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Laddar... The Birds [1963 film] (1963)av Alfred Hitchcock (Regissör), Christie Agatha (Bidragsgivare), Connell Richard (Bidragsgivare), du Maurier Daphne (Bidragsgivare), Daphne Du Maurier (Original story) — 1 till, Evan Hunter (Screenwriter)
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Gå med i LibraryThing för att få reda på om du skulle tycka om den här boken. Det finns inga diskussioner på LibraryThing om den här boken. The premise itself is so absurd, hard to be taken entirely seriously, that can only be compared to that of Albert Camus' novel The Plague. ( ) Melanie Daniels meets Mitch Brenner while at a pet shop in San Francisco. She's there to buy a Mynah bird, while he's there to get a pair of lovebirds for his younger sister. He pretends to mistake Melanie for a shop employee and eventually leaves without buying anything. Melanie, both intrigued and annoyed by handsome Mitch, buys a couple lovebirds and ends up taking them to his mother's home in Bodega Bay, where he goes every weekend. Out of nowhere, Melanie is attacked by a seagull, which she and Mitch assume is an isolated incident. However, as incidents of odd bird behavior mount, it all becomes more ominous, until finally someone is discovered dead, apparently killed by birds. With no idea what's causing the attacks or how to stop them, Mitch, his mother, his sister, and Melanie try their best to survive and wait whatever it is out. I don't think I've ever seen this movie before, although I remember talking about it with my mom. When I was a kid, we went to some kind of petting zoo where a bird pecked my foot because I wanted to save the food I'd been given for the other animals. I'm pretty sure my mom got slight The Birds flashbacks. Anyway, in terms of overall scariness, I thought this was better than Psycho, although since it was a level of scariness even I could handle, I'm assuming most horror fans wouldn't consider it all that scary anymore. I thought Melanie was weird and a bit much, buying birds, traveling for a couple hours, and sneaking into Mitch's house just because of one embarrassing encounter (which she set herself up for, honestly). But the gradually increasing tension involving the birds was great. I think I preferred the scenes in which the birds were gathering, but not attacking, more than the actual attacks. There were a few moments that were kind of stupid. For example, ushering all the kids out of the school while the birds were gathering was a bad idea. It may not have gone better if they'd stayed in the school, but at least they wouldn't all have been so exposed when the attack finally came. It was mind-boggling, the number of times people went outside when they knew a bird attack was likely. Where this movie fell apart, for me, was the ending. I remember checking how many minutes were left and wondering how it was going to wrap up in time, because there were no answers and only a few minutes to go. Why were the birds attacking? Did Melanie's arrival really have something to do with it? Were the lovebirds a clue somehow? It felt like this movie was all build-up with nothing to let the pressure off at the end. No answers, no indications that the characters were or were not going to end up safe, and no additional information beyond the tidbit that Mitch got from the radio, that incidents maybe weren't isolated to Bodega Bay after all. It was a bit of a letdown. Extras: A deleted scene (script and some stills), the original ending (script and some drawings), Tippi Hedren's screen test, "The Birds is coming" (Universal International newsreel), "Suspense story: National Press Club hears Hitchcock" (Universal International newsreel), production photographs. (Original review posted on A Library Girl's Familiar Diversions.) Acting: 4.5; Theme: 5.0; Content: 4.5; Language: 4.5; Overall: 4.5 A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people. ***March 30, 2022*** (Watched with Kristin and Jonathan) Mattis, a middle aged man of low intellect, lives with his sister Hege on the shores of a lake. Mattis' simple mindedness makes it difficult for him to find work at the surrounding farms so he occupies himself by rowing back and forth across the lake, believing himself to be a ferryman. Once, at the other side of the lake, he starts shouting and a lumberjack appears out of the woods and Mattis rows him home. The lumberjack, Jorgen, and Hege fall in love which causes Mattis to feel he'll soon be abandoned. Unable to believe his sister's assurance that she will always take care of him, Mattis rows out to the middle of the lake, kicks a hole in the boat, and drowns. inga recensioner | lägg till en recension
Ingår iThe Alfred Hitchcock Collection: The Best of Hitchcock, Vol. 2: Vertigo / The Birds / The Trouble with Harry / Frenzy / Marnie / Saboteur / Torn Curtain / Family Plot av Alfred Hitchcock Alfred Hitchcock Classics Collection: Rear Window, Vertigo, Psycho and The Birds av Alfred Hitchcock Är en bearbetning avInspireradeHar som referensvägledning/bredvidläsningsbokStuderas iHar som supplementHar som kommentar till textenPriserUppmärksammade listor
When Melanie Daniels rolls into Bodega Bay in pursuit of eligible bachelor Mitch Brenner, the small California town is inexplicably attacked by thousands of birds. Inga biblioteksbeskrivningar kunde hittas. |
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