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The Crucible (Penguin Plays) av Arthur…
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The Crucible (Penguin Plays) (urspr publ 1953; utgåvan 1976)

av Arthur Miller

MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
12,649137346 (3.65)234
"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote in an introduction to The Crucible, his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's witch-hunts in the United States. Within the text itself, Miller contemplates the parallels, writing: "Political opposition ... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it meets with diabolical malevolence."… (mer)
Medlem:kthclark
Titel:The Crucible (Penguin Plays)
Författare:Arthur Miller
Info:Penguin (Non-Classics) (1976), Paperback, 160 pages
Samlingar:Ditt bibliotek
Betyg:****
Taggar:Drama, Play, Witchcraft

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Häxjakt av Arthur Miller (1953)

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» Se även 234 omnämnanden

engelska (130)  spanska (2)  franska (2)  italienska (1)  portugisiska (1)  tyska (1)  Alla språk (137)
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Very powerful and moving. At the same time it is sad, scary and so applicable to modern life. ( )
  jemmatcf | Apr 12, 2021 |
This 1953 play concerns the events of the infamous Salem witch trials of 1692, and was intended by the author to draw an analogy with McCarthyism, which at that time was scarring US public discourse. Given that the witch trials resulted in deaths of innocent people, an even more appropriate comparison would be with the denunciatory atmosphere of Stalinism, especially in the purges of the late 1930s. Another contemporary (to us) comparison that came to my mind was with the political echo chambers that exist, especially on social media, on both the right and the left; as the modern day universal narrator says in Act 1: "A political policy is equated with moral right, and opposition to it with diabolical malevolence". The play is a gripping drama, with an unfolding air of suspicion and malice that ends up swallowing almost all of the main characters. Even discounting its political significance, it's a great piece of literature. ( )
  john257hopper | Mar 7, 2021 |
In preparation for the kids' covering it for lit. ( )
  mullinstreetzoo | Feb 12, 2021 |
Provocative, timely content mixed with a wildly inconsistent play format made this a mixed-bag read. It was engaging at an ideas level, but it frustrated me from a craft level. I want to see this performed to understand how they translate the pages and pages of contextual writing. ( )
  DrFuriosa | Dec 4, 2020 |
I just finished The Crucible. Even after knowing the story and watching the movie version, I still found it haunting and chillingly similar to our current political environment here in the US. The group hysteria (Trumpsters) fed by those who recently gained power (the Republican Party), grounded in ignorance, fear, evangelical religious beliefs, and the desire to retain power has created a similar scenario.

Miller writes in such a way that we feel the utter disbelief, despair, and almost hopelessness of those accused of witchcraft. So many logical fallacies populate the mindset of the magistrates in charge of hearing the accusations and sentencing the accused that it’s hard to keep track of them all.

Some archaeologists claim that the downfall of the human race came with the rise of civilization during the Neolithic revolution 5,000-10,000 years ago. More specifically, I would add that the advent of organized religion was the true catalyst. Over the millennia it has set the stage for mass hysteria, persecution, genocide, ecological terrorism, and mass animal and plant extinction. I believe belief in organized religion allows adherents to deny climate change, and gives them an excuse to persecute those who are not like them, to drive to extinction plants and animal species, and to rape the earth, all the while looking to the sky for validation. They turn a blind eye to the reality of the Mother Earth we live on in favor of the invisible father they long to reunite with. They see no hypocrisy in their actions. Yet, they ignore the wisdom and words of the god they claim to follow (Jesus) in the name of seeking favor with the lie invisible sky deity.

The Crucible is a haunting example of the horrors that occur when church and state are not kept separate. ( )
1 rösta LoriFox | Oct 24, 2020 |
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» Lägg till fler författare (31 möjliga)

Författarens namnRollTyp av författareVerk?Status
Arthur Millerprimär författarealla utgåvorberäknat
Bigsby, ChristopherInledningmedförfattarevissa utgåvorbekräftat
Dreyfuss, RichardBerättaremedförfattarevissa utgåvorbekräftat
Keach, StaceyBerättaremedförfattarevissa utgåvorbekräftat
Watts, RichardInledningmedförfattarevissa utgåvorbekräftat
Wood, E. R.Inledningmedförfattarevissa utgåvorbekräftat
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A small upper bedroom in the home of Reverend Samuel Parris, Salem, Massachusetts, in the spring of the year 1692.
A Note on the Historical Accuracy of This Play

This play is not history in the sense in which the word is used by the academic historian.
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PROCTOR: I have trouble enough without I come five mile to hear him preach only hellfire and bloody damnation. Take it to heart, Mr. Parris. There are many others who stay away from church these days because you hardly ever mention God any more.
PARRIS: There is a party in this church. I am not blind; there is a faction and a party.

PROCTOR: Against you?
PUTNAM: Against him and all authority.
PROCTOR: Why, then I must find it and join it.
PARRIS. Why could there not have been poppets hid where no one ever saw them?

PROCOTR. There might also be a dragon with five legs in my house, but no one has ever seen it.
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"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote in an introduction to The Crucible, his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's witch-hunts in the United States. Within the text itself, Miller contemplates the parallels, writing: "Political opposition ... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it meets with diabolical malevolence."

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