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Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel' d'Hiv' roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel' d'Hiv's 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that terrible term in the Vel d'Hiv', to the camps, and beyond. As she probes into Sarah's past, she begins to question her own place in France, and to reevaluate her marriage and her life. Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and silence that surround this painful episode.
vulgarboatman: Similar themes surrounding a journalist discovering the layers of secrets about a mystery from WWII, along with an exploration of the effect of these events on the survivors, their families, and ultimately on the journalist herself.
JGoto: This book has the same format and setting, but is a much better novel. The past deals with the Huguenots in France rather than the persecution of Jews.
smcwl: In this novel, written by Irene Nemirovsky's daughter, a young girl in Paris during the Occupation successfully hides during a police search, then stays hidden by a convent girls school during the war. Memorable images of the hotel set up as a post-war hospital and center for finding lost family members. Highly recommend.… (mer)
cransell: This novel also deals with the Vichy period in France, the aftermath of events that had happened there, and family secrets. It's a great read, if you found that time period interesting.
guurtjesboekenkast: Ook Sarah werd naar het Vélodrome d'Hiver in Parijs gebracht voordat ze naar het concentratiekamp werd gedeporteerd. Tatiana de Rosnay heeft zelfs het voorwoord geschreven voor dit boek.
París, julio de 1942. Las autoridades arrestan a 13.000 judíos ante la mirada de los parisinos, que guardan silencio por miedo, indiferencia o simple interés, pues esperan ocupar las viviendas vacías. El pequeño Michel se oculta en un armario. Su hermana Sarah cierra la puerta para protegerle y se guarda la llave. Pero el destino de la familia Starzynski es protagonizar una de las páginas más tristes de la Historia. París, 2002. Julia Jarmond prepara un reportaje con ocasión del sexagésimo aniversario de la redada. La reportera reconstruye el itinerario de los Starzynski y la lucha de Sarah por salvar a su hermano. La epopeya de la niña judía será un ejemplo a seguir para Julia y para quienes han vivido marcados por el peso de la culpa.
This book talks about things we don’t really learn in school. We learn about the germans and what they did but never about what the french did so this was really an eye-opener. Sarah’s perspective was so sad yet so realistic, I really liked it. I would prefer more of her pov though, I thought it was more interesting. This would’ve been a 4* if I didn’t have to read this for school haha, totally ruined the experience. ( )
"Tatiana de Rosnay offers a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and silence that surround the painful episode in that country's history. De Rosnay's U.S. debut fictionalizes the 1942 Paris roundups and deportations, in which thousands of Jewish families were arrested, held at the Velodrome d'Hiver outside the city, then transported to Auschwitz. Forty-five-year-old Julia Jarmond, American by birth, moved to Paris when she was 20 and is married to the arrogant, unfaithful Bertrand Tezac, with whom she has an 11-year-old daughter. Julia writes for an American magazine and her editor assigns her to cover the 60th anniversary of the Vel' d'Hiv' roundups. Julia soon learns that the apartment she and Bertrand plan to move into was acquired by Bertrand's family when its Jewish occupants were dispossessed and deported 60 years before. She resolves to find out what happened to the former occupants: Wladyslaw and Rywka Starzynski, parents of 10-year-old Sarah and four-year-old Michel. The more Julia discovers — especially about Sarah, the only member of the Starzynski family to survive — the more she uncovers about Bertrand's family, about France and, finally, herself. Already translated into 15 languages, the novel is De Rosnay's 10th (but her first written in English, her first language). It beautifully conveys Julia's conflicting loyalties, and makes Sarah's trials so riveting, her innocence so absorbing, that the book is hard to put down." Publishers Weekly (starred review)
This is without a doubt the best book I've ever read. I was actually reading it during finals today, and I reached the saddest part in the book and began to cry. This book touched me and made me think like no other book ever has.
Information från den engelska sidan med allmänna fakta.Redigera om du vill anpassa till ditt språk.
My God! What is this country doing to me? Because it has rejected me, let us consider it coldly, let us watch it lose its honor and its life. --Irene Nemirovsky, "Suite Francaise" -1942
Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame they fearful symmetry? --William Blake, "Songs of Experience"
Dedikation
Information från den engelska sidan med allmänna fakta.Redigera om du vill anpassa till ditt språk.
To Stella, my mother To my beautiful, rebellious Charlotte In memory of Natacha, my grandmother (1914-2005)
Inledande ord
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The girl was the first to hear the loud pounding on the door. Her room was closest to the entrance of the apartment. At first, dazed with sleep, she thought it was her father, coming up from his hiding place in the cellar. He'd forgotten his keys, and was impatient because nobody had heard his first, timid knock. But then came the voices, strong and brutal in the silence of the night. Nothing to do with her father. "Police! Open up! Now!"
Citat
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Listening to Joshua, I realized how little I knew about what happened in Paris in July 1942. I hadn't learned about it in class back in Boston. And since I had come to Paris twenty-five years ago, I had not read much about it. It was like a secret. Something buried in the past. Something no one mentioned.
There had been over four thousand Jewish children penned in the Vel' d'Hiv', aged between two and twelve. Most of the children were French, born in France. None of them came back from Auschwitz.
On July 16 and 17, 1942, 13,152 Jews were arrested in Paris and the suburbs, deported and assassinated at Auschwitz. In the Velodrome d'Hiver that once stood on this spot, 1,129 men, 2,916 women, and 4,115 children were packed here in inhuman conditions by the government of the Vichy police, by order of the Nazi occupant. May those who tried to save them be thanked. Passerby, never forget!
Avslutande ord
Information från den engelska sidan med allmänna fakta.Redigera om du vill anpassa till ditt språk.
We sat there for a long time, till the crowd around us thinned, till the sun shifted and the light changed. Till we felt our eyes could meet again, without the tears.
Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel' d'Hiv' roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel' d'Hiv's 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that terrible term in the Vel d'Hiv', to the camps, and beyond. As she probes into Sarah's past, she begins to question her own place in France, and to reevaluate her marriage and her life. Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and silence that surround this painful episode.
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