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The Paragon Hotel av Lyndsay Faye
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The Paragon Hotel (urspr publ 2018; utgåvan 2019)

av Lyndsay Faye (Författare)

MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
4073361,878 (3.72)48
Fiction. Mystery. Thriller. Historical Fiction. HTML:The new and exciting historial thriller by Lyndsay Faye, author of Edgar-nominated Jane Steele and Gods of Gotham, which follows Alice "Nobody" from Prohibition-era Harlem to Portland's the Paragon Hotel.
The year is 1921, and "Nobody" Alice James is on a cross-country train, carrying a bullet wound and fleeing for her life following an illicit drug and liquor deal gone horribly wrong. Desperate to get as far away as possible from New York City and those who want her dead, she has her sights set on Oregon: a distant frontier that seems the end of the line.
She befriends Max, a black Pullman porter who reminds her achingly of Harlem, who leads Alice to the Paragon Hotel upon arrival in Portland. Her unlikely sanctuary turns out to be the only all-black hotel in the city, and its lodgers seem unduly terrified of a white woman on the premises. But as she meets the churlish Dr. Pendleton, the stately Mavereen, and the unforgettable club chanteuse Blossom Fontaine, she begins to understand the reason for their dread. The Ku Klux Klan has arrived in Portland in fearful numbers??burning crosses, inciting violence, electing officials, and brutalizing blacks. And only Alice, along with her new "family" of Paragon residents, are willing to search for a missing mulatto child who has mysteriously vanished into the Oregon woods.
Why was "Nobody" Alice James forced to escape Harlem? Why do the Paragon's denizens live in fear??and what other sins are they hiding? Where did the orphaned child who went missing from the hotel, Davy Lee, come from in the first place? And, perhaps most important, why does Blossom Fontaine seem to be at the very center of this tangle
… (mer)
Medlem:gracekastens
Titel:The Paragon Hotel
Författare:Lyndsay Faye (Författare)
Info:G.P. Putnam's Sons (2019), Edition: 1st Edition, 432 pages
Samlingar:Ska läsas
Betyg:
Taggar:Ingen/inga

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The Paragon Hotel av Lyndsay Faye (2018)

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» Se även 48 omnämnanden

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A grand historical novel set in Harlem, NY, and Portland, OR, in the early 20th century, amid Italian immigrant communities coping with the tyranny of their own brutal criminal element, and a black hotel in the heart of a state where people of color were forbidden to live. Our heroine, Alice James (or "Nobody", as she often refers to herself) has escaped with her life, barely, from a Mafia war set in motion by people she loved. Through the insight and compassion of a Pullman porter she has landed at the Paragon Hotel, a refuge for black travelers with a no-damned-nonsense matron who isn't keen on the presence of a white woman in their midst. When a young boy goes missing from the hotel, Nobody uses her talent of disappearing in plain sight to assist the search, and finds herself enmeshed in more than one tangled and mysterious web of relationships. Recommended. ( )
  laytonwoman3rd | Sep 11, 2023 |
This book just didn’t resonate with me. I didn’t care for the writing style. The abundance of dialogue drove the story, and that dialogue with its slang and ethnic phrases were too over-the-top and did not seem genuine. I felt like I was reading a screen play rather than a novel. I just couldn’t get invested in the characters or their plight, and it seemed liked the author tried too hard to express her own views on the social problems of that time frame. I was put off by the continual jumps in the time frames from the past to the current present (1921) with the author teasing us with just enough tidbits that hopefully would keep readers interested in the the main character, Nobody. By the time I made it to the end, I was just glad it was over. The one positive about the novel is that the author gave translations for the many Italian phrases she used. ( )
  Maydacat | Dec 25, 2022 |
[b:The Paragon Hotel|37970853|The Paragon Hotel|Lyndsay Faye|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1522566322l/37970853._SY75_.jpg|59694776] passes through my increasingly discriminating historical fiction filters with style. The main part of the story is set in Portland Oregon in 1921, with alternating chapters establishing the backstory of the principal character, Alice James. Those chapters take place in Harlem, which in the early part of the 20th century was home to NYC's second Little Italy and a growing population of African Americans. Faye does a first rate job of conveying a sense of place for each location, both for the people and the potentially violent environments in which they live.

The plot begins with Alice (who proudly accepts the moniker "Nobody" for her gifts at blending into any background) escaping via train from disastrous developments in her life of Prohibition-era crime in NYC. A Pullman porter recognizes that she appears to be in hiding, and that she is suffering from an untreated gunshot wound. Upon arrival in Portland he escorts her to the Paragon Hotel, the only upscale lodging for African Americans in the city, and home to a diverse community that becomes the west coast cast of the story.

So we have two fascinating stories featuring Alice, who is sometimes front and center, but generally in the background of scenes that are dominated by more vivid characters. Along the way we learn some things about the NYC Mafia, and a whole lot about the racism endemic to Oregon in the 19th and early 20th centuries, when it was enforced by legislation and fanned by the Ku Klux Klan. Faye manages to insert other topics that remain controversial to this day without missing a beat.

Story and characters aside, the most striking quality of this book is the dialog, much of which is an Americanized version of the brittle 1920's repartee found in many Golden Age mystery novels, amplified by a gin-and-jazz quality. I have to admit that at first this seemed a bit discordant to me, but as the story evolved it became such a part of the personalities of the key characters that I relaxed and enjoyed it.

Alice would have. ( )
  BarbKBooks | Aug 15, 2022 |
Set in 1921, Alice "Nobody" James arrives in Portland after a harrowing train ride. Not only has she fled New York, but she's also been shot and now needs a place to hide. Thanks to Max, a black Pullman porter, she finds refuge at the Paragon Hotel. The only problem? This is the only all-black hotel in the city and they are not very keen to have a white woman staying there. But with Max as well as the wonderful club singer, Blossom Fontaine, on her side, Alice stays in the hotel. However, she quickly realizes that not everything is peachy in Portland. The Ku Klux Klan has arrived in the city and a child disappears from Paragon Hotel not long after Alice has arrived...

READ THE REST OF THE REVIEW OVER AT FRESH FICTION! ( )
  MaraBlaise | Jul 23, 2022 |
My feelings about The Paragon Hotel are quelque complicated. First, Faye is an amazing storyteller. This is my first Faye, and I'll definitely read more. And, after fearing that she was setting up a "white savior" narrative, I found myself impressed with how she managed to tell a story about violent racism in 1920s Portland, Oregon, through the perspective of a white woman that nevertheless centers the lives of her African-American characters. This is a great example of historical fiction that adds to the conversation about painful parts of the American past and present, and does so in a way that's entertaining and not didactic.

BUT, holy cow, she uses another marginalized population as a dramatic plot twist and it left a pretty bad taste in my mouth. She was obviously attempting to develop empathy for that character, and maybe there's something to be said for the idea that the people who most need to develop that empathy would never pick up the book if they knew the character's identity from the get-go. But. That doesn't negate the fact that the "reveal" was a sensationalized moment designed to make the reader yell "Oh my god!" (which I did). And coming at the end of the book, like any good plot twist, there's no room to tell the character's story except in the barest outline. Readers who are already inclined to empathize with this population will do so, and readers who aren't will probably just see an author trying to garner book sales by being sensational.

So I guess I admire the attempt to bring a marginalized population into the story, but the execution was poor. As deftly as Faye treats racism in a city that has a contemporary reputation for progressivism, she fails to bring the same nuance to a character who exists under a different and no less harmful oppression. And in the end, she does set up a bit of a "savior" narrative, although race is not the relevant factor.

Oh, and the slang did get a little tiresome.

( )
  IVLeafClover | Jun 21, 2022 |
Visa 1-5 av 33 (nästa | visa alla)
A young white woman named Alice James flees Prohibition-era Harlem by rail with an oozing bullet wound and a satchel containing $50,000 in cash. She makes it cross-country to Portland, Oregon, where Max, a kindly, strapping black Pullman porter and World War I veteran, whisks her away to the novel's eponymous hotel, populated mostly with African-Americans besieged by threats from the local Ku Klux Klan. You needn't be an aficionado of crime melodrama or period romance for those two sentences to have you at "Hello," and Faye (Jane Steele, 2016, etc.) more than delivers on this auspicious premise with a ravishing novel that rings with nervy elegance and simmers with gnawing tension. The myriad elements of Faye's saga are carried along by the jaunty, attentive voice of Alice, who came by her nickname "Nobody" as a young girl growing up on the crime-infested Upper West Side of Manhattan, where she acquired the ability to hide in plain sight among the neighborhood's mobsters, leg- breakers, and bootleggers. She calls upon this chameleonlike talent as she embeds herself among her newfound protectors, some of whom are wary of her presence. But Alice has at least one Paragon resident solidly in her corner: the stunning Blossom Fontaine, a dauntingly sophisticated cabaret singer whose own past is as enigmatic and checkered as Alice's. Blossom, Max, and the rest of the hotel's residents dote on a precocious, inquisitive mixed-race child named Davy Lee who vanishes from their sight one afternoon at an amusement park. As the Klan begins to show signs of renewed aggression toward Portland's black citizenry and corrupt cops start throwing their weight around the hotel, Alice is compelled to deploy her street-wise skills with greater urgency to help find Davy Lee. In doing so, she also unravels secrets within secrets that carry deadly and transformative implications for her and for everybody around her. This historical novel, which carries strong reverberations of present-day social and cultural upheavals, contains a message from a century ago that's useful to our own time: "We need to do better at solving things." A riveting multilevel thriller of race, sex, and mob violence that throbs with menace as it hums with wit.
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No free Negro, or Mulatto, not residing in this state at the time of the adoption of this constitution, shall come, reside, or be within this state, or hold any real estate, or make any contracts, or maintain any suit therein; and the Legislative Assembly shall provide by penal laws, for the removal, by public officers, of all such Negroes, and Mulattos, and for their effectual exclusion from the state, and for the punishment of the persons who shall bring them into the state, or employ, or harbor them.
— Oregon State Constitution, Article 1, Section 35, 1857


The “Negro and Mulatto” section of Oregon’s constitution was technically repealed in 1926 but was only later amended to remove all antiquated racial language in November of the year 2002. The vote was 867,901 in favor of modernizing it and 352,027 against.
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It’s not a book. This was never a book.

This is a love letter.
“You think that decorum and virtue will make a difference to them. And I am here to tell you, honey, that it will not,” Blossom states. “You can use the proper cutlery for the length of an entire eight-course dinner. You can wear your modest Sunday best daily, with a five-dollar hat and a pocket Bible in your handbag. You can abstain from liquor and convince dozens of the unwashed poor to sign the temperance pledge. You can cultivate tea roses. You can pawn all your earthly luxuries and spend the money to build an orphanage. You can vote Democrat. You can bow and scrape and mind your place and speak when spoken to and smile when you’re slapped. You’re still a nigger to them.”
Muriel Snider clears her throat officiously. “‘The Knights of the Ku Klux Klan, as a patriotic, fraternal, benevolent order, does not discriminate against a man on account of his religious or political creed so long as it does not antagonize the sacred right guaranteed by our civil government or conflict with Christian ideals and institutions. The Klan asks the support of churchmen everywhere in the great work of uniting into one organization, under one banner, all native-born Protestant Gentile Americans.’”
It’s an awfully empowering feeling, to be against something.
Have you ever looked at a picture in a penny arcade in the high summer, with salt in your hair and sand on your toes, and been asked, is this an evil witch or a beautiful princess? Is this a face, or is it a vase of flowers? And you’re in a tearing great rush to get it right, because you think there’s only one answer. So you choose the first one you see, and you’re so strong for it that you can’t see the other. But it’s there the whole time. And if you squint the peepers, hey presto, the whole image changes, and you wonder why you couldn’t see it before.
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Fiction. Mystery. Thriller. Historical Fiction. HTML:The new and exciting historial thriller by Lyndsay Faye, author of Edgar-nominated Jane Steele and Gods of Gotham, which follows Alice "Nobody" from Prohibition-era Harlem to Portland's the Paragon Hotel.
The year is 1921, and "Nobody" Alice James is on a cross-country train, carrying a bullet wound and fleeing for her life following an illicit drug and liquor deal gone horribly wrong. Desperate to get as far away as possible from New York City and those who want her dead, she has her sights set on Oregon: a distant frontier that seems the end of the line.
She befriends Max, a black Pullman porter who reminds her achingly of Harlem, who leads Alice to the Paragon Hotel upon arrival in Portland. Her unlikely sanctuary turns out to be the only all-black hotel in the city, and its lodgers seem unduly terrified of a white woman on the premises. But as she meets the churlish Dr. Pendleton, the stately Mavereen, and the unforgettable club chanteuse Blossom Fontaine, she begins to understand the reason for their dread. The Ku Klux Klan has arrived in Portland in fearful numbers??burning crosses, inciting violence, electing officials, and brutalizing blacks. And only Alice, along with her new "family" of Paragon residents, are willing to search for a missing mulatto child who has mysteriously vanished into the Oregon woods.
Why was "Nobody" Alice James forced to escape Harlem? Why do the Paragon's denizens live in fear??and what other sins are they hiding? Where did the orphaned child who went missing from the hotel, Davy Lee, come from in the first place? And, perhaps most important, why does Blossom Fontaine seem to be at the very center of this tangle

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