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Laddar... Going Into a Dark House (urspr publ 1994; utgåvan 1995)av Jane Gardam (Författare)
VerksinformationGoing Into a Dark House av Jane Gardam (1994)
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Gå med i LibraryThing för att få reda på om du skulle tycka om den här boken. Det finns inga diskussioner på LibraryThing om den här boken. One of the things that I especially enjoyed about Going into a Dark House was the consistent sense of satisfaction after each story. I spread them out over a month's time and made sure not to rush. Even if I wanted to read on, after reading one of the stories, I forced myself to set the collection aside and pick up something else instead, which added to my sense of satisfaction I think. It felt like reading an Alice Munro collection, I just wanted to "have" the next story, not even caring about subject or style, only wanting her voice, the sometimes-cozy and sometimes-eerie and sometimes-ironic resolution she offers at their conclusions.One of my favourite stories was "The Damascus Plum" which considers the way in which one shares one's home, one's pleasures, and one's foibles in the context of a brief, imposed intimacy, and not only the differing ways in which two people can experience the same events, but the impact of memory on impressions of a shared experience. For the most part, it's the overall construction and execution of her stories that I appreciate, but sometimes a bit of language jumps out. For a longer review (and examples of her use of language), you can visit BIP here. inga recensioner | lägg till en recension
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Molly Fielding's mother had been a terrible woman...' A terrible woman indeed. One need only to look at the old sepia photograph to see a vision of nastiness. The look of cunning, the self-satisfied smile, the aura of hauteur as she watches the little Italian photographer go about his business. They say the camera never lies, but maybe this one did... 'Going into the Dark House', the title story of Jane Gardam's passionate new collection, brilliantly captures the subtly subversive qualities of her art. Quietly mesmeric and quite beautifully written, these ten stories are a delight. Inga biblioteksbeskrivningar kunde hittas. |
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There is little outright cruelty. Usually the suffering is caused by people (usually women) who are simply stripped clean of imagination or emotional generosity. Mild affectionateness covers the chill incapacity to love.
There are quite a few ghosts, real or otherwise. The stories move back and forth across the border of the supernatural. But I believe the author always uses ghosts simply as a device to sketch character and real-world circumstance, like an actor using space off-stage, or a photographer ready to perch in any awkward or risky spot to catch the image. Nuns also come into it more than once.
The last three pieces are connected under the title "Telegony", a study of the complex interweave of mother and daughter, and its lingering effects.
The cover of the edition I read is taken from the painting The Harvest is the End of the World and the Reapers are Angels by Roger Wagner. It is the only depiction of Judgement Day that I have ever found frightening. ( )