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Laddar... Exit West (2017)av Mohsin Hamid
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Gå med i LibraryThing för att få reda på om du skulle tycka om den här boken. Det finns inga diskussioner på LibraryThing om den här boken. The novel begins in an unnamed city in an unnamed country, which I immediately assumed was somewhere in Southwest Asia. The city is “swollen by refugees but still mostly at peace, or at least not yet openly at war.” A young man and woman meet in a night-school business class, become friends, start hanging out as conditions in their city deteriorate while government forces clash with outside religious radicals and neighborhoods are destroyed one by one. The couple begins looking for rumored “doors that could take you elsewhere, often to places far away, well removed from this deathtrap of a country.” They go through several of these doors during the novel, traveling from Mykonos to London to Marin, California. I found the writing in this novel at times lyrical, but at times I had trouble following the story, wondering about people that were dropped in here and there and then disappeared from the narrative. Nevertheless, it is timely story (written in 2017) about the plight of political refugees, about war and love and humanity and nativism and community, about coupling and uncoupling. The vehicle for migration – doors people might step through on their somewhere else – hints of magic realism in which to wrap and blunt the sharp edges of difficult journeys toward the promise and hope of a better life, in the tradition of Colson Whitehead’s The Underground Railroad or Ta-Nehisi Coates’s The Water Dancer. 3.5 I think. I enjoyed most of this story, especially the beginning when the reader is watching a romance unfold in a war torn city. The magical concept of doors acting as portals between countries is an interesting one and I wish this had taken a little more time to explore the stories of other couples and families that used the doors and not just Saeed and Nadia. These stories were flirted with from time to time but I wanted more. By the end of the book I found the writing style a shade off putting. At first the removed perspective was interesting but the more I got to know the characters I wanted to shed the detachment but the book forced it upon me.
Sortida a Occident, de Mohsin Hamid, comença sent una història d’amor íntima i emocionant i acaba sent una profecia novel·lada sobre el futur que, globalment, ens espera. En Saeed i la Nadia són dos joves que viuen en un país del qual no se’ns diu el nom però que per les seves característiques -és musulmà i està governat per un règim autoritari contra el qual se subleven milícies integristes- resulta familiar. L’amor entre en Saeed, retret i conservador, i la Nadia, valenta i independent, creix a mesura que el seu país s’esllavissa per l’abisme de la guerra, cosa que els obliga a fugir. És en aquest punt que Hamid es treu de la màniga un cop d’efecte argumental que desplaça les coordenades de gènere de la novel·la. Resulta que, arreu del planeta, han començat a aparèixer portes secretes i especials que transporten qui les travessa a un altre indret del globus. La introducció d’un element tan explícitament fantasiós fa que, després de creure durant tot el terç inicial que ens trobàvem davant d’un relat realista (si bé l’autor va preparant el que vindrà mitjançant unes escenes breus i estranyes), de sobte ens descobrim abocats a una mena de faula futurològica. Exit West is animated – confused, some may think – by this constant motion between genre, between psychological and political space, and between a recent past, an intensified present and a near future. It’s a motion that mirrors that of a planet where millions are trying to slip away “from once fertile plains cracking with dryness, from seaside villages gasping beneath tidal surges, from overcrowded cities and murderous battlefields”. Ingår i förlagsserienAntípoda (23) PriserPrestigefyllda urvalUppmärksammade listor
Den sj©Þlvst©Þndiga Nadia och den ©Æterh©Ællne Saeed tr©Þffas i ett land som ©Þr p©Æ gr©Þnsen till inb©œrdeskrig. De inleder en k©Þrleksaff©Þr, och kommer varandra inp©Æ livet snabbare ©Þn v©Þntat p©Æ grund av de oroligheter som deras k©Þrlek v©Þxer i. N©Þr oroligheterna till slut exploderar i bombkrevader och n©Þr det i hemmakvarteren uppst©Ær ett n©Þtverk av v©Þgsp©Þrrar, b©œrjar de h©œra rykten om d©œrrar som f©œr bort fr©Æn v©Æld och krig om man g©Ær genom dem. Men det ©Þr farligt och har ett pris. N©Þr v©Ældet eskalerar best©Þmmer sig Nadia och Saeed f©œr att de inte har n©Ægot val. De hittar en d©œrr, och l©Þmnar sina gamla liv bakom sig℗ I en fr©Þmmande och os©Þker framtid f©œrs©œker de h©Ælla fast vid varandra och sitt f©œrflutna. Det ©Þr en tidl©œs ber©Þttelse, som samtidigt handlar om just v©Ær tid: om k©Þrlek, lojalitet och mod. MOHSIN HAMID ©Þr f©œdd i Lahore i Pakistan, och har hittills givit ut fyra uppm©Þrksammade och kritikerrosade b©œcker ut©œver Exit v©Þst: romanerna Nattsv©Þrmare, Den ovillige fundamentalisten, S©Æ blir du snuskigt rik i det snabb v©Þxande Asien och reseber©Þttelsen Missn©œje och dess civilisationer, samtliga ©œversatta till svenska. ℗ Det var som om Hamid visste vad som skulle h©Þnda med Amerika och v©Þrlden, och gav oss en karta ©œver v©Ær framtid. // Den ©Þr b©Æde skr©Þmmande och till slut p©Æ ett m©Þrkligt s©Þtt hoppfull.℗± THE NEW YORK TIMES BOOK REVIEW [Elib] Inga biblioteksbeskrivningar kunde hittas. |
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But the macro view is not Hamid's focus. He does not write about policymakers, or political leaders, or national figures. He writes about individuals and how the experience of migration affects them; mostly through the characters of Saeed and Nadia (from an unnamed Mosul), but also through vignettes of other people from other places. Of one family, he writes, "That they were ashamed, and that they did not yet know that shame, for the displaced, was a common feeling, and that there was, therefore, no particular shame in being ashamed."
The novel is more dreamy than detail oriented, more magical realist that realist, touchingly written, and its lovely humanist approach to the issue of refugees and migration is certainly timely and welcome. When Hamid writes, "the only divisions that mattered now were between those who sought the right of passage and those who would deny them passage, and in such a world the religion of the righteous must defend those who sought passage," it's a clear political and religious rallying cry for the sort of world we should aspire to. ( )