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The Cauliflower

av Nicola Barker

MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
8922303,232 (3.35)27
"From Man Booker-shortlisted, IMPAC Award-winning author Nicola Barker comes an exuberant, multi-voiced new novel mapping the extraordinary life and legacy of a 19th-century Hindu saint. He is only four years older, but still I call him Uncle, and when I am with Uncle I have complete faith in him. I would die for Uncle. I have an indescribable attraction towards Uncle. It was ever thus. To the world, he is Sri Ramakrishna--godly avatar, esteemed spiritual master, beloved guru (who would prefer not to be called a guru), irresistible charmer. To Rani Rashmoni, she of low caste and large inheritance, he is the brahmin fated to defy tradition and preside over the temple she dares to build, six miles north of Calcutta, along the banks of the Hooghly for Ma Kali, goddess of destruction. But to Hriday, his nephew and longtime caretaker, he is just Uncle--maddening, bewildering Uncle, prone to entering ecstatic trances at the most inconvenient of times, known to sneak out to the forest at midnight to perform dangerous acts of self-effacement, who must be vigilantly safeguarded not only against jealous enemies and devotees with ulterior motives, but also against that most treasured yet insidious of sulfur-rich vegetables: the cauliflower. Rather than puzzling the shards of history and legend together, Barker shatters the mirror again and rearranges the pieces. The result is a biographical novel viewed through a kaleidoscope. Dazzlingly inventive and brilliantly comic, irreverent and mischievous, The Cauliflower delivers us into the divine playfulness of a 21st-century literary master"--… (mer)
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» Se även 27 omnämnanden

Visa 1-5 av 23 (nästa | visa alla)
I LOVED this book, but the style (or more accurately, "styles") isn't for everyone. She bounces around in style, time and space, it can be very disorienting, but I appreciated it. It's part real history, part fiction, part birds-eye view. I like that style, but if you need a book to really make clear sense to you, I'd skip this. ( )
  celerydevil | Mar 13, 2024 |
I do not recommend this book; in fact, I feel like I should warn people to go out of their way to avoid it. Half the time it reads like Barker tried to salvage a day wasted on Wikipedia by novelizing her clickstream, and the other half...well, let's just say it wasn't any better. I should have known better than to pick it up when the blurbs on the back used words like "overlong" (it's a little under 300 pages, btw) and "maddening." ( )
  amanda4242 | Jun 4, 2019 |
A book that is as mischievous, erratic, slippery, charming and cringe-inducing as its main character, Sri Ramakrishna. The story is mostly told by his nephew Hridayram, his doting but long-suffering dogsbody, although we also see SR through the eyes of his patrons and entourage, and hear from Westerners who have met him (SR was a real person - the author draws from eye-witness accounts and provides a bibliography in the Afterward.) You will wonder where the cauliflower is for most of the book. And wonder more after its first appearance. If you are a fan of Rushdie's [b:Midnight's Children|14836|Midnight's Children|Salman Rushdie|https://images.gr-assets.com/books/1371063511s/14836.jpg|1024288], you'll find the same sense of humor here.

The madness IS the method in this book, which will either infuriate or entertain you - give it about 50 pages before you decide. The narrative jumps erratically in time over the course of SR's life, from approximately the 1840's though the late 1880's, although we dart into current times on rare and strange occasions. The author uses italics, large blocks of empty space, and occasional tiny snippets of poetry or psalms to keep the text playful and moving at a rapid clip.

Here's a tiny example, taken from somewhere in the middle of the book:

Oh, which of us can truly comprehend the divine play of Sri Ramakrishna? Is he man or child? Leader or follower? Masculine or feminine? Radical or conservative? Idiot or genius? A god, a god-man, or just too, too human?

Is this book a farce, a comedy, a tragedy, or a melodrama?
What is this?
Who was he?
Who the heck was Sri Ramakrishna?

Eh?


Eh?


?


!
( )
  badube | Mar 6, 2019 |
This is not an easy book to review, not by a long shot. There are no chapters, a cast of ever-changing characters and side stories, and an almost gleeful air of frivolity. Even though I don't quite know what to think of it, I'm giving it a solid 4 because it is ingenious and wonderfully written. Following the life of the hindu guru/saint, Sri Ramakrishna told through many perspectives, stages, of life, and experiences, the story is weaved together with an omniscient narrator (ie a humorous author) and lots of fun, faith, and frivolity (again, the story is covered with it). Not for the faint of heart, but rewarding for those readers who do finish it. Not what i expected, but I'm glad I did. ( )
  ecataldi | Dec 31, 2016 |
This book was strange, but not in a bad way. It's a loose,novelized biography of an Indian spiritual master, Sri Ramakrishna. It's written in different styles--everything from standard prose to haiku. I liked the rambling style, although it did bog down a bit in the middle. It's a unique story that kept me reading when I should have been doing other things. The way this book didn't work for me is that I didn't find the protagonist to be particularly compelling or really even all that interesting. He struck me as an incredibly self-centered, selfish person who cared only for his own spiritual development, no matter how much his actions may have harmed or inconvenienced others. He seemed a lot more psychotic than spiritual--I always find it astonishing how some societies will excuse any behavior or belief, no matter how bizarre or harmful, as long as it has some kind of "spiritual" patina to it. Even though I didn't really find Ramakrishna to be compelling as an individual, I did find his story compelling, and I really did enjoy this book. ( )
2 rösta drsyko | Sep 9, 2016 |
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"From Man Booker-shortlisted, IMPAC Award-winning author Nicola Barker comes an exuberant, multi-voiced new novel mapping the extraordinary life and legacy of a 19th-century Hindu saint. He is only four years older, but still I call him Uncle, and when I am with Uncle I have complete faith in him. I would die for Uncle. I have an indescribable attraction towards Uncle. It was ever thus. To the world, he is Sri Ramakrishna--godly avatar, esteemed spiritual master, beloved guru (who would prefer not to be called a guru), irresistible charmer. To Rani Rashmoni, she of low caste and large inheritance, he is the brahmin fated to defy tradition and preside over the temple she dares to build, six miles north of Calcutta, along the banks of the Hooghly for Ma Kali, goddess of destruction. But to Hriday, his nephew and longtime caretaker, he is just Uncle--maddening, bewildering Uncle, prone to entering ecstatic trances at the most inconvenient of times, known to sneak out to the forest at midnight to perform dangerous acts of self-effacement, who must be vigilantly safeguarded not only against jealous enemies and devotees with ulterior motives, but also against that most treasured yet insidious of sulfur-rich vegetables: the cauliflower. Rather than puzzling the shards of history and legend together, Barker shatters the mirror again and rearranges the pieces. The result is a biographical novel viewed through a kaleidoscope. Dazzlingly inventive and brilliantly comic, irreverent and mischievous, The Cauliflower delivers us into the divine playfulness of a 21st-century literary master"--

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