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Laddar... Everything Must Goav La JohnJoseph
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Fiction. LGBT Studies. In a future- queer world of magically changing locations, perversely transformed historical figures and oodles of spatter-violence, an intersexual teen mother describes her road trip with a cast of surreal travel buddies. The goal of her final destination: unleashing the Apocalypse. Riding in a banana-yellow convertible with our hero/ine is the strangely mature Baby, able to chat while still in the womb; as well as two Catholic Missionaries with a violent streak, a Charlie Chaplin who communicates only with cue cards, and Candy Bar, a winsome club kid who ends up fixing the face of Valentino's corpse at his funeral. Follow our hero/ine through a dreamlike jungle of orgies and terrorist explosions, described in language as word-rich and surreal as a Ronald Firbank novel. You'll howl with laughter the whole time and have nightmares about it long after you come to the breathlessly ridiculous final page. Inga biblioteksbeskrivningar kunde hittas. |
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Google Books — Laddar... GenrerMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Klassifikation enligt LCBetygMedelbetyg:
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This is the second title I've now received by the intriguing ITNA Press, a small publisher dedicated to providing a home for especially dark, especially obtuse manuscripts; and "especially dark and obtuse" is a perfect description for playwright La JohnJoseph's newest book, a story on the serious side of the genre known generally as "bizarro" (a genre with just as large a humorous side, to be clear), set in an undated future where an apocalypse has disrupted all normal laws of physics and space/time on Earth, and where our main character can do things like age three years in a matter of days simply by choice, or have long convoluted psychic conversations with her still-gestating but fully mature baby who is still inside her womb. And that in a nutshell is always the problem with books like these, and why I have a bit of a love/hate relationship with bizarro novels in general; for while there is much to admire here simply in terms of style, audacity, and the pure beauty of the language itself being used, since this is little more plot-wise than a written-out cartoon that deliberately makes no narrative sense at all, I find it extremely difficult to get emotionally invested in books like these or even to finish them, instead tending to look at such titles as a great 50-page short story couched within a 200-page manuscript, and with it not really mattering where exactly you start and stop reading within that 200-page manuscript itself, a disappointing experience when you're a big fan of three-act novels like I am. Absolutely recommended (and strongly so) for existing fans of bizarro, that recommendation gets a lot trickier when it comes to the general public, and whether or not you should pick this up depends a lot on whether you read novels more for the story (in which case no) or for the writing (in which case definitely yes).
Out of 10: 8.0, or 9.0 for existing bizarro fans ( )