

Laddar... Future Noir: The Making of Blade Runner (utgåvan 1997)av Paul M. Sammon (Författare)
VerkdetaljerFuture Noir: The Making of Blade Runner av Paul M. Sammon
![]() Ingen/inga Det finns inga diskussioner på LibraryThing om den här boken. All about the film Blade Runner This is an amazingly detailed book, it goes through everything related to Do Androids Dream of Electric Sheep/Blade Runner. A combination of the first two editions Sammon has at one time or another had access to a number people involved from Phillip K. Dick to Harrison Ford which leads to some impressive coverage from page to studio, to filming, to editing, and to fan reaction. Free review copy. Amazingly exhaustive and comprehensive behind the scenes look at one of the most influential movies ever made. A must read for fans and film buffs alike. L'ouvrage définitif sur le film Blade Runner. Paul Sammon a interviewé tout le monde, tout recherché, etc. On y a apprend l'histoire exceptionnelle de ce film exceptionnel, et on est pas déçus : guéguerres puériles sur le plateau, grèves, réalisations incroyables des équipes... Paul Sammon ne néglige rien, pas même l'encyclopédie des trouzaines de BO pirates du film (parfois bien bien meilleures que l'officielle), même si ce catalogue n'est, évidemment, pas à jour ;) Bref, l'ouvrage à lire indispensable pour tout amateur de Blade Runner qui se respecte. inga recensioner | lägg till en recension
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"Ridley Scott's 1992 "Director's Cut" confirmed the international film cognoscenti's judgment: Blade Runner, based on Philip K. Dick's brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, is the most visually dense, thematically challenging, and influential science fiction film ever made. Future Noir offers a deeper understanding of this cult phenomenon that is storytelling and visual filmmaking at its best. n this intensive, intimate and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott purposefully used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre. Sammon reveals how the making of the original Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry at the time it was made. This revised and expanded edition of Future Noir includes : An overview of Blade Runner's impact on moviemaking and its acknowledged significance in popular culture since the book's original publication An exploration of the history of Blade Runner: The Final Cut and its theatrical release in 2007 An up-close look at its long-awaited sequel Blade Runner 2049A 2007 interview with Harrison Ford now available to American readersExclusive interviews with Rutger Hauer and Sean Young. A fascinating look at the ever-shifting interface between commerce and art, illustrated with production photos and stills, Future Noir provides an eye-opening and enduring look at modern moviemaking, the business of Hollywood, and one of the greatest films of all time."--Back cover. Inga biblioteksbeskrivningar kunde hittas. |
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Technically the third edition of the book, Sammon has done further research and cleared up some long-standing misconceptions about the film's infamously troubled production. The revised version also contains some information on the (then upcoming) sequel, Blade Runner 2049.
While the book is substantial, I found Sammon's writing to be clear and very quick and easy to read. The details are well laid out and you're given plenty of insight into how the film came to be from Philip K. Dick's original novel, "Do Androids Dream of Electric Sheep?" The production was difficult, the critical response was lackluster, and the film has seen multiple changes and incarnations since it first hit theaters in 1982. Thankfully, since 2007, we now have the Final Cut of the film, as well as any of the other versions you may prefer. A good read for a film history buff. (