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Does this sound familiar? At the opening of Jane Smiley's latest novel, "A Thousand Acres," the narrator, a woman named Virginia Cook Smith, describes the farm in Zebulon County, Iowa, that she and her two younger sisters, Rose and Caroline, have grown up on: "Paid for, no encumbrances, as flat and fertile, black, friable and exposed as any piece of land on the face of the earth." And then comes the shock of recognition. In 1979, the three sisters' father, Laurence (Larry) Cook, decides to form a corporation out of his farm holdings and give each of his daughters a third of it. What do they think of the plan? "It's a good idea," says the oldest, who is called Ginny. "It's a great idea," says the second daughter, Rose. "I don't know," says the youngest, Caroline, who is a lawyer. "You don't want it, my girl, you're out," says Larry to Caroline. "It's as simple as that." So the farm is divided into two instead of three, with Ginny and Rose to take turns looking after Larry. And a tragedy of ingratitude, madness and generational conflict begins. . . . Är avkortad iInspirerades avHar som referensvägledning/bredvidläsningsbokHar som instuderingsbokHar som lärarhandledningPriserPrestigefyllda urvalUppmärksammade listor
Fiction.
Literature.
HTML:This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm between his three daughters. When the youngest objects, she is cut out of his will. This sets off a chain of events that brings dark truths to light and explodes long-suppressed emotions. Ambitiously conceived and stunningly written, A Thousand Acres takes on themes of truth, justice, love, and prideâ??and reveals the beautiful yet treacherous topography of humani Inga biblioteksbeskrivningar kunde hittas. |
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![]() GenrerMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Klassifikation enligt LCBetygMedelbetyg:![]()
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I had no problems finishing this long novel in a sitting and that might automatically count for a good grade for some, but I was only rather mildly interested and entertained, not emotionally involved or thrilled by virtuoso writing. I'd rather be alternately annoyed and amused by a more uneven, less "well made" novel!
Also, I felt there were some plot elements that were just too much, supposedly "shocking" but quite unbelievable and too conventionally handled. As previous reviewers have suggested, they may be modelled on the author's reading of King Lear rather than on any faithfulness to her own story. Since I felt rather detached from the entire narrative, though, those elements weren't exactly jarring, only slightly disappointing. (