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Laddar... Kirke (2018)av Madeline Miller
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» 56 till Witchy Fiction (6) ALA The Reading List (14) Books Read in 2019 (35) Best Fantasy Novels (355) Best Historical Fiction (269) Favourite Books (542) Books Read in 2021 (129) Books Read in 2023 (259) Historical Fiction (228) Books Read in 2022 (300) Female Author (307) Female Protagonist (232) Mix Tape 📚 (5) Books Read in 2018 (2,073) Overdue Podcast (250) Lit Lattes Ep 004 (12) SHOULD Read Books! (60) SFFKit 2020 (1) 2023 (28) Abuse, Grief, Loss (39) Books to Read (62) Booktok Books (25) Best Mythic Fiction (27) Det finns inga diskussioner på LibraryThing om den här boken. I so enjoyed Miller’s Song if Achilles that I was eager to read Circe. Miller has done it again- turning the ancient stories of myth into an adventure it is impossible to put down. The book follows Circe through her childhood, her banishment to a deserted island, and her triumphant and thoughtful return. Loved it. If I have one little bug to report it was the constant comparison of things to stones. Things fall like stones, taste like stones, are like stones in her mouth, feel like stones. It’s a lovely word, stones. Smoother than rocks. Friendlier than boulders. But one wishes for a bit of variety... I loved this. Initially I enjoyed it for just being a contemporary adaptation and collation of all the myths Circe is part of or connected to. It didn't hurt that the myths about Crete and the Odyssey were my favorites. But my feelings deepened as it went on, and revealed a moving story about parenthood, alienation from family or place, grief, and shame. Easily my favorite new novel in years. Minor spoiler below: I also smiled at how much the depiction of the birth of the Minotaur seemed to be in conversation with the movie Alien.
“Circe” will surely delight readers new to the witch’s stories as it will many who remember her role in the Greek myths of their childhood: Like a good children’s book, it engrosses and races along at a clip, eliciting excitement and emotion along the way. Miller has taken the familiar materials of character, and wrought some satisfying turns of her own. [W]hat elevates Circe is Miller’s luminous prose, which is both enormously readable and evocative, and the way in which she depicts the gulf between gods and mortals. Written in prose that ripples with a gleaming hyperbole befitting the epic nature of the source material, there is nothing inaccessible or antiquated about either Circe or her adventures. The character of Circe only occupies a few dozen lines of [the Odyssey], but Miller extracts worlds of meaning from Homer's short phrases. Ingår iInnehållerÄr en återberättelse avPriserPrestigefyllda urvalUppmärksammade listor
"en hejdundrande ©Þventyrsroman, 400 sidor att hungrigt glida igenom. Och detta trots att man sedan ©Ærtusenden vet hur det hela slutar." Expressen"... en litter©Þr begivenhet som b©œr s©Þlla sig till v©Ær tids klassiker." SvDKirke ©Þr den f©œrsta h©Þxan i litteraturen. En kvinna med mer makt ©Þn vad samh©Þllet ans©Æg l©Þmpligt. Hon var gudinnan som f©œrf©œrde Odysseus med trollformler och f©œrvandlade hans manskap till svin. Madeline Miller lyfter ut Kirke ur Odyss©♭en och ger henne en egen bok som blir n©Ægot s©Æ ovanligt som en kvinnlig ©Þventyrsber©Þttelse. Det ©Þr en kraftfull och tidl©œs saga f©œr vuxna, om en kvinnas kamp f©œr ©œverlevnad och frihet.[Bokinfo] Inga biblioteksbeskrivningar kunde hittas. |
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Circe is the eldest daughter of Helios, the sun god, and a nymph Perse. She grows up in the undersea palace of her father, a dark and forbidding place when he is not there to illuminate it. The place is packed with umpteen hangers on, minor nymphs mostly, but also the odd god or goddess. None of the Olympians, however. These are the Titans, predecessors of the Olympians, whom the Olympians have mostly supplanted from their previous roles, so that gods such as Oceanus are now subservient to Poseidon. Only her father and one other have maintained their pre-eminent roles, by taking the side of Zeus, King of the Gods, in the war between him (backed up by his siblings, the other Olympians) and the Titans, to whom Circe's parents and the other "people" among whom she grows up belong.
The Titans and Olympians are all one and the same, however, when it comes to self absorption, callous disregard for the lives of mortals, or lack of respect and consideration for the less powerful among their own ranks, such as Circe. Because she has a strange voice - which she later discovers is like that of a mortal - and yellow eyes, she is a figure of fun for many of them, and is neglected by her own parents. As a child she is made to witness the flogging of Prometheus, the only one of their number with compassion for mortals, and secretly brings him some nectar to revive him between stages of his awful punishment. Later she becomes more estranged from her own kind when she discovers that the youngest brother she idolises actually views her with contempt. The brother and sister who come in between the two siblings treat Circe like dirt from the beginning.
Circe falls in love with a mortal sailor and, having heard of plants that grew from Titan blood during the war, and which have the power to bestow godhood, she feeds him a draught she has prepared. He turns into a sea god with powers of his own, but is quick to disdain her and prefer another. She uses her herbal skills to transform her rival - the flowers have the power to make someone most perfectly 'like themselves' and the hard-hearted and cruel nymph becomes the ravening monster Scylla of Greek mythology - and when she is driven by guilt to confess her deeds, she earns lifelong exile to an island. For it transpires that she and her siblings have the power to imbue herbs with magic, a power that no other god or Titan has and which secretly frightens Zeus and the others. Her mother is forbidden to have other children, and Circe becomes the scapegoat for all four.
The rest of the story is about her life on that island, with a brief visit to Crete which her sister engineers when she requires Circe's help, and her interactions with the various visitors who land on the island, the most famous of whom is Odysseus. However, Circe compassion for mortals is blunted after a terrible experience (trigger warning for rape scene) involving the criminal crew of a ship. Thereafter, she uses her herbal powers to turn such men into pigs.
I enjoyed a lot about the story, certainly up to the point after Odysseus' departure. I wasn't keen, however, on the portrayal of Odysseus which emerges after that. And I found the section a bit wearing where her son, born after Odysseus departs, is a difficult baby. One difficulty for the author, I feel, is that Circe is mostly stuck on her island so apart from the visit to Crete, she doesn't view the momentous current events for herself, but is told about them by visitors. However, the development of her character is very well done and the ending is a natural outcome of that. So, with the small reservations I had about it, this is a 4 star read. (