Klicka på en bild för att gå till Google Book Search.
Laddar... Gormenghast (Book Two of the Gormenghast Trilogy) (urspr publ 1950; utgåvan 2007)av Mervyn Peake (Författare), Tad Williams (Inledning)
VerksinformationSlottet Gormenghast av Mervyn Peake (1950)
Favourite Books (113) Best Fantasy Novels (204) » 20 till BBC Big Read (130) 501 Must-Read Books (220) Top Five Books of 2020 (631) Books Read in 2020 (956) Books Read in 2013 (325) Fantasy of manners (24) Books Read in 2023 (3,717) Read These Too (113) 1,001 BYMRBYD Concensus (502) 1950s (289) Best Horror Mega-List (266) Laddar...
Gå med i LibraryThing för att få reda på om du skulle tycka om den här boken.
Un libro monumentale, vasto ed articolato come Gormenghast, il labirintico castello che non è solo straordinaria cornice degli eventi ma anche protagonista, al pari degli altri personaggi e sicuramente più vivo e vibrante di molti di loro. Accadono tante cose in questo romanzo, che spazia nell'arco di dieci anni: morti, catastrofi, duelli, tutto raccontato con quel tono tra il grottesco e il surreale così tipico dell'autore e che rende questa saga un unicum tra le produzioni fantasy. Stavolta rispetto al primo volume l'attenzione si focalizza sui personaggi più che sugli scenari, ed anche nell'introspezione psicologica Peake si rivela un maestro: ogni figura assume uno spessore nuovo che gli restituisce dignità e la fa uscir fuori dalla dimensione caricaturale (che è comunque sempre ben presente); fra tutte è indimenticabile Ferraguzzo, creatura evanescente e dalle molte sfaccettature, un po' fuoco e un po' ghiaccio. La scrittura pur rimanendo opulenta ed iper-descrittiva è meno barocca e quindi più coinvolgente, in certi momenti non riuscivo a staccare gli occhi dalle pagine. Gran bel libro, che affascina e appassiona. My feelings on this book run so hot and cold! And I do not have time to do thousands of pages justice in this short review, so here is a smattering of random thoughts The good: There are shining bits of artist's prose that stay with you forever. The flight of herons, the forgotten halls under the castle, a shaft of sunlight on brickwork. By the final fight between Titus and Steerpike, I couldn't put the book down. There are characters I love in it. The mighty countess, fighting danger, saving Gormanghast from the flood. The kind Doctor. Fuchsia, oh Fuchsia, naive and romantic and passionate. The bad: If as a feminist you want to talk about how annoying it is when horrible things happen to women just because it's convenient for character growth in some male protagonist, this is an excellent book which will give you more examples than you ever really wanted. The oscillation between the schoolroom farce and courtship of Irma and the main plot of dark murders and angst has some rapid lurches in tone. Steerpike is clearly the Evil Villain, but also clearly the most interesting character in the book, far more so than Titus. When your reader's sympathies find themselves straying towards the youth who burns people alive and leaves elderly women starving to death you know you have a problem with likable characters. Second book finds Titus rebelling against the castle. He finds Flay. He loses his sister. Listened to audio read by Simon Vance. Good job! Gormenghast is the name of the castle which is by its description, gothic and has a medieval feel to it. The castle is remote and surrounded by topography that protects it or holds the inhabitants from the outside world. It is surrounded by water; seas, rivers which makes it an island of stone amid water which plays a key role in the story. The impression is that Gormenghast is stagnant, insular and introspective. The inhabitants engage in pointless rituals that they have long forgotten the purpose. In the second book, Titus is a young He of 7 in the beginning of the second book and 17 at the end. Titus does not want to continue in the endless and pointless rituals. Steerpike is the other main character and is the second to Barquentine who is master of ritual. There is quite a bit murder and violence in the novel. British author, died before the completion of his series. The last book was completed by his wife. A fantasy written for the complex minds of adults; what a concept! The hormone levels in this novel are low enough to be fatal to any Sarah J Maas heroine; they'd just wither and crumble (((((((((((in an elegant, luxurious and opulent way, of course!))))))))). For some reason Peake forgot to add the token badass female character. Oddly enough, this book does not end with a group of amazing teenagers saving the world from ultimate evil. That's right, in the past, authors were capable of writing books that weren't complete formulaic, egregious shit. Publishers actually paid professionals to edit the books for quality control and the best reading experience. Not that the publishing industry needs to worry, I stopped eating at McDonalds in 1985 and they're still in business. So continue to produce those fine, high quality McBooks to meet the demands of the masses for easy, nutrition-free, fast, fast, fast consumption! I'll be fine. I have two shelves of books ready for me to read. Second-hand books purchased from small sellers who understand the obscure tastes of discriminating readers. I prefer to spend my big, fat, middle-aged discretionary income with those types of businesses. As a result, I get five to ten used books for the same price as a new book. The quality of the material I receive is far greater in proportion than the quantity. Plus, I plan to re-read this book.........multiple times........because it's complex........and beautifully written..........full of bizarre and wonderful characters. I loved this book.
Reading this at the age of 13, I understood that fantasy, the place I was looking for, is not to be found in dragons, ghosts, or magic wands. It resides in language. Fantasy is death by owls. It’s mourning through gesture. It’s music, incantation in half-light. An inverted heart. For years after reading Gormenghast, I didn’t read genre fantasy. Later, I came back to it. Now, I read eclectically and with confidence, because I know what I want. Ingår i serienGormenghast (2) Ingår i förlagsserienBiblioteca Adelphi (112) Penguin Modern Classics (2890) PriserPrestigefyllda urvalUppmärksammade listor
Fiction.
Science Fiction & Fantasy.
HTML: A doomed lord, an emergent hero, and an array of bizarre creatures haunt the world of the Gormenghast trilogy, which reigns as one of the undisputed fantasy classics of all time. At the center of it all is Titus Groan, the seventy-seventh Earl, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom. In this second volume, Titus comes of age within the walls of Gormenghast Castle and discovers various family intrigues. Having been "exiled" to grow up with the common children until the age of fifteen, Titus has discovered secret hiding places in the castle from where he can watch and learn unobserved. Disconnected from his future responsibilities, Titus drifts back and forth between the complicated social world he will grow up to govern and a world of fantasy and daydream. .Inga biblioteksbeskrivningar kunde hittas. |
Pågående diskussionerIngen/ingaPopulära omslag
Google Books — Laddar... GenrerMelvil Decimal System (DDC)823.912Literature English & Old English literatures English fiction Modern Period 1901-1999 1901-1945Klassifikation enligt LCBetygMedelbetyg:
Är det här du? |
However it does feel like there are too many time gaps between chapters and almost seems unfinished in places. I know it takes place over a much greater time period than the first book but its not the large time movements which are the problem, but rather the small incident to incident transitions. The last quarter however is much more solid than the rest.
The characters and scenes are so vivid and memorable, i would say its a lot funnier than the first book but the humour is almost entirely concentrated on the Professors and doesn't really spread elsewhere, which again adds to the fragmentary nature of the tale.
I'm now convinced that the Professors had a big influence on the Terry Pratchetts unseen university. Also speaking of influence at one point the red haired countess is described as having a head which seems too big for her body, and i suddenly realised that gormenghast had been heavily plundered by Tim Burton for his version of Alice in Wonderland.
The big headed queen of hearts, the really lanky guy, the bizarre mannerisms of the queen of diamonds, the twin sisters at the start... all gormenghast.
Anyway overall still really good, not a single character i don't like, looking forward to the finale and considering buying a copy.
Final note, the copy i borrowed was illustrated by Peake himself which sounds great, but there are very few drawings and those are really sketchy and incomplete, if getting an illustrated copy i'm definitely going to go for a proper illustrator, this version just isn't that good. ( )