Just this week in the news there was an article about a potentially promising new treatment for Alzheimer's Disease. It hasn't made it up the chain to testing in humans yet but initial findings are incredibly promising, showing that it helps slow the creation of the plaques that cause memory loss. This is hopeful news for the many friends and family members who love someone suffering from this terrible, sneaky thief of a disease. I can't begin to imagine being diagnosed with a disease that you know will rob you of your memories and your entire sense of self. It must be terrifying at any age but especially so for those who have the genetic marker that means they will not only develop the disease but develop it early, right in the prime of their lives. For these people with what is called Early Onset Alzheimer's Disease or EOAD, the diagnosis only comes after they have started noticing the slow erosion of their faculties already and can no longer blame their symptoms on stress or forgetfulness any longer. Rachael Herron's new novel, Splinters of Light, tackles the helpless and scary feeling of being diagnosed with EOAD in a novel about a writer, her teenaged daughter, and her fraternal twin sister.

Nora Glass is a 44 year old single mother to Ellie, the teenaged daughter who has been the frequent subject of her writings for many years. Her life isn't perfect but it is generally happy. Her twin sister Mariana is in a good relationship and the meditation app she's designed is taking off so she's on the verge of shedding her reputation as the screw-up sister. Nora's next door neighbor Nick has always been a good friend to both Nora and Ellie and he's teetering on the verge of something more. But she's started to notice that her memory isn't what it used to be and despite figuring that it is nothing, these lapses send her to the doctor's office, where she gets the life altering diagnosis of Early Onset Alzheimer's Disease. She doesn't know how to tell the people she loves about this death sentence and she can't even begin to imagine how to tie up the loose ends in her life. Who will take care of Ellie? Certainly not Ellie's uninvolved and essentially worthless father. Mariana has a history of having to be bailed out by Nora the perfectionist so how can she possibly take over as the responsible adult in the teenaged Ellie's life? And what on earth will Mariana do without her sister as a safety net? All of these questions consume Nora, even after she has told her sister, her daughter, and Nick about the grim prognosis she's facing.

As much as this is a novel about a woman struggling with a devastating disease, it is also a novel about love and family. Nora and Mariana have an especially close relationship as twins. Ellie feels left out of her mother's world, assuming that there's only room for two in it and that that the second person is Mariana, not her. And Ellie is not only dealing with these feelings of exclusion and the idea of losing her mother, she's also dealing with everything that goes along with being a sixteen and seventeen year old girl in her first relationship and thinking about leaving for college as well. The moments where each of the three women are unguarded and honest are touching and highlight their deep bonds with each other. Herron has drawn the changes in Nora, the way her personality has changed, the anger and frustration, the small losses that add up to something much greater and scarier, and the encroaching fear of it all, very well. Nora and Ellie's mother daughter dynamic is equal parts contentious and close. There are some parts of their relationship that don't ring entirely true (like Ellie texting her mother to tell her she's going to have sex) for most mother daughter relationships though. The twin plot line is definitely an important one but it is a bit clichéd to draw twins as more connected to each other than anyone else. In fact, it helps the plot a lot when Nora is forced to reconcile to the idea that she might not know her sister quite like she thought. The thread with Nick is eventually dropped as the relationship between the three Glass women is meant to be the central piece of the novel but it was enough of an issue throughout the book that it is a little frustrating to have it ignominiously ignored in the end. All of the characters are very much in their own heads and very emotional, as would be expected of people trying to process what all of this means, but their feelings start to become repetitious and the book feels a tad overlong, with the sharp, distressing edges of EOAD worn off and smoothed away just as on the pieces of beach glass that reoccur throughout the novel. In the end, the book isn't so much about dying as it is about hope and holding onto it tightly for the ones you love more than anything else in the world no matter how short the future is. ( )

Imagine you are a successful 44-year-old woman. You have overcome raising your daughter alone after your husband left you for a younger woman and started a new family. Your newspaper columns have become syndicated and you have authored best-selling books. Your twin sister is finally becoming successful in her own right and your next door neighbor is a "friend with benefits". Life is grand until you realize things have started becoming fuzzy. You often find yourself "getting stuck" and can't figure out why. After numerous tests, the doctor reveals your diagnosis, EOAD or Early Onset Alzheimer's Disease. This can't be happening to Nora. She is the Martha Stewart of organization. She is the one who handles everything. She has a 16-year-old daughter who needs her. Nora can't understand why this is happening to her. She can't trace it back to anyone in her family since she doesn't know her father and her mother died young. She can't imagine telling her twin sister, Mariana and her daughter, Ellie. What if they have it too? What will happen to her family, her career, and all of their futures?

EOAD is a horrible disease that wrecks the minds of people still in the prime of their life. As you follow Nora through her early stages of diagnosis, you realize this isn't going to be a happy story. We know there possibly can't be a happy ending. Even though there have been advances in medicine, there is not a cure for Alzheimer's.

I found myself moving slowly through the pages because I wasn't looking forward to the ending. I didn't want to read the debilitating changes in Nora's life; from yelling at her daughter, to getting lost downtown, to eventually losing her job. I didn't want to watch Nora lose control of her life. So, I too became stuck, like Nora, in this book. I didn't want to read further, but I didn't want to stop either.

Then, at some point in the story, I realized this story wasn't really just about the EOAD, but about the relationship between Nora and her twin sister, between Nora and her daughter, and the three of them as a family. I became overcome with emotion as I struggled with Mariana and Ellie accepting the loss of someone so dearly loved. As a mother, my heart broke for Ellie, who had to grow up much too fast. As a professional, I suffered alongside Nora as she feared losing the ability to say or write the right words. I loved the honest way Nora described the disease:

"I'm on a merry, go, round, and someone's pushing it and I can't jump off
because I'll die if I do, but the problem is that it's speeding up,
and in time it's going to throw me.
I'm smart enough to know that,
and not smart enough to figure out how to get off." Page 205-206

"Nora was flaking apart, iron left to rust in acid rain." Page 358

Even though this story is sad and difficult to read, Herron has found a way to leave "Splinters of Light" throughout the sadness and despair. She has found a way for happiness and joy to still be felt among the anger and illness. She has found a way to express the deep love between the three women in this story. Ultimately, she has written this book so the reader can relate to the bond between the sisters, the devotion of a mother, and the horrible disease that has come between all of it. ( )