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Invisible Cities av Italo Calvino

Invisible Cities (utgåvan 1997)

av Italo Calvino

MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
7,918175809 (4.15)326
In Kublai Khan's garden, at sunset, the young Marco Polo diverts the aged emperor from his obsession with the impending end of his empire with tales of countless cities past, present, and future.
Titel:Invisible Cities
Författare:Italo Calvino
Info:Vintage Classics (1997)
Samlingar:The Library on West Elm, Experimental & Ergodic Literature


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    snarkhunt: Calvino's book is a travelogue of impossible societies while China's book is a sweet little noir stuck in the middle of one.
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  7. 20
    Mr. Palomar av Italo Calvino (P_S_Patrick)
    P_S_Patrick: Thes two books are in some ways very like each other, and in some ways quite the opposite. In Mr Palomar various locations, things, and thoughts are described precisely with the utmost eloquence and detail, whereas in Invisible Cities, it is one place being described in many different ways, hazy, as if seen through lenses of different qualities, and warping mirrors. But the effect is much the same, both books give you something to think about, make you see things in different ways, and are a pleasure to read. Both books also contain no strong plot, and consist of many small and diverse sections, and in a way, could be dipped into. Where Palomar gets very much into the mind of the protagonist, and his fixed, elaborate, and definite interpretations of reality, Invisible Cities is similar in that the recollections are also told from the point of view of the narrator, but differ each time, none being tied to reality, all of them containing aspects of truth found through how you interpret them. If you enjoyed reading one of these books, you should enjoy the other.… (mer)
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    Solution 11-167: The Book of Scotlands av Momus (Kolbkarlsson)
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  13. 10
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    The Dictionary of Imaginary Places: The Newly Updated and Expanded Classic av Alberto Manguel (VanishedOne)
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  16. 21
    Viriconium: "The Pastel City", "A Storm of Wings", "In Viriconium", "Viriconium Nights" av M. John Harrison (Torikton)
  17. 00
    Freud's Alphabet: A Novel av Jonathan Tel (hdcanis)
    hdcanis: A novel starring a historical person (Marco Polo or Sigmund Freud) exploring a city (Venice or London) in fragmentary manner, each fragment handling a different aspect of the city.
  18. 00
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    CGlanovsky: Little vignettes about places. Calvino's are more fanciful and there's a twist, while Schalansky's are little anecdotes based on actual bizarre and out-of-the-way places.
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(visa alla 26 rekommendationerna)


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Visa 1-5 av 175 (nästa | visa alla)
"Se meu livro As cidades invisíveis continua sendo para mim aquele em que penso haver dito mais coisas, será talvez porque tenha conseguido concentrar em um único símbolo todas as minhas reflexões, experiências e conjeturas." Assim se refere o próprio Italo Calvino - um dos escritores mais importantes e instigantes da segunda metade do século XX - a este livro surpreendente, em que a cidade deixa de ser um conceito geográfico para se tornar o símbolo complexo e inesgotável da existência humana.Prêmio Jabuti 1993 de Melhor Produção Editorial de Obra em Coleção
  BolideBooks | May 14, 2021 |
Early in Neal Stephenson's The Diamond Age, he describes a moment when some of the characters walk near a cathedral and are able to hear "its bells ringing changes, mostly just tuneless sequences of notes, but sometimes a pretty melody would tumble out, like an unexpected gem from the permutations of the I Ching". Similarly, in this collection of descriptions of imaginary cities, sometimes each metropolitan litany produced an arresting simile or piece of imagery, and sometimes they were just a few paragraphs of "literary" writing that made next to no impression at all on me. I don't want to be contrarian, but is this book really so highly-regarded based merely on the neat sentences Calvino sometimes comes up with? It can't be the philosophical ideas, because those are either somewhat boring, or unoriginal, or both.

For an example of boring, in "Cities & Eyes 1", Marco Polo is telling Kublai Khan about the city of Valdrada on the shores of a lake, where "the traveler, arriving, sees two cities: one erect above the lake, and the other reflected, upside down. Nothing exists or happens in the one Valdrada that the other Valdrada does not repeat, because the city was so constructed that its every point would be reflected in its mirror.... The twin cities are not equal, because nothing that exists or happens in Valdrada is symmetrical: every face and gesture is answered, from the mirror, by a face and gesture inverted, point by point. The two Valdradas live for each other, their eyes interlocked; but there is no love between them." If I were writing a paper on this book in a freshman English class, I would say that the story "was an exploration of the concept of duality" or something like that, but it isn't: the whole description of the city is barely a few hundred words, and does nothing other than describe a city and its watery doppelgänger. Similarly, for an example of unoriginality, at the beginning of chapter 7 there is an exchange between Polo and the Khan about the difficulty of telling the difference between dreams and reality:

"Kublai: Perhaps this dialogue of ours is taking place between two beggars nicknamed Kublai Khan and Marco Polo; as they shift through a rubbish heap, piling up rusted flotsam, scraps of cloth, wastepaper, while drunk on the few sips of bad wine, they see all the treasure of the East shine around them.
Polo: Perhaps all that is left of the world is wasteland covered in rubbish heaps, and the hanging garden of the Great Khan's palace. It is our eyelids that separate them, but we cannot know which is inside and which is outside."

It's like Calvino is expecting his audience to have never heard of Zhuang Zi's dream of the butterfly, or any of the zillion other manifestations of this idea.

Even the central conceit of the book, that Polo is describing the city of Venice by describing its opposites or metaphors for it, doesn't feel like it needs a whole book to describe it, even one as thin as this. Not that it isn't a pleasant read, with excellent descriptions and use of language and so forth, but I simply had no reaction to most of it. Exceptions include "Cities & Desire 3", which vividly describes how different a city can look depending on how you arrive; "Cities & Names 4", about the cyclic nature of urban life; "Cities & the Dead 3", with its vivid vital necropolis; and a few others, but for me most of the pleasure lay in the combinations of words Calvino found (and how translator William Weaver interpreted them), and not really in any of the concepts. I make an exception for the conversation between Polo and Khan at the end of chapter 7, which hilariously sounds exactly like two people having a bad drug experience.

"Kublai: To me this conjecture does not seem to suit our purposes. Without them we could never remain here swaying, cocooned in our hammocks.
Polo: Then the hypothesis must be rejected. So the other hypothesis is true: they exist and we do not.
Kublai: We have proved that if we were here, we would not be.
Polo: And here, in fact, we are."

Whoa dude, far out!

Ever read that Borges short story "The Lottery in Babylon"? Despite its greater economy with language, it's about ten times more memorable than most of what's in here. ( )
  aaronarnold | May 11, 2021 |
Las ciudades invisibles es un libro de ficción escrito por Italo Calvino y publicado por primera vez en 1972 por la editorial Einaudi en Italia. Algunas de estas ciudades invisibles las tenemos tan cerca, se corresponden tanto con el devenir de nuestra propia ciudad
  varbes | May 4, 2021 |
Perhaps I read this book wrong and didn’t savor the ideas sufficiently, but I didn’t find it remarkable. There were moments of poetic grace and Borgesian fancy, but the city chapters felt like intros to 55 different sci-fi books that cut off abruptly. Many of the sentences were just random lists of adjective and noun pairs with no discernible verb to announce action other than their existence. And there were a LOT of naked women lounging around in public urban spaces to fuel the male conqueror fantasy. ( )
  jiyoungh | May 3, 2021 |
As a child I remember being mesmerized by a collection of fairy tales. I could read with proficiency for my age – maybe 6 or 7 – but much of the meaning escaped me, although I could sense, or guess, much of it. At the end, it did not matter, because I was enthralled by the images and language.

Invisible Cities took me back to that early reading experience. I felt lost at times, searching for the meaning when the surreal and exotic images made me drunk. There is a philosophical deepness to this book, which is very elusive: almost impossible to grasp, just glimpse. Yet, at moments, it surprisingly takes form and content with obvious clarity.

How to define it? A series of poetic parables with ambiguous meanings, surprises and fantastic geography? Dreams or nightmares full of longing, desire and enchantment? A travel book for terra incognita?
Probably all of the above and none of it.

I loved it!
( )
  RosanaDR | Apr 15, 2021 |
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» Lägg till fler författare (32 möjliga)

Författarens namnRollTyp av författareVerk?Status
Calvino, Italoprimär författarealla utgåvorbekräftat
Baranelli, LucaBidragsgivaremedförfattarevissa utgåvorbekräftat
Kapari, JormaÖversättaremedförfattarevissa utgåvorbekräftat
Nieuwenhuyzen, KeesOmslagsformgivaremedförfattarevissa utgåvorbekräftat
Pasolini, Pier PaoloEfterordmedförfattarevissa utgåvorbekräftat
Riedt, HeinzÖversättaremedförfattarevissa utgåvorbekräftat
Vlot, HennyÖversättaremedförfattarevissa utgåvorbekräftat
Walsmith, SheltonOmslagmedförfattarevissa utgåvorbekräftat
Weaver, WilliamÖversättaremedförfattarevissa utgåvorbekräftat
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Kublai Khan does not necessarily believe everything Marco Polo says when he describes the cities visited on his expedition, but the emperor of the Tartars does continue listening to the young Venetian with greater attention and curiosity than he shows any other messenger or explorer of his.
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Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret,

their rules are absurd, their perspectives deceitful, and everything conceals something else.
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In Kublai Khan's garden, at sunset, the young Marco Polo diverts the aged emperor from his obsession with the impending end of his empire with tales of countless cities past, present, and future.

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