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Destroy All Monsters: The Last Rock Novel

av Jeff Jackson

MedlemmarRecensionerPopularitetGenomsnittligt betygDiskussioner
621420,429 (3.6)Ingen/inga
"At some point, I began to think of it as an ancient folk tale. It's fine work, with a kind of scattered narrative set within a tight frame. Fast-moving throughout--fragile characters who suggest a bleak inner world made in their own collective image." --Don DeLillo An epidemic of violence is sweeping the country: musicians are being murdered onstage in the middle of their sets by members of their audience. Are these random copycat killings, or is something more sinister at work? Has music itself become corrupted in a culture where everything is available, everybody is a "creative," and attention spans have dwindled to nothing? With its cast of ambitious bands, yearning fans, and enigmatic killers, Destroy All Monsters tells a haunted and romantic story of overdue endings and unlikely beginnings that will resonate with anybody who's ever loved rock and roll. Like a classic vinyl single, Destroy All Monsters has two sides, which can be read in either order. At the heart of Side A, "My Dark Ages," is Xenie, a young woman who is repulsed by the violence of the epidemic but who still finds herself drawn deeper into the mystery. Side B, "Kill City," follows an alternate history, featuring familiar characters in surprising roles, and burrows deeper into the methods and motivations of the murderers. "Surges with new-century anxiety and paranoia . . . A clear-eyed, stone-cold vision of what's to come." --Ben Marcus "Jeff Jackson is one of contemporary American fiction's most sterling and gifted new masters. Destroy All Monsters . . . is a wonder to behold." --Dennis Cooper.… (mer)
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This novel is comprised of two analogous stories that offer alternate versions of a world where (small time, mediocre) musicians are murdered onstage. I agree with one of the main characters, who says, "I prefer the B-sides. They're the tunes where the bands bury their secrets. Their obsessions." Some scenes are wonderfully surreal or sinister, with tantalizing glimpses of the possible meaning behind the violence, but nothing is "solved." Recommended for fans of Paul Auster's New York Trilogy, where a mystery plot segues into existential inquiry, or David Lynch, where style outweighs substance. ( )
1 rösta librarianarpita | May 10, 2020 |
Is this all that Destroy All Monsters has to offer? An elegy for a subculture that’s run its course? Not at all, and the real clue as to what this book is up to lies in in its unique structure. Destroy All Monsters is really two books: a novel called “My Dark Ages” and a novella called “Kill City.”
 
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Vedertagen titel
Originaltitel
Alternativa titlar
Första utgivningsdatum
Personer/gestalter
Viktiga platser
Viktiga händelser
Relaterade filmer
Motto
Dedikation
Inledande ord
Citat
Avslutande ord
Särskiljningsnotis
Förlagets redaktörer
På omslaget citeras
Ursprungsspråk
Kanonisk DDC/MDS
Kanonisk LCC

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Wikipedia på engelska

Ingen/inga

"At some point, I began to think of it as an ancient folk tale. It's fine work, with a kind of scattered narrative set within a tight frame. Fast-moving throughout--fragile characters who suggest a bleak inner world made in their own collective image." --Don DeLillo An epidemic of violence is sweeping the country: musicians are being murdered onstage in the middle of their sets by members of their audience. Are these random copycat killings, or is something more sinister at work? Has music itself become corrupted in a culture where everything is available, everybody is a "creative," and attention spans have dwindled to nothing? With its cast of ambitious bands, yearning fans, and enigmatic killers, Destroy All Monsters tells a haunted and romantic story of overdue endings and unlikely beginnings that will resonate with anybody who's ever loved rock and roll. Like a classic vinyl single, Destroy All Monsters has two sides, which can be read in either order. At the heart of Side A, "My Dark Ages," is Xenie, a young woman who is repulsed by the violence of the epidemic but who still finds herself drawn deeper into the mystery. Side B, "Kill City," follows an alternate history, featuring familiar characters in surprising roles, and burrows deeper into the methods and motivations of the murderers. "Surges with new-century anxiety and paranoia . . . A clear-eyed, stone-cold vision of what's to come." --Ben Marcus "Jeff Jackson is one of contemporary American fiction's most sterling and gifted new masters. Destroy All Monsters . . . is a wonder to behold." --Dennis Cooper.

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