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Anyone who applies himself, from his early youth, to the practice of graphic techniques may well reach a stage at which he begins to hold as his highest ideal the complete mastery of his craft.
The seven prints in this group, selected from a large number which were made before 1937, display no unity as far as their subject matter is concerned.
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Wikipedia på engelska (2)

Presenting the structurally unthinkable as though it were a law of nature M.C. Escher was born in 1898 in Leeuwarden (Netherlands). He received his first drawing lessons during secondary school from F.W. van der Haagen, who also taught him the block printing, thus fostering Escher's innate graphic talents. From 1912 to 1922 he studied at the School of Architecture and Ornamental Design in Haarlem, where he was instructed in graphic techniques by S. Jessurun de Mesquita, who greatly influenced Escher's further artistic development

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