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Three Novellas

av Thomas Bernhard

MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
1053257,477 (3.72)9
Thomas Bernhard is "one of the masters of contemporary European fiction" (George Steiner); "one of the century's most gifted writers" (New York Newsday); "a virtuoso of rancor and rage" (Bookforum). And although he is favorably compared with Franz Kafka, Samuel Beckett, and Robert Musil, Thomas Bernhard still remains relatively unknown in America. Uninitiated readers should consider Three Novellas a passport to the absurd, dark, and uncommonly comic world of Bernhard. Two of the three novellas here have never before been published in English, and all of them show an early preoccupation with the themes-illness and madness, isolation, tragic friendships-that would obsess Bernhard throughout his career. Amras, one of his earliest works, tells the story of two brothers, one epileptic, who have survived a family suicide pact and are now living in a ruined tower, struggling with madness, trying either to come fully back to life or finally to die. In Playing Watten, the narrator, a doctor who lost his practice due to morphine abuse, describes a visit paid him by a truck driver who wanted the doctor to return to his habit of playing a game of cards (watten) every Wednesday--a habit that the doctor had interrupted when one of the players killed himself. The last novella, Walking, records the conversations of the narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard's highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking. Three Novellas offers a superb introduction to the fiction of perhaps the greatest unsung hero of twentieth-century literature. Rarely have the words suffocating, intense, and obsessive been meant so positively.… (mer)
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An excellent volume for history of literature purposes; the development in Bernhard's career is very clear here, as is the improvement, as he became more ironic, funnier, and smarter. Walking is available on its own, and is truly fantastic, but Playing Watten is very, very good, and worth the extra cost. ( )
  stillatim | Oct 23, 2020 |
Walking is an early novella by Bernhard translated into English by Kenneth J. Northcott. The story is a stunning read even as it is presented in unparagraphed totality. It fuses philosophy’s depth of thought with poetry’s contemplative spaciousness.

The following excerpt provides an idea of the author's approach:
"we may not ask ourselves how we walk, for then we walk differently from the way we really walk and our walking simply cannot be judged, just as we may not ask ourselves how we think, for then we cannot judge how we think because it is no longer our thinking. Whereas, of course, we can observe someone else without his knowledge (or his being aware of it) and observe how he walks or thinks, that is, his walking and his thinking, we can never observe ourselves without our knowledge (or our being aware of it)."

I was reminded, ever so slightly, of some of the reveries of Thoreau or Rousseau on walking although this text is more late twentieth century than either of those authors. The famous essayist Lewis Thomas also comes to mind as he assayed the nature of how a jellyfish and a sea slug illuminate the mystery of the self. You can imagine why I might consider myself both excited and exasperated with his prose. Nonetheless in this novella and the other two, Amras and Playing Watten, I found some of the very best writing this reader of Bernhard had ever encountered, even though they may have been composed a bit earlier than his other recognized masterpieces. ( )
  jwhenderson | Jun 30, 2019 |
This was my second time through this collection. Amras, the first novella, is my least favorite and I still am not sure what Bernhard's fuss was all about regarding how much he personally liked it. Playing Watten and Walking were both far superior to me, and I loved them both very much. These are some of the very best writing he had ever done, even though they may have been composed a bit earlier than his other recognized masterpieces. ( )
1 rösta MSarki | Jun 5, 2013 |
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Thomas Bernhard is "one of the masters of contemporary European fiction" (George Steiner); "one of the century's most gifted writers" (New York Newsday); "a virtuoso of rancor and rage" (Bookforum). And although he is favorably compared with Franz Kafka, Samuel Beckett, and Robert Musil, Thomas Bernhard still remains relatively unknown in America. Uninitiated readers should consider Three Novellas a passport to the absurd, dark, and uncommonly comic world of Bernhard. Two of the three novellas here have never before been published in English, and all of them show an early preoccupation with the themes-illness and madness, isolation, tragic friendships-that would obsess Bernhard throughout his career. Amras, one of his earliest works, tells the story of two brothers, one epileptic, who have survived a family suicide pact and are now living in a ruined tower, struggling with madness, trying either to come fully back to life or finally to die. In Playing Watten, the narrator, a doctor who lost his practice due to morphine abuse, describes a visit paid him by a truck driver who wanted the doctor to return to his habit of playing a game of cards (watten) every Wednesday--a habit that the doctor had interrupted when one of the players killed himself. The last novella, Walking, records the conversations of the narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard's highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking. Three Novellas offers a superb introduction to the fiction of perhaps the greatest unsung hero of twentieth-century literature. Rarely have the words suffocating, intense, and obsessive been meant so positively.

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