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Herman Melville : Pierre, Israel Potter, The…
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Herman Melville : Pierre, Israel Potter, The Piazza Tales, The Confidence-Man, Tales, Billy Budd (Library of America) (utgåvan 1985)

av Herman Melville

MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
536345,052 (4.29)10
The library of America is dedicated to publishing America's best and most significant writing in handsome, enduring volumes, featuring authoritative texts. Hailed as the "finest-looking, longest-lasting editions ever made" (The New Republic), Library of America volumes make a fine gift for any occasion. Now, with exactly one hundred volumes to choose from, there is a perfect gift for everyone.… (mer)
Medlem:micheslater
Titel:Herman Melville : Pierre, Israel Potter, The Piazza Tales, The Confidence-Man, Tales, Billy Budd (Library of America)
Författare:Herman Melville
Info:Library of America (1985), Edition: Library of America, Hardcover, 1478 pages
Samlingar:Ditt bibliotek
Betyg:
Taggar:Library of America

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Pierre, Israel Potter, The Piazza Tales, The Confidence-Man, Uncollected Prose, Billy Budd av Herman Melville

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Perhaps Herman Melville's least well-known work, Pierre, is included in this collection of masterworks. Along with short stories and some previously uncollected prose, it also includes The Confidence Man, one of my favorites. ( )
  jwhenderson | Mar 27, 2024 |
This review is for The Confidence Man

How does one go about having a philosophical conversation with one's self? By setting up a bunch of straw men and shooting them down. This is Melville's tack on this discussion of cynicism and confidence. He takes us from a crippled ( or is he) black man demanding only confidence in his being a cripple, to a sophisticated, educated cosmopolitan seeking confidence in the form of a substantial chunk of change, gratis. I want to say Melville doesn't take an active side in this discussion, but I can't, his confidence men are all just glib talkers with plans to lighten the rubes of their loads.

Each one of the several confidence men on this trip down the Mississippi, that crookedest of rivers, aboard the Fidele, Latin for faith, takes a different approach to playing on the faith of the crowd or the individual with whom they are engaged in their philosophical discussions. But each one of these discussions seems to come down on the side of the skeptical mark, rather than the man who would turn the other cheek, give the shirt off of his back, or pray for his enemies. Melville treats this open-hearted, unselfish perspective as seriously unserious, benighted, and only to be indulged by fools.

In some of these discussions one can catch glimpses of other philosophies being taken hold and jostled a bit. This book is not to be read lightly, in fact, Melville's style demands any work he writes be taken seriously. When you begin to get the jist of what he's saying and think you can begin to fly over the words, he hits you with a sentence construction shaped like a red, octagonal sign saying STOP! Are you sure you know what was just said? This may be why many can't seem to get into Melville. He doesn't want you to "get into him". He wants you to understand him, and sometimes that means drawing you up short, making you think about what was just said.

This book is not a novel, although it has a theme, it doesn't tell much of a story. If you need a story, a beginning and an end, this is not it. If youn are looking for an escapist read, this is not it. If you are looking for an entertainment, then unless you are one of those who take their entertainment in mind-stretching thought, you will not be entertained. It covers one day in the life of faith, April First, no less, what does that mean? That faith is a practical joke spread by confidence men? This is not about religious faith, although, Christian faith as charity certainly plays a role here, but faith in our fellow man. In its own way this book shows us how fragile, and on what an irrational foundation, our sense of faith in others rests. But, if we were not able to trust others at all, we would all end up as the man in the bearskin coat, a loner, living alone in the forest primeval, unable to be around one's fellows any longer than we could stand. There would be no pyramids, no Taj Mahal, no United States, nothing. We would be as the Tea Party suspicious and afraid all the time. This thought brings to mind the dangers of radical individualism as faith in one another crumbles and money becomes the one sole arbiter of value.

What an interesting book. I'll bet I could write a different review of it each day for a week and still not touch on all there is here. Melville was a genius.

If you are ready for a serious study of what's wrong with America today, you can't do better than slowly devour this 150 year old look at faith and cynicism and how each have their own deadly faults. Indeed, there is "No Trust". ( )
9 rösta geneg | May 23, 2011 |
I love Melville! Therefore, my objectivity is somewhat lacking.
I read this volume some 30 years ago.
This is an excellent book (i.e., a 5 on a 5 point scale), which is much more than I expect when I buy a book.
I have currently misplaced this book.
These are seafaring tales of the South Seas.
Melville is a good writer with a very good vocabulary. His plot and character development are very good.
I was involed in all of the stories.

Positives:
This is a Library of America book.

Negatives:
None. ( )
  TChesney | Feb 25, 2009 |
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Herman Melvilleprimär författarealla utgåvorberäknat
Hayford, HarrisonRedaktörmedförfattarealla utgåvorbekräftat
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The library of America is dedicated to publishing America's best and most significant writing in handsome, enduring volumes, featuring authoritative texts. Hailed as the "finest-looking, longest-lasting editions ever made" (The New Republic), Library of America volumes make a fine gift for any occasion. Now, with exactly one hundred volumes to choose from, there is a perfect gift for everyone.

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