No Longer Human (Junji Ito) (utgåvan 2019)

Oddly, this is not the only manga adaptation of Osamu Dazai's novel. It is the only adaptation you will need, but it is not necessarily easier to read than the original. It is 600 pages of interrelated scenes, and masterful, atmospheric artwork, which require just as much concentration as any piece of Japanese literature. Junji Ito tackled heavy, mature themes for this one, and departed from his usual scare tactics to introduce us to the deep storytelling and psychological strain characteristic of the important novelist.

Far denser and more consistent than Ito's other long works (Tomie, Uzumaki, and Gyo) it resembles his adaptation of Frankenstein in some ways. It is of course dark and somber, creepy and lurid, demented and nightmarish. Only by reading thousands of pages of his work was I able to come to a decision on how I felt about Junji Ito's method. In short, I grew to love it over time. The subject matter of No Longer Human is some of the most difficult imaginable. We are faced with the demons of the human heart over and over, through the reprehensible actions of one of the least likable main characters of all time. I've read other Dazai works, and from what I can tell, his themes are not always quite this pessimistic. It is about the loss of what makes us human - our compassion for others. Only by subsuming the selfish urge to constantly fulfill our unreasonable desires can we become truly human. It takes effort to look past the horrid behavior of the characters and see the underlying message.

Using the text from the translation of the novel by Donald Richie, this is a fairly faithful adaptation. And a literary one. Junji Ito appears to have taken the subject seriously and set out to craft a nuanced, complex portrait of a man, surrounded by the mostly well-meaning women, through which he discovers the appetites and weaknesses in himself, that lead to his ruin. It is a painful story at times, but human weakness, death, anger and jealousy are all profoundly important aspects of our species. Dazai posits that humans cannot define themselves except in relation to other people. Many of his views might be considered old-fashioned today, but the deep understanding of some of the fundamental aspects of humanity can still be widely appreciated. This is not a work for children, and perhaps young adults will also have to struggle to detach themselves from the surface level lust, grit and angst of the graphic novel. Being an adult offers experience, in my opinion, which at least in my case, allows me to regard a work of art as a product of a life lived and transposed. It wasn't until I aged that I felt experience entering into art. Talent is one thing, experience is another. There is a wide range of experience here, even if the emotions verge on the animalistic. ( )